People of the Book: A Novel

( 283 )

Overview

The "complex and moving"(The New Yorker) novel by Pulitzer Prize-winner Geraldine Brooks follows a rare manuscript through centuries of exile and war

Inspired by a true story, People of the Book is a novel of sweeping historical grandeur and intimate emotional intensity by an acclaimed and beloved author. Called "a tour de force"by the San Francisco Chronicle, this ambitious, electrifying work traces the harrowing journey of the famed Sarajevo Haggadah, a beautifully illuminated...

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Overview

The "complex and moving"(The New Yorker) novel by Pulitzer Prize-winner Geraldine Brooks follows a rare manuscript through centuries of exile and war

Inspired by a true story, People of the Book is a novel of sweeping historical grandeur and intimate emotional intensity by an acclaimed and beloved author. Called "a tour de force"by the San Francisco Chronicle, this ambitious, electrifying work traces the harrowing journey of the famed Sarajevo Haggadah, a beautifully illuminated Hebrew manuscript created in fifteenth-century S pain. When it falls to Hanna Heath, an Australian rare-book expert, to conserve this priceless work, the series of tiny artifacts she discovers in its ancient binding-an insect wing fragment, wine stains, salt crystals, a white hair-only begin to unlock its deep mysteries and unexpectedly plunges Hanna into the intrigues of fine art forgers and ultra-nationalist fanatics.

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Editorial Reviews

From Barnes & Noble
March, Geraldine Brooks's second novel, won her the 2006 Pulitzer Prize for Fiction. People of the Book, her third novel, seems headed for comparable acclaim. Its plot revolves ever so gracefully around the true story of the Sarajevo Haggadah, a 14th-century Sephardic holy book that somehow survived centuries of hatred and destruction. Into this real-life epic tale of heroism and chance, Brooks has skillfully woven a historical fiction of uncanny force. In her hands, this improbable, even wondrous story of one document's survival becomes both a timely meditation on faiths in conflict and a tense historical thriller. Superb storytelling; a literary masterpiece tinged with the excitement of rediscovery.
From the Publisher
"Less flash and more substance than The Da Vinci Code . . . The stories of the Sarajevo Haggadah, both factual and fictional, are stirring testaments to the people of many faiths who risked all to save this priceless work."
- USA Today

"As full of heart and curiosity as it is intelligence and judgment."
-The Boston Globe

"Intelligent, thoughtful, gracefully written and original."
-Jonathan Yardley, The Washington Post

"Erudite but suspenseful . . . one of the most popular and successful works of fiction in the New Year."
-Alan Cheuse, NPR / "All Things Considered"

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Product Details

  • ISBN-13: 9780143115007
  • Publisher: Penguin Publishing Group
  • Publication date: 12/30/2008
  • Edition description: Reprint
  • Pages: 416
  • Sales rank: 53,122
  • Product dimensions: 5.00 (w) x 7.60 (h) x 0.70 (d)

Meet the Author

Geraldine Brooks
Geraldine Brooks is the author of Year of Wonders and the nonfiction works Nine Parts of Desire and Foreign Correspondence. Previously, Brooks was a correspondent for The Wall Street Journal, stationed in Bosnia, Somalia, and the Middle East. END

Biography

Australian-born Geraldine Brooks is an author and journalist who grew up in the Western suburbs of Sydney and attended Bethlehem College Ashfield and the University of Sydney. She worked as a reporter for The Sydney Morning Herald for three years as a feature writer with a special interest in environmental issues.

In 1982 she won the Greg Shackleton Australian News Correspondents scholarship to the journalism master's program at Columbia University in New York City. Later she worked for The Wall Street Journal, where she covered crises in the the Middle East, Africa, and the Balkans.

Her first novel, Year of Wonders: A Novel of the Plague was an international bestseller. In 2006, she was awarded the Pulitzer Prize in fiction in 2006 for March, a story that imagines the Civil War experiences of the absent father in Louisa May Alcott's beloved classic Little Women. She has also written nonfiction, including Foreign Correspondence, an award-winning memoir about her search for the international penpals who enriched her childhood.

