Perma Red

( 6 )


On the reservation, danger looms everywhere, rising out of fear and anger, deprivation and poverty. Fiery-haired Louise White Elk dreams of both belonging and escape, and of discovering love and freedom on her own terms. But she is a beautiful temptation for three men-each more dangerous than the next-who will do anything to possess her...

Read More Show Less
... See more details below
Available through our Marketplace sellers.
Other sellers (Paperback)
  • All (9) from $16.28   
  • New (3) from $44.02   
  • Used (6) from $16.28   
Sort by
Page 1 of 1
Showing All
Note: Marketplace items are not eligible for any coupons and promotions
Seller since 2010

Feedback rating:



New — never opened or used in original packaging.

Like New — packaging may have been opened. A "Like New" item is suitable to give as a gift.

Very Good — may have minor signs of wear on packaging but item works perfectly and has no damage.

Good — item is in good condition but packaging may have signs of shelf wear/aging or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Acceptable — item is in working order but may show signs of wear such as scratches or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Used — An item that has been opened and may show signs of wear. All specific defects should be noted in the Comments section associated with each item.

Refurbished — A used item that has been renewed or updated and verified to be in proper working condition. Not necessarily completed by the original manufacturer.

Excellent condition. Interior is tight, bright and clean. Paperback cover has minor scuffing and corner bumps from shelf wear. FREE delivery upgrade - If you live in the USA this ... item will arrive in 4 to 6 business days when you choose the lowest cost shipping method when checking out. 100% Satisfaction Guaranteed. All items are carefully enclosed with bubble wrap. We ship promptly and worldwide via US Post and will email you a tracking number. Read more Show Less

Ships from: Emigrant, MT

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
Seller since 2015

Feedback rating:


Condition: New
Brand New Item.

Ships from: Chatham, NJ

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
Seller since 2015

Feedback rating:


Condition: New
Brand new.

Ships from: acton, MA

Usually ships in 1-2 business days

  • Standard, 48 States
  • Standard (AK, HI)
Page 1 of 1
Showing All
Sort by
Sending request ...


On the reservation, danger looms everywhere, rising out of fear and anger, deprivation and poverty. Fiery-haired Louise White Elk dreams of both belonging and escape, and of discovering love and freedom on her own terms. But she is a beautiful temptation for three men-each more dangerous than the next-who will do anything to possess her...

Read More Show Less

Editorial Reviews

From Barnes & Noble
Barnes & Noble Discover Great New Writers
In Perma Red, Montana's Flathead Indian Reservation in the 1940s comes alive -- a virtual vortex of desire, magic, and danger. At its center is Louise White Elk, a young half-breed with fine bones and a tough spirit, treacherously flirting with love and trouble. Louise spends day and night teasing three very different men: Baptiste Yellow Knife, a full-blooded Indian and son of a snake handler, fluent in his native language and rituals, and possessed of a legendary bad temper and a taste for booze. Man No. 2 is Charlie Kicking Woman, a reservation cop torn between his duty to the white man's world and to his own; and the third is Harvey Stoner, a well-to-do out-of-towner who believes everything has a price. All three desperately want to own Louise, and for brief moments, she lets them. But when she pulls away, their desire, their egos, and their guilt drive them to commit acts of rage with consequences for which no one is prepared.

Native American Debra Magpie Earling's debut bears witness to her culture and brings a personal dimension to the consequences of ignoring or accepting traditional Indian ways in the modern world. In Perma Red, she casts a compassionate light on the fragile relationship between love and hate, as her characters learn the value of questioning the difference between intention and desire. (Summer 2002 Selection)

