Perfect Peace: A Novel
As seen on TikTok, Daniel Black’s Perfect Peace is the heartbreaking portrait of a large, rural southern family’s attempt to grapple with their mother’s desperate decision to make her newborn son into the daughter she will never have—“a complex, imaginative story of one unforgettable black family in mid-twentieth century Arkansas” (Atlanta Magazine).

When the seventh child of the Peace family, named Perfect, turns eight, her mother Emma Jean tells her bewildered daughter, “You was born a boy. I made you a girl. But that ain’t what you was supposed to be. So, from now on, you gon’ be a boy. It’ll be a little strange at first, but you’ll get used to it, and this’ll be over after while.”

From this point forward, Perfect’s life becomes a bizarre kaleidoscope of events—while the rest of his family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

“A morality tale of the consequences of letting our selfish needs trap the ones we love into roles they weren’t born to play. The characters here are as flawed, their sins numerous, as any living human being held under the lens, but the author brings a compassion and understanding to their plights.”—Mat Johnson, award-winning author of Invisible Things

“Part cautionary tale, part folk tale, part fable, Daniel Black’s Perfect Peace is a complete triumph…In Emma Jean Peace, Dr. Black has created a character as complex, equivocal and unforgettable as Scarlett O'Hara.”—Larry Duplechan, Lambda Literary Award-winning author of Got ’Til It’s Gone

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Perfect Peace: A Novel
As seen on TikTok, Daniel Black’s Perfect Peace is the heartbreaking portrait of a large, rural southern family’s attempt to grapple with their mother’s desperate decision to make her newborn son into the daughter she will never have—“a complex, imaginative story of one unforgettable black family in mid-twentieth century Arkansas” (Atlanta Magazine).

When the seventh child of the Peace family, named Perfect, turns eight, her mother Emma Jean tells her bewildered daughter, “You was born a boy. I made you a girl. But that ain’t what you was supposed to be. So, from now on, you gon’ be a boy. It’ll be a little strange at first, but you’ll get used to it, and this’ll be over after while.”

From this point forward, Perfect’s life becomes a bizarre kaleidoscope of events—while the rest of his family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

“A morality tale of the consequences of letting our selfish needs trap the ones we love into roles they weren’t born to play. The characters here are as flawed, their sins numerous, as any living human being held under the lens, but the author brings a compassion and understanding to their plights.”—Mat Johnson, award-winning author of Invisible Things

“Part cautionary tale, part folk tale, part fable, Daniel Black’s Perfect Peace is a complete triumph…In Emma Jean Peace, Dr. Black has created a character as complex, equivocal and unforgettable as Scarlett O'Hara.”—Larry Duplechan, Lambda Literary Award-winning author of Got ’Til It’s Gone

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Perfect Peace: A Novel

Perfect Peace: A Novel

Perfect Peace: A Novel

Perfect Peace: A Novel

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Overview

As seen on TikTok, Daniel Black’s Perfect Peace is the heartbreaking portrait of a large, rural southern family’s attempt to grapple with their mother’s desperate decision to make her newborn son into the daughter she will never have—“a complex, imaginative story of one unforgettable black family in mid-twentieth century Arkansas” (Atlanta Magazine).

When the seventh child of the Peace family, named Perfect, turns eight, her mother Emma Jean tells her bewildered daughter, “You was born a boy. I made you a girl. But that ain’t what you was supposed to be. So, from now on, you gon’ be a boy. It’ll be a little strange at first, but you’ll get used to it, and this’ll be over after while.”

From this point forward, Perfect’s life becomes a bizarre kaleidoscope of events—while the rest of his family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

“A morality tale of the consequences of letting our selfish needs trap the ones we love into roles they weren’t born to play. The characters here are as flawed, their sins numerous, as any living human being held under the lens, but the author brings a compassion and understanding to their plights.”—Mat Johnson, award-winning author of Invisible Things

“Part cautionary tale, part folk tale, part fable, Daniel Black’s Perfect Peace is a complete triumph…In Emma Jean Peace, Dr. Black has created a character as complex, equivocal and unforgettable as Scarlett O'Hara.”—Larry Duplechan, Lambda Literary Award-winning author of Got ’Til It’s Gone


Product Details

ISBN-13: 9781799976615
Publisher: Tantor Audio
Publication date: 03/01/2021
Product dimensions: 5.59(w) x 5.91(h) x 0.94(d)

About the Author

Daniel Black is a native of Kansas City, Kansas, yet spent the majority of his childhood years in Blackwell, Arkansas. He is an associate professor at his alma mater, Clark Atlanta University, where he now aims to provide an example to young Americans of the importance of self-knowledge and communal commitment. He is the author of They Tell Me of a Home and The Sacred Place.

Read an Excerpt

Perfect Peace


By Black, Daniel

St. Martin's Press

Copyright © 2010 Black, Daniel
All right reserved.