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Reading Group Guide

INTRODUCTION
Hanna Heath has cultivated a life of exquisite detachment. Raised by an aloof and often absent mother, she has eschewed any kind of deep emotional involvement. But—as an expert on rare books and an Australian whose nationality makes her the least controversial political choice to inspect a priceless Hebrew codex—Hanna is about to be plunged into a dangerous drama that will force her to confront both her past and the passions she has worked so hard to conceal.

It is 1996 when Hanna first flies to Sarajevo. The city’s peace is new and still tenuous, but the opportunity to inspect the famous Sarajevo Haggadah is a career maker that she cannot pass up. A lavishly illuminated medieval Hebrew text, this haggadah is an anomaly that has fascinated scholars for generations and its survival in war-torn Bosnia is hailed as “a symbol of the survival of Sarajevo’s multiethnic ideal.”

Initially put off by her armed U.N. escort and the intense scrutiny of the National Museum, where she is forced to perform her delicate work, Hanna is nonetheless mesmerized by the book’s astonishing beauty. She studies its inks and parchment and recovers a fragment of an insect wing, salt crystals, wine stains, and a single white hair from between the delicate pages. She also notes that the clumsily rebound book is missing its original clasps. Each discovery is a clue that offers to unlock a chapter of the haggadah’s mysterious history.

But Hanna becomes involved with more than the book during her time in Sarajevo. After she completes her initial documentation and repair work and leaves the city, she remains haunted by the few nights of intimacy she shared with Ozren Karaman, the Muslim librarian who braved enemy shelling to rescue the hagaddah. As she travels from Vienna to Boston and then to London in the hope of deciphering her scant evidence, Hanna fleshes out shadows of the book’s past. Simultaneously, Brooks reveals the gripping tale of survival behind each miniscule artifact.

During World War II, a young partisan is saved by the same Muslim who risks his life to protect the haggadah from the Nazis. In fin-de-siècle Vienna, a Jewish doctor unwittingly plays a role in the theft of the book’s clasps. In Inquisition-era Venice, a Catholic priest’s most damning secret spares the book from burning. In Tarragona in 1492, a poor scribe completes the text just days before the expulsion of Spain’s entire Jewish community. And in Seville in 1480, the unlikely artist paints a self-portrait into the Seder illustration.

Hanna is thrilled by her discoveries, little suspecting that her professional and personal worlds are about to come crashing down around her. When she returns to Sarajevo under very different circumstances, Hanna can no longer remain a dispassionate observer and finds that she has become one of the “people of the book” whose passions and sufferings, nobility and frailty, contribute to the hagaddah’s continuing history.

The author of the Pulitzer Prize–winning March and Year of Wonders, Geraldine Brooks has made a name for herself as one of the foremost novelists of our era. In People of the Book—inspired by the true story of the Sarajevo Haggadah—she brilliantly interweaves an epic historical saga of persecution and survival with a powerful modern-day tale of private betrayals and international intrigue.

ABOUT GERALDINE BROOKS

Geraldine Brooks is the author of Year of Wonders and the nonfiction works Nine Parts of Desire andForeign Correspondence. Previously, Brooks was a correspondent for The Wall Street Journal, stationed in Bosnia, Somalia, and the Middle East.

A CONVERSATION WITH GERALDINE BROOKS
Q. Your previous two novels are set during Europe’s plague years and the American Civil War. Now, you’ve created an epic story about art and religious persecution. What is it that draws you to a particular subject, or a particular historical era?

I love to find stories from the past where we can know something, but not everything; where there is enough of a historical record to have left us with an intriguing factual scaffolding, but where there are also enough unknowable voids in that record to allow room for imagination to work.

Q. What do you think it is about the real Sarajevo Haggadah that has allowed it to survive the centuries?

It’s a fascinating question: Why did this little book always find its protectors when so many others did not? It is interesting to me that the book was created in a period—convivencia Spain—when diversity was tolerated, even somewhat celebrated, and that it found its way centuries later to a similar place, Sarajevo. So even when hateful forces arose in those societies and crushed the spirit of multiethnic, interfaith acceptance, there were those individuals who saw what was happening and acted to stop it in any way they could.