Sherman Alexie
This book was great in all its pieces. In totality,it's epic.
Publishers Weekly
Earling follows the literary trail blazed by Louise Erdrich in her poignant if familiar debut novel, which explores life in the tiny town of Perma, Mont., through the adventures of the restless Louise White elk as she struggles with a problematic passion for irresistible bad boy Baptiste Yellow Knife. The tempestuous duo's love-hate relationship is complicated by Charlie Kicking Woman, the local police officer who admires Louise from afar even as she breaks up his marriage. The other romantic subplots are less captivating - Louise's affair with the reservation's white real estate mogul, Harvey Stoner, is contrived and stilted, and Baptiste's attempts to arouse Louise's jealousy are even more forgettable. Narrated alternately by Louise, Baptiste and Charlie, the plot veers between hallucinatory, poetic descriptions of reservation life and tumultuous romantic encounters as Louise and Baptiste conduct their erotic duel, until the passions finally give way to murder. When Harvey decides to attack Baptiste, Louise and Charlie are left to make their own pivotal choices. earling offers first-rate characterizations, and she does an equally fine job portraying tribal life in the Flatland Nation. The predictable and disorganized plot makes this book less memorable than it might have been, but there's little doubt that earling has considerable potential. (June) Copyright 2002 Cahners Business Information.
Debra Magpie Earling is a member of the Confederated Salish and Kootenai Tribes and her understanding of the world and the characters in this first novel runs blood-deep. Like other American authors, for instance Faulkner and Dorothy Allison, who write of unique geographical cultures they grew up in, Earling captures a sense of place and time from inside her world, drawing the reader to its center. Her descriptions of the West are of more than the physical place, but also of the mystical, cultural and traditional worlds that make up who Louise White Elk is. Louise, a young girl growing up in the 1940s in Montana, lives in the small universe of her grandmother and her younger sister. As she grows older, Louise seeks love and three men compete in their own way to give it to her. Nothing is easy for Louise and only her strong will enables her to survive the poverty, depravity and tragedy that seem to dog her every step. On the outside, Louise is damaged goods, but Earling takes the reader way beyond the surface to the core of her being and her world. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2002, Berkley, 308p.,
— Nola Theiss
Library Journal
In this beautiful first novel, set on the Flathead Reservation of Montana in the 1940s, Earling traces the youth and young adulthood of Louise White Elk and the men who try to win her heart and soul. A red-headed, mixed-blood temptress, Louise always has a man or two, none of whom is any good for her. Throughout, a third-person narrative alternates with a first-person account by Charlie Kicking Woman, the police officer who tracked down Louise when she ran away repeatedly as a child but whose interest in the woman is less than professional. Louise is also entangled with Baptiste Yellow Knife, who adheres to the old ways and resists all contact with whites and authorities. The abject poverty is keenly felt, as is the pride that allows one to prevail and the resignation that keeps one from aspiring to more. This novel will stand proudly among its peers in Native American literature and should have strong appeal to fans of Louise Erdrich. Debbie Bogenschutz, Cincinnati State Technical & Community Coll. Copyright 2002 Cahners Business Information.
Read More Show Less

Product Details

  • ISBN-13: 9780425190548
  • Publisher: Blue Hen Trade
  • Publication date: 6/3/2003
  • Edition description: First Blue Hen Paperback Edition
  • Edition number: 1
  • Pages: 320
  • Product dimensions: 5.18 (w) x 8.02 (h) x 0.87 (d)

Meet the Author

Debra Magpie Earling is a member of the Confederated Salish and Kootenai Tribes of the Flathead Indian Reservation. She teaches at the University of Montana in Missoula. This is her first novel.

Read More Show Less

First Chapter

The Old Marriage

When Louise White Elk was nine, Baptiste Yellow Knife blew a fine powder in her face and told her she would disappear. She sneezed until her nose bled, and Baptiste gave her his handkerchief. She had to lie down on the school floor and tilt back her head and even then it wouldn't stop. She felt he had opened the river to her heart. The cloth he had given her was wet with her blood. She felt hot and sleepy. Sister Thomas Bernard pulled her up and told her to go to the bathroom and wash her face. Sister pinched the bridge of Louise's nose. Louise kept the handkerchief pressed to her face, embarrassed by all the attention she was getting. She could feel her blood cool in slow streams between her fingers. She remembered at one point Baptiste Yellow Knife had knelt down beside her. Her head was empty. She imagined the veins in her temples quivering. Her skin draining color. Her face glowing, a candlelit egg. Suffering. A saint. Awkward Baptiste. Pigeon-toed and dusty Baptiste was kneeling beside her cradling her head with his cool, dry hands, his voice tickling her ears. He was leaning over her, whispering to her, whispering a story. His voice was in her ear. She felt Sister Bernard pull Baptiste away from her. The back of her head danced with silver stars and Louise fell back into dreaming, a snagged fish released again to water.

Grandma squeezed her hand as she blinked awake. Louise's hands were cold. "We got this back," Grandma said. She held up the handkerchief that Baptiste had given her. It was crumpled, stiff and black with her blood. Louise didn't understand at first and then she remembered Baptiste standing close as the school nurse lifted her into the car. He shyly asked the nurse for his handkerchief back. As they pulled out of the school yard, Baptiste smiled at Louise and lifted his bloody handkerchief up so she could see all he had taken from her.

Her grandmother had told her to stay away from him. He was the son of Dirty Swallow, the rattlesnake woman. Baptiste Yellow Knife's mother could direct the rattlers to do her bidding. Last summer a rattler had tapped the back of her grandmother's skirt as she sat on the stick-game lines. Her grandmother had won too much of Dirty Swallow's money, and she wanted it back. Now the son of Dirty Swallow wanted something from Louise.