ISBN: 9780312582678

Chapter 1

Gus stood beside the living room window, waiting for the annual spring rains. They should have come by now, he noted, glancing at the battered Motley Funeral Home calendar hanging from a nail on the wall. It was May 17, 1940, and Gus’s wilted crops made him wonder if, somehow, he had angered Mother Nature. Usually the rains came between March and April, freeing him to hunt or fish the latter part of spring while cabbage, collard, and tomato sprouts strengthened in the moistened earth. That year, the stubborn rains prolonged the daily sojourn Gus and the boys took to the river and back—locals called it the Jordan—carrying five-gallon buckets of water for both their own and the sprouts’ survival.

Gus loved the rains. As a child, he lay in bed listening to the thunderous polyrhythms they drummed into the rusted tin rooftop. Something about the melody soothed his somber soul and allowed him to cry without fear of his father’s reprisal. After all, he was a boy, Chester Peace Sr. loved to remind him—as though his genitalia didn’t—and tears didn’t speak well for one who would, one day, become a man. The indelible imprint of Chester Sr.’s inordinately large hand on Gus’s tender face whenever he wept never bothered the boy who, in his heart, wantednothing more desperately than to emulate his father. But as he grew, he never learned to control his tears. He learned instead to hide whenever he felt their approach.

The rains awakened something in him. Maybe it was their steady flow that eroded his makeshift stoicism and caused water to gush from his eyes as if from a geyser. What ever the connection, Gus always wept along with the rains. He’d convinced himself that the sky, like him, was cursed with a heavy heart that required annual purging. So every spring since his tenth birthday, when the scent of moisture filled his nose he escaped to the Jordan River and stood amid the rain, wailing away pain like a woman in labor. Whether it lasted for hours or even a day, no one expected his return to normalcy until the showers subsided.

Gus was grateful others didn’t ask why he cried, because he couldn’t have explained it. Had he known words like "injustice" or "inequity" he might’ve been able to translate his feelings into words, but with a third-grade vocabulary, such articulation was out of the question. All he knew was that he cried when things weren’t right. He wept as a child when other children mocked his holey shoes, and then he wept when God refused to grant him the courage and the will to fight. He wept for mother birds that couldn’t find worms for their young. He wept for cows left freezing in the snow. He wept for Miss Mazie—the woman whose husband slashed her with a butcher’s mallet for talking back—and wept even harder when he overheard that they put the man away. Most of all he wept because he thought people in the world didn’t care.

His hardest days were between the rains. At the most inopportune moments, in the middle of the summer or the bitter cold of winter, he’d witness a wrong and water would ooze, unannounced, across his cheeks and he’d be forced to retreat into some private place where his tears wouldn’t be cause for ridicule. Yet these momentary cleansings never resulted in Gus’s complete healing. Only the annual spring rains set his heart aright again, so, after the third grade—the end of Gus’s formal education—he began anticipating the rains’ arrival. As soon as the first buds bloomed, he’d watch the heavens for signs of inclement weather, and when the dark clouds gathered, he’d run to the Jordan and welcome the downpour. After 1910, locals noted the beginning of spring when they heard Gus wailing in the distance and, whether out of fear or simple disinterest, no one bothered traveling to the riverbank to see exactly what Gustavus Peace was doing, much less why.

He needed the rains of 1940 worse than he’d ever needed them, for the impending birth of his seventh child—the only one he had never wanted—incited rage he feared he couldn’t restrain. Yet the rains wouldn’t come. Each morning he jumped from his sleeping pallet on the floor, sniffing the air like a Labrador retriever, hoping to smell the sweet scent of moisture, only to be disappointed when his nostrils inhaled particles of dry, pungent, red dust. Having never mentioned to his wife, Emma Jean, that he felt deceived by the pregnancy, Gus had waited since her ecstatic November announcement to unleash with the spring rains instead of strangling her. His greatest fear now was that an overflowing heart would cause him to crumble before his sons. Each day, his eyes glazed over and his hands began to tremble, and he cursed the rains for seemingly having abandoned him. So far, he had remained composed, but he knew he wouldn’t last much longer.

When Emma Jean screamed, Gus released the curtain, turned from the window, and looked toward their bedroom. It was really her bedroom, he thought, for he had slept on the floor since learning of her pregnancy. He liked it that way. It kept him from touching her and creating another mouth to feed. He wouldn’t have touched her this last time had Emma Jean not convinced him that she couldn’t have any more children. Gus asked why, and Emma Jean said that she was going through the change. He didn’t know exactly what that meant, but he took her at her word. The day she confessed her pregnancy, Gus nodded and promised in his heart never to touch her again. That would keep the children from coming, he reasoned, and that was exactly what he wanted.

"Push!" Henrietta coaxed with her hands cupped around the wet, slimy crown of the baby’s head.

Beads of sweat danced across Emma Jean’s shiny black forehead as she panted. With borrowed might, she clutched the sheets on which she lay and bellowed, "Ahhhhhhhhhhhhhhh!" tossing her head from one edge of the pillow to the other. "Oh my God! I thought havin’ a girl"—breath—"would be easier than havin’ them big, knucklehead boys."