Q. Were you already working on People of the Book when March won the Pulitzer Prize? How does winning such a prestigious award affect your writing?

I was working on People of the Book even before I started to write March. I’d been struggling quite a bit with the World War II story: It’s such a picked-over period and I was looking for a backwater of the war that wouldn’t perhaps feel so familiar to readers. That search was leading to a lot of dead ends when I suddenly got the idea for March and it was so clear to me how to write that book that I just did it.

The “Pulitzer Surprise,” as my then-nine-year-old son so accurately dubbed it, affected my writing only in that it interrupted it for a while by drawing renewed attention to March. But after a few weeks of pleasant distraction I was back at my desk, alone in a room, simply doing what I’ve always done, which is trying to write as best I can, day after day.

Q. Book conservation is hardly a glamorous job, but Hanna’s framing narrative is every bit as action-packed and compelling as the stories in the hagaddah’s history. What inspired her creation?

Because I like to write with a first-person narrator, getting the voice of the book is everything to me. I’d struggled a lot with my first idea, which was to have the conservator be Bosnian. I love the way Sarajevans express themselves; it’s a kind of world-weary, mordant wit overlying an amazing ability to absorb and survive great suffering. But I wasn’t getting the voice and the book was stalled as a result. Then I suddenly thought, Well, why shouldn’t she be Australian? That’s a voice I can hear clearly. Hanna came alive in my head and as a result the contemporary story, which I’d originally thought of as merely a framing device for the stories from the past, became much more important.

Q. The scientific resources that Hanna employs to find out more about the book’s artifacts are really fascinating. How much of that is drawn from actual research and how much springs from your imagination?

I went to labs. I interviewed scientists and conservators and observed their work. But the book is fiction, not a technical treatise, so experts will be able to spot a place or two where I took some small liberties.

Q. The Jewish people have endured extraordinary trials. How much about this history did you know before writing the book?

Most of it. The whipsaw of Jewish history has fascinated me since I was in junior high.

Q. Who is your favorite character and why?

That’s like asking a parent to name a favorite child. Hanna became like a good mate, and I actually miss hanging out with her. But I feel a certain tenderness towards all of the characters, perhaps especially the most flawed ones.

Q. People of the Book is set in so many different eras. Was it a more difficult book to research and write than your previous novels?

There was definitely more to research, but it wasn’t difficult. I loved the various journeys—actual and intellectual—that it took me on. Seeing the domes and spires of Venice shimmering in the watery morning light; having the great privilege of meeting Servet Korkut, who supported her husband in resisting fascism; watching Andrea Pataki painstakingly take apart the real Sarajevo Haggadah—these are experiences of a lifetime.

Q. Will the book be published in Bosnia, and if so, what kind of reception do you anticipate?

I hope it will. I have no idea about the reception. It’s very presumptuous, what I do—meddling around in other people’s history. When I went back to Eyam, the plague village, I fully expected a faction of the townsfolk to want to have me clapped in the stocks. (They still have them there.) To my intense relief, the people I met had really embraced the book. I had the same feelings of trepidation when I went to read March in Concord, Massachusetts. I was delighted to be met at the reading by Louisa May Alcott (Jan Turnquist, director of the remarkable Orchard House Museum, in costume), who thanked me for being one of the very few who had tried to understand and appreciate her father. So I hope the people of Bosnia will forgive me for taking liberties with their history and see the book as a tribute from someone who was inspired by the remarkable spirit of Sarajevo.

Q. What are you working on now?

I’m just at the earliest stages of exploring an intriguing story set very close to home, on Martha’s Vineyard. It concerns people who lived on this island in 1666, one of my favorite years, and seems to have just the right mix of knowns and unknowables—a lovely incomplete scaffold to build on.

