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Mick SussmanSellers works in the approved style of post-gonzo rock journalism, with an arch, self-deprecating, emphatic tone, digressive footnotes and "10 best" lists. His clowning about cheesy 1980s culture is only intermittently amusing, but whenever he immerses himself in the esoterica of alternative music the book improves. His knowledge of the subject is impressively obsessive.
—The New York Times