Performing Glam Rock: Gender and Theatricality in Popular Music / Edition 1

Performing Glam Rock: Gender and Theatricality in Popular Music / Edition 1

by Philip Auslander
     
 

ISBN-10: 0472068687

ISBN-13: 9780472068685

Pub. Date: 02/02/2006

Publisher: University of Michigan Press

" . . this book is excellent. Somebody has finally got 'me' right, and in fact, the entire genre of glam rock."
-Suzi Quatro

"Performing Glam Rock reminds us just how important music, and especially popular music, is as a site for understanding subjectivity and social movements through performance. . . . A useful book on an undertheorized but important

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Overview

" . . this book is excellent. Somebody has finally got 'me' right, and in fact, the entire genre of glam rock."
-Suzi Quatro

"Performing Glam Rock reminds us just how important music, and especially popular music, is as a site for understanding subjectivity and social movements through performance. . . . A useful book on an undertheorized but important genre of popular music-glam rock."
-Susan Fast, author of In the Houses of the Holy: Led Zeppelin and the Power of Rock Music

When it first appeared in the early 1970s, glam rock not only caused a stir among audiences and performers, it also stood counterculture and psychedelic rock on their heads. Glam rock was outrageous and overtly theatrical, and its unforgettable characters-adorned with flamboyant costumes and heavy makeup and accompanied by elaborately constructed sets-were personified by performers such as Marc Bolan, David Bowie, Bryan Ferry, and Suzi Quatro. A sea change in rock performance had occurred.

Yet glam was as much about substance as style, and Performing Glam Rock delves into the many ways glam paved the way for new explorations of identity in terms of gender, sexuality, and performance. Philip Auslander positions glam historically and examines it as a set of performance strategies, exploring the ways in which glam rock-while celebrating the showmanship of 1950s rock and roll-began to undermine rock's adherence to the ideology of authenticity in the late 1960s.

In this important study of a too-often-overlooked phenomenon, Auslander takes a fresh look at the genius of the glam movement and introduces glam to a new generation of performance enthusiasts and scholars alike.

Philip Auslander is Professor in the School of Literature, Communication, and Culture at the Georgia Institute of Technology and author of numerous books, including Liveness: Performance in a Mediatized Culture and Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. He is editor of the major reference work Performance: Critical Concepts and coeditor, with Carrie Sandahl, of Bodies in Commotion: Disability and Performance.

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Product Details

ISBN-13:
9780472068685
Publisher:
University of Michigan Press
Publication date:
02/02/2006
Edition description:
New Edition
Pages:
272
Sales rank:
1,028,462
Product dimensions:
5.90(w) x 8.90(h) x 0.90(d)

Table of Contents

Introduction : personal and disciplinary reflections1
1Glamticipations : rock faces the 1970s9
2Glamography : the rise of glam rock39
3King of the highway, queen of the hop : Marc Bolan and the evolution of glam style71
4Who can I be now? : David Bowie and the theatricalization of rock106
5Inauthentic voices : gender bending and genre blending with Bryan Ferry and Roy Wood150
6Suzi Quatro wants to be your man : female masculinity in glam rock193
Glamology : glam rock and the politics of identity227

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