DISCUSSION QUESTIONS

  • When Hanna implores Ozren to solicit a second opinion on Alia’s condition, he becomes angry and tells her, “Not every story has a happy ending.” (p. 37) To what extent do you believe that their perspectives on tragedy and death are cultural? To what extent are they personal?
  • Isak tells Mordechai, “At least the pigeon does no harm. The hawk lives at the expense of other creatures that dwell in the desert.” (p.50) If you were Lola, would you have left the safety of your known life and gone to Palestine? Is it better to live as a pigeon or a hawk? Or is there an alternative?
  • When Father Vistorni asks Rabbi Judah Ayreh to warn the printer that the Church disapproves of one of their recently published texts, Ayreh tells him, “better you do it than to have us so intellectually enslaved that we do it for you.” (p. 156) Do you agree or disagree with his argument? With the way he handled Vistorni’s request?
  • What was it, ultimately, that made Father Vistorini approve the haggadah? Since Brooks leaves this part of the story unclear, how do you imagine it made its way from his rooms to Sarajevo?
  • Several of the novel’s female characters lived in the pre-feminist era and certainly fared poorly at the hands of men. Does the fact that she was pushing for gender equality—not to mention saving lives—justify Sarah Heath’s poor parenting skills? Would women’s rights be where they are today if it weren’t for women like her?
  • Have you ever been in a position where your professional judgment has been called into question? How did you react?
  • Was Hanna being fair to suspect only Amitai of the theft? Do you think charges should have been pressed against the culprits?
  • How did Hanna change after discovering the truth about her father? Would the person she was before her mother’s accident have realized that she loved Ozren? Or risked the dangers involved in returning the codex?
  • There is an amazing array of “people of the book”—both base and noble—whose lifetimes span some remarkable periods in human history. Who is your favorite and why?
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Customer Reviews

Average Rating 4
( 283 )
Rating Distribution

5 Star

(127)

4 Star

(84)

3 Star

(46)

2 Star

(18)

1 Star

(8)

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See All Sort by: Showing 1 – 20 of 284 Customer Reviews
  • Posted December 9, 2008

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    A reviewer

    In 1996, Sydney, Australian resident Hanna Heath receives a call from the UN as they want to use her rare book conservator expertise. Apparently the renowned Sarajevo Haggadah, thought destroyed during the Bosnian War, has been found. Harriet is euphoric as she knows the value of this incredible ancient Hebrew tome with its images.-------------- Although a loner whose only love is rare books, when Hanna meets the ¿savior¿ Muslim librarian Karaman, they are attracted to one another. Still it is the book that holds her enthralled as she begins to uncover other artifacts of the past buried inside the pages (white hair, insect wing, salt, and a wine stain) and items missing (lost fasteners). Each tells a unique story about who held the precious Sarajevo Haggadah.-------------------- PEOPLE OF THE BOOK is an interesting tale that uses the discoveries by Hannah to take the reader back in time to meet those who handled the ancient tome in various eras like 1940 Bosnia, 1480 Seville, and 1492 Barcelona, etc. Each entry provides a historical conflict between a person protecting the book and those wanting to defile the book. Throughout this superb fiction tale is the underlying message that the time for the Jews, Muslims and Christians to unite in peace is now not tomorrow as all have more in common than the differences that divide them.------------ Harriet Klausner

    22 out of 24 people found this review helpful.

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  • Anonymous

    Posted June 27, 2009

    The book cover was beautiful. After that the story was lacking

    A beatiful cover. No discerible plot and terrible storyline structure. First we are in a museum studying books then all of a sudden in Nazi Germany the story then evolved to a troubled family member. The storyline is all over the place without an organization towards a plot. Since I am a person that enjoys reading, I cannot remember the last time I did not finish a book. The storyline was so erratic and unfufilling, I earnestly tried to keep reading and reached the middle of the book. At that time I came to the realization it was no longer worth my time or effort to continue. I closed the book and do not intend upon picking it up again.

    8 out of 15 people found this review helpful.

