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Contemporary Latina/o Performing Arts of Moraga, Tropicana, Fusco, and Bustamante demonstrates the crucial significance of looking at theatrical performance for rethinking critical inquiry. Leah Garland closely analyzes the theoretical tools with which prominent theater artists—Cherríe Moraga, Carmelita Tropicana, Coco Fusco, and Não Bustamante—challenge neocolonial parameters for self-examination. Garland shows how the self-affirmative maneuvers that these artists deploy reconceptualize the subject in literary theory.
1 Cherrie Moraga's Writing Toward Difference 11
2 Alina Troyano's Performative Autobiography: The Carmelita Solution in Milk of Amnesia/Leche de Amnesia 45
3 The Exchanges of Coco Fusco and Nao Bustamante's Stuff 67
Posted February 8, 2009
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