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author of The Jewish Kulturbund Theatre Company in Rebecca Rovit
Lisa Peschel’s beautifully-produced, edited Performing Captivity, Performing Escape: Cabarets and Plays from the Terezín Ghetto is a valuable addition to scholarship related to the cultural heritage of the Holocaust: theatre art produced in situ at camps and ghettos during the years 1933-1945. Peschel’s collection assembles for the first time in English play texts from the ghetto’s Czech and Austrian repertoire between 1942 and 1944. The book’s mosaic structure with its plentiful photographs and archival documents allows readers to engage with interconnected details of a performer’s biography, the context within which the text was written, performed, and translated. In this way, we gain insight into the vital cultural life of Terezín as well as its legacy. Peschel’s meticulous research on Terezín includes the assistance of surviving performer-witnesses to translate and recreate the play texts. This benefits cultural historians and theatre practitioners alike who wish to understand something about the performers and their performances, with an eye to re-staging the texts on today’s stages.