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  • Posted July 20, 2010

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    I Also Recommend:

    History and Fiction Blended to Perfection

    I love it when a book is able to seamlessly & eloquently combine fiction and history, leaving you wondering where fiction ends and truth begins. As a voracious reader, I enjoy being able to delicately step through a story's pages & revel in the imagination of the writer, whilst learning a new nugget of actual history that sadly, didn't make any of my history classes in high school or college. People of the Book does just that. This is a treat beyond all compare, beauty of history & story within front and back covers. The Haggadah is a Jewish book that is read on the first night of Passover and tells the stories of enslavement, and the subsequent miracles performed by God which ultimately resulted in freedom.

    In People of the Book, Hannah Heath is a rare books expert from Australia who travels to battle-torn Sarajevo in 1996. Her task is to preserve the beautiful Sarajevo Haggadah that has just been uncovered after 100 years. This Haggadah, though, is very different both in color and in sketch -- odd that it has survived throughout the years, since its original creation date sometime in the 14th century in Spain would have been during a time when drawing a person and illuminating it as such, although clothed, was considered offensive. Somehow it has survived throughout the years from the Spanish Inquisition to the Holocaust. Piqued by this curiosity, & passionate about preservation, Hannah also finds several items that are encapsulated within the pages of the book, such as a red stain, or a white hair, or an insect wing, & these objects become the opportunity for the author to explain in whose hands this book may have fallen, and the significance they earned in history. We watch the book travel from Venice and to Vienna, & we learn the stories of the people who held the book, cared for the book, and saved the book, ultimately saving a critical piece of Jewish history. Although some of these sections are fictionalized, the story of the Sarajevo Haggadah sends the message to the reader that it has become even more than just the colorful drawings and the binding of it, but about the people of the book, the people who fought and died for this incredible piece of history.

    I found this refreshing & moving, & I was struck by the significance of a book that is of such beauty and importance to history. It made me wonder who really were the people that protected it through hundreds of years? Geraldine Brooks writes each character & scene in such a fluid manner, moments depicted with such heartbreak, such horror, and yet with hope. It moved quickly for me & it wasn't long before I finished. When I closed the book, I felt regret that I had never learned of this subject and felt that it was a duty of mine to learn more on such an important topic.

    Reading People of the Book has made my visits to the museum a much different experience, awareness more profoundly etched within me, as I look at an object on display-in whose hands did this significant artifact fall, how did this manage to survive time and human ignorance to get to this museum behind protected glass, for me to view? And on my list of places to visit, I will add Sarajevo no matter how battle-torn, simply to be able to visit with the amazing Sarajevo Haggadah, where it is on permanent display.

    7 out of 8 people found this review helpful.

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  • Anonymous

    Posted August 25, 2008

    Edwina Wren is a disaster as reader

    of this book. Her Aussie accent is extremely grating, which makes the hard-nosed narrator of the book even less appealing than she is in print. Edwina's attempts at mimicing German/Jewish/Middle Eastern accents would be laughable if they weren't so stereotypical/painfully bad. The book was written in English, so there is no excuse for having the characters speak in accented English. That is an affectation of the reader, who also mispronounces many words.

    6 out of 17 people found this review helpful.

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  • Posted March 5, 2009

    more from this reviewer

    ugh social politics outlet

    I found this book to be a really interesting piece of historical fiction. However, all of the gratuitous sex and Ms. Brooks social politics made a potential good read a preachy outlet for her world view. I still give it three stars because the historical fiction pieces were well thought out.

    4 out of 5 people found this review helpful.

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  • Posted December 31, 2008

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    I Also Recommend:

    Another great book from a great modern writer

    I found this book so compelling that I could not put it down. The story is based on a real book -- the Sarajevo Haggadah. But it so much more than a story of the survival of a particular book. It is in essence the story of survival of people. Not just the Jews, who are popularly known as the "people of the book," but of humanity in general. It is a book of hope -- that as long as good people exist AND take a stand the world will endure.<BR/><BR/>I also must say that Geraldine Brooks continues to impress me as an author. This now make three of her novels that I have read and I did not realize until I was reading the author bio prior to book club that she had written the other two (Year of Wonder and March). This is a tribute to Ms. Brooks skill as a writer. She writes so well and is versatile as well. There are too few modern writers that I can say continue to surprise me with their works and the surprise is good. Even when I disagree with her approach (I hated March at first) she makes me think and consider my prejudices. Long may she write and continue to surprise and please with great plots and literate prose.