Henrietta chuckled. She had delivered almost every child in Conway County, Arkansas, since the 1920s, and if nothing else, she had learned that a baby’s gender could never be predicted. "This might be another boy, Emma," she warned softly. "Don’t get yo’ hopes up too high. Plenty women think they havin’ one thing and have somethin’ else. Now breathe and push again."

Emma Jean sighed, refusing to relinquish hope that she was finally birthing the daughter she’d always wanted. That hope lent her strength to push again. "AHHHHHHHHHHHHH!" she growled, exposing the rich, deep alto for which folks at St. Matthew No. 3 Baptist Church were grateful. It was this voice that had caught Gus’s attention years ago, teasing his soul one Easter Sunday morning with a rendition of "He Rose" that left him tingling inside. He called the feeling love and asked Emma Jean to marry him. That was fifteen years ago. Back when he was a fool, he always said.

"It won’t be long now!" Henrietta encouraged. "Just a few more pushes and we’ll have ourselves another baby."

Emma Jean gripped the iron bars of the headpost and stared at the ceiling, delirious. She wanted to push again, but couldn’t find the strength. In the meantime, she wondered if Gus had decided upon a name, since he hadn’t liked any of her choices.

"What about Rose?" she’d posed one night, leaning over the edge of the bed.

Gus grunted something unintelligible and pulled the battered quilt over his head.

Emma Jean interpreted the response as a no. "Then what about Violet? Or maybe Priscilla?"

Too sle

Continues...


Excerpted from Perfect Peace by Black, Daniel Copyright © 2010 by Black, Daniel. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Reading Group Guide

Daniel Black on writing Perfect Peace

I conceived this book one day, in 2005, when I saw a child and couldn't determine if it was a boy or girl. Then I wondered why it mattered at all. I knew the child was human; that wasn't up for question. But by desire to know lingered. I began to imagine the price the child was paying as the world sorted out its gender, or created one. My imagination ran free. I situated the story in the rural, segregated south in order to explore the specific ways in which southern black folk grapple with issues of gender, and I wanted to examine just how far a community is willing to go to "right" what they feel is wrong in one of its members. I also wanted to examine the ways in which patriarchy and homophobia have shaped the black community's constructs of God and salvation, leading its members to denounce and demean all in the name of something holy.

Perfect Peace was extremely difficult to write for three reasons: (1) appropriating the language and perception of black people at the time with regards to social dimensions of gender and sexuality, (2) trying to imagine how a child would cope with such an extraordinary identity crisis in the midst of people who aren't sympathetic to such a dilemma, and (3) trying to figure out how such a kaleidoscope of events could be survived BEFORE the age of therapy and counseling, at least in the black community. But this was important because many who were different DID survive. Perfect Peace is one telling/imagining of that great survival.
This novel is dear to me and close to my heart because it speaks for those who have been silenced. It validates their existence and suggests to the world that they are not only human, but very possibly divine. More specifically, it forces readers to look at their very narrow ideas of gender and sexuality in hopes of freeing them to love and respect those whom they've traditionally abused and rejected. This book is my Word from God. It announces, partly, why I walk the planet at all: to teach the world that every person is a flower in God's bouquet—precious, rare, sweet, fragile—and should be honored thusly. Only then will God reveal God's self to the world, and we'll see that we all were made in the image. With each word I write, I hope to move humanity toward the day when we'll see that image face to face and we'll know, finally, that God was nothing but all of us combined.


Discussion Questions


1. Emma Jean's decision seems to be unjustifiable. However, is it possible to understand why Emma Jean does what she does? Who is really to blame? Without having healed from her own childhood abuse, can she really be held responsible for her current psychological well-being?

2. How does Gus's emotional fragility contribute unto his abuse of Paul? How is he contradictory in this respect?

3. How do Perfect's brothers both help and hinder his transform into malehood/masculinity?

4. What is the role Sugar Baby plays in Paul's spiritual evolution? Although they speak infrequently, Sugar Baby's impact on Perfect Paul is indelible. Why?

5. What are the places in the novel where Emma Jean's love for her children is made obvious? Cite examples of her being a dedicated, nurturing mother.

6. What role does the church play in the social construction of gender in Swamp Creek? How does the church/church rhetoric "enslave" its members around issues of gender/sexuality?

7. Most readers are surprised by the revelation of Mister's sexuality. Why do you think readers don't suspect him?

8. Eva Mae loves Perfect Paul, regardless of his gender identification. Why isn't Paul attracted to her, especially with all she's done to love and protect him?

9. The Jordan River is personified, such that it assumes a life of its own. How does the Jordan assist Swamp Creek residents in dealing with their communal and personal issues? Is it a "kind" character or a "mean, wrathful" one?

10. When Emma Jean begins to hear The Voice, it sounds like her own conscience at one point and, at other times, it sounds like her mother, and at other times it sounds like something Omniscient. What is the role of The Voice and how does it lead to Emma Jean's ultimate cleansing?

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