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From the PublisherWinner of the Australasian Association for Theatre, Drama and Performance Studies Rob Jordan prize.
Shortlisted for the NSW Premier's Literary Awards Gleebooks Prize and Biennial Prize for Literary Scholarship.
'This brisk and succinct narrative inflects and counters the valorization of cosmopolitanism in global cultural discourse. Its major achievement is to locate diverse cosmopolitan practices within the embattled national imaginary of Australasian theatre. In countering official nationalism and legitimized xenophobia at intensely local and regional levels, it offers substantial evidence of how cosmopolitics can be put into practice at ground levels. This book is immediate and relevant.' - Rustom Bharucha, author of The Politics of Cultural Practice and Theatre and the World
'This is an important book for the breadth of discussion of theatre work that it offers...The book provides a priceless record of a great deal of neglected, ephemeral and courageous theatre practice. It is particularly valuable in its ground-breaking study of Asian-Australian theatre-a topic which has here for the first time been given the attention that it so clearly deserves.' - Adrian Kiernander, Tom Burvill and Maryrose Casey, Rob Jordan Prize committee, Australasian Drama Studies Association, Australia
'Their [Gilbert and Lo] comprehensive and detailed research will surely make this volume an indispensable resource in Australian theatre scholarship, and a valuable case study for scholars of other national theatres, but the methodological contribution the book makes to performance studies is doubly significant.' - Margaret Werry, The Drama Review
'Gilbert and Lo have made a sophisticated, nuanced, and carefully situated contribution to the cosmopolitics of cross-cultural performance that is required reading for anyone interested in Australian theatre, or in cross-cultural performance anywhere.' - Ric Knowles, Theatre Jourbanal