    3 out of 3 people found this review helpful.

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  • Posted February 15, 2011

    more from this reviewer

    What a wonderful book!

    What more could a book lover ask for but a history of a book and all the people that ever loved it, protected it, and created it. I highly recommend this book.

    2 out of 2 people found this review helpful.

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  • Posted December 27, 2010

    Highly recommend- you'll want to read it again at a later date

    A lot going on in this one- drama, mystery,surprises and an opportunity to learn about history,culture and human nature.

    1 out of 1 people found this review helpful.

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  • Posted August 21, 2010

    Well written, interesting but in the end not a thrill

    I want to start by saying I loved the Year of Wonders, it was one of the best stories I ever read. This was also well written but not as genuine as Wonders. I am tired of female characters who are just a little too cool, hate their mothers and don't need anyone.
    That said Hanna is interesting and the details of her work are explained in detail but I enjoyed learning about book conservation to a point. I found it a bit difficult to follow at times but loved the old stories and how it all tied in. This is a story of the injustices against the Jews throughout history and Brooks makes sure the Jewish characters are also the ones with character.

    1 out of 1 people found this review helpful.

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  • Posted July 9, 2010

    more from this reviewer

    I Also Recommend:

    The journey of a rare illuminated manuscript through centuries of exile and war

    Man, I love big, fat books in which I can totally get lost. And this book, spanning multiple countries over 500 years, is the ultimate saga covering art, religious persecution, book conservation, and more. I know that the length of the book can seem intimidating, but readers who are interested in these themes will not be sorry they read it.

    Interspersed throughout Hanna's narrative in 1996 Sarajevo are the stories of the various people throughout history who were in some way connected with the survival of the ancient Haggadah. Each period we visit in the book's history corresponds with a fragment or small object found by Hanna's conservation efforts of the ancient book. On the journey, readers will encounter war, discrimination, prejudice, and tradition that lasts for centuries.

    The Hagaddah in the book is in fact based on a real object, the Sarajevo Hagaddah, written around 1314 in Spain.

    1 out of 1 people found this review helpful.

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  • Posted November 15, 2009

    Great Locations!

    Did not like the main character. Seemed ambigous in her love life. History of the book is fascinating. But,plot was not carried along by weak characterization of the main person.

    1 out of 1 people found this review helpful.

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  • Posted October 27, 2009

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    I Also Recommend:

    Excellent story. Great writing. Good read.

    People of the Book is a fascinating story about a beautiful, rare book which has survived centuries of threatened destruction only to be saved time and again by the people who have been captivated by it. The story's main character, Hanna, is a rare-book expert and conservationist who is called to Sarajevo to study the Sarajevo Haggadah and learn all she can about this brilliant masterpiece. In her examination of the book she finds several small, seemingly inconsequential clues as to where the book has been and whose lives it has touched. The author cleverly weaves together chapters dedicated to each clue, i.e. "The White Hair," with chapters of Hanna's modern-day struggles to unearth the stories associated with the clues all while discovering some of her own tragic family history.

    The characters of the book are well-developed and entirely believable. Hanna and her mother have a loveless, often caustic, relationship which becomes even more troubled when Hanna discovers secrets of her family history that her mother has kept from her all of her life. The mother-daughter dynamic is frustrating and sad, but realistic.

    The stories surrounding the clues Hanna finds in the Haggadah offer fascinating glimpses into the lives of those living in Italy, Bosnia and surrounding areas during various times of anti-Semitic waves of violence throughout the centuries from the late-1400s to World War II. For many readers, these brief glances into the past will open their eyes to a long, history of violence and hatred toward a people that is hard to understand, but necessary to remember.

    People of the Book was a thoroughly enjoyable read from beginning to end. It was very well written and incredibly intriguing. Often in books with more than one story line, one story will lack the ability to keep the reader just as enthralled as the parallel story. Such was not the case with People of the Book. Learning the stories of the people who unknowingly left clues in the Haggadah was just as engrossing as following Hanna as she discovered the mysteries of her own family history and what the Haggadah meant to her. People of the Book is recommended to anyone who enjoys being captivated by an excellent story and learning a bit of history at the same time.

    1 out of 2 people found this review helpful.

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  • Posted June 6, 2009

    more from this reviewer

    This was a great book for book clubs. It lead our bookclub into many different avenues of discussion.

    It was very interesting to see facts intertwined with fiction as Geraldine Brooks took us on a tour of the Sarajevo Haggadah. Her perspectives of the events during these different periods of history were intriguing.

    1 out of 1 people found this review helpful.

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  • Posted October 30, 2008

    more from this reviewer

    I Also Recommend:

    Story of an Ancient Book

    I enjoyed this tale of a Hebrew sacred text dating back to the 15th century. The book is unique because not only did it survive the Inquisition, but it contains gorgeous illuminated illustrations more typical of those in Catholic devotional books. How did this happen? The mystery is slowly unraveled, starting with the book's more recent history and moving deeper into the past until its origins in Spain are revealed.<BR/>This can make it occasionally confusing, since most sagas of this type start at the beginning. But the reader is rewarded in the end! Alternating chapters tell the story of Hanna, a rare book conservator in the current era, who becomes involved with the ancient volume and finds both betrayal and love as a result.

    1 out of 1 people found this review helpful.

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  • Posted October 25, 2008

    more from this reviewer

    Co-Existence

    An interesting trip back through the centuries involving the creation and preservation of a Jewish haggadah. The critical point being that this precious book was saved time and time again by those of a different faith. The one word that I will take away from this book forever is "Convivencia" meaning "co-existence." A time in Spain when Catholics, Muslims and Jews lived in relative peace. I pray for Convivencia around the world today!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted June 1, 2008

    one of the best audio books ever!

    Excellent audio book! Great narrator! One of the best ever, right up there with The DaVinci Code and Shadow of the Wind! A must for unabridged listening devotees!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 22, 2008

    I couldn't put it down, but did not want to finish it!

    What a lovely read! The characters are beautifully drawn and the plot engaging. As I neared the end of the book, I found myself slowing down because I did not want to finish it! I have read Ms. Brooks' other forays into fiction. This is my favorite! Highly recommended!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted March 1, 2008

    Love Story of a People, a Book, a Woman

    Inspired by her experiences as a journalist in Sarajevo, Geraldine Brooks breathes life into the history of a rare illustrated Hebrew manuscript, the Sarajevo Haggadah. People of the Book spans centuries and continents to follow the guardians of the Haggadah as they flee war and persecution, often with little but the clothes on their back and their precious artifact. Muslims, Catholics, Jews and atheists take their turns defending the art, literature and culture encompassed in the small, fragile volume. The religions that set The People of the Book apart have their common roots in the pictures and stories in the Haggadah. Every event in the novel resonates with our news today, as cultural treasures, individuals and ethnic groups are being destroyed by the same ancient divisions and hatreds, and the same greed for power and wealth that endangered the book and its keepers over hundreds of years. A story of manuscript conservation and scientific inquiry which could easily be dry and boring vibrates with energy and life in this unforgettable novel. The people of the book are fascinating characters living in interesting times and their lives are relevant to ours, their choices and decisions speak to the greatest issues of our times.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 22, 2008

    An antidote to my fear of the proliferation of female authors!

    Wow, I just turned the last page and I'm digging way back to try and remember a more enjoyable read. Geraldine Brooks proves that illumination can be done with more than just brushes and ink. So very nice to have discovered and read dow this marvelous book.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 14, 2008

    A beautiful book about a book

    I really enjoyed this book and the wonderful characters and stories that the author created to describe the history of 'the book'. I also loved the way the book brought out the possibility of societies in which Christians, Jews, and Muslims not only live together peacefully but share art and culture.

    1 out of 1 people found this review helpful.

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