There was something about Baptiste. Baptiste was from the old ways and everybody hoped he would be different from his mother. He knew things without being told. He knew long before anyone else when the first camas had sprouted. He would inform his mother the night before the flower would appear and he was always right. He knew stories no one but the eldest elder knew but he knew the stories without being told. "He knows these things," her grandmother had said, "because the spirits tell him. He is the last of our old ones, and he is dangerous."

On the day Louise's great-grandmother had died Baptiste foretold her death. It was in the spring, on a day so clear clouds faded overhead like wide ghosts. Louise's great-grandfather was branding horses in the high field and, she remembered, Baptiste had come over with his grandfather to watch. Louise was six years old at the time but she still remembered Baptiste, because it was one of the few times she had seen him out of school then. But she remembered him most because of what had happened that day. And that day Louise sat up on the hillside with her mother, her grandmother, and Old Macheese-her great-grandmother. Louise thought at first Baptiste was frightened of Old Macheese and had chosen to sit away from her.

Old Macheese had survived everything, even smallpox, but her grandmother said her face had always been pitted. Louise could still remember Old Macheese's face, places where disease had died beneath her skin, bruised places where the blood had pooled for good. Old Macheese liked to rub her knuckles down Louise's spine, liked to laugh at her when she tripped or cried, whenever she hurt herself. And after the old woman died Louise's grandmother had told her Old Macheese was just that way, mean.

Louise had wondered if there was something wrong with Baptiste that day, because he stared at her, and even when she made faces at him, he did not stop his watching. She had heard stories about him, how he could see and hear things other Indians could not, how his mother had the rattlesnake power. He sat away from the others, rocking back and forth, digging his slender fingers deep into the black soil while his grandfather worked. He wasn't called down to the corral like the other boys. His grandfather had let him be alone and quiet on the hill.

Old Macheese had just started to tell a story when Baptiste had stood up, so thin the dirty seat of his pants hung almost to his knees. Old Macheese spoke up, saying he probably had tuberculosis. He wore a belt that had once been his grandfather's horse bridle. He had two white splotches clouding his face and still he was the darkest Indian Louise had ever seen, a beaver-dark boy who stood with a strange certainty Louise recognized even then as trouble. When his grandfather saw Baptiste stand, he slipped the knot off the colt he was holding and headed fast toward Baptiste. Louise remembered the old man had leaned over Baptiste, listening and nodding. But Louise could not hear Baptiste.

"Baptiste has seen a salamander," he called, "a lizard turn red."

Louise's great-grandfather, Good Mark, shut the corral gate and made his way up to Baptiste. Louise stood silent beside her grandmother. The other men had stopped working and had turned to see what was troubling Baptiste. The horses crowded one corner of the corral as the workers gathered at the bottom of the hill. The men crouched suddenly to the ground. They were patting the dirt, searching, feeling for something. She could see Good Mark weaving his fingers through the faded grass, his white braids were tucked in his belt. Louise's mother shook her head, then cupped her hands together on top of her head. Louise's grandmother tapped Louise. "Look for a lizard," she had told Louise half-whispering. "See if you can find the lizard."

Louise got down on her hands and knees with the men. She combed the grass with her fingertips. She picked up a branch and brushed the ground but she saw nothing. Baptiste Yellow Knife crept up behind her and Louise looked up to see his knife-bladed hair, his dark face. "You won't find it," he said. She pushed at his feet, but he did not budge. "Move," she said. She didn't like being told by Baptiste, a boy she barely knew, that she couldn't do something. "You're in my way," she told him. She turned over stones, picked at the sage and grass, looking. She glanced at Baptiste and noticed his watching was dim. His eyes lazy. His lashes flickered and she saw the glare of black irises swirling back in his head, and then only the whites of his eyes, spooky, almost blue. "It won't do no good," he said, his dizzy eyes closed. "Someone will die." Louise saw the dirt in the slim cuff of Baptiste Yellow Knife's pants. She saw clouds bleaching to wind, a haze of dust changing light like silt changes water. She saw her great-grandmother standing on the hill, and then Old Macheese was falling back, falling, while the wind lifted her olive scarf from her head.

Louise asked her grandmother how she had gotten the handkerchief back. How did the old woman manage to snatch back her blood from Baptiste Yellow Knife's tight fist, his ugly smile? Grandma didn't answer her. Louise imagined many things and settled on Sister Bernard and her hard thumping knuckles. She wouldn't let the boys play with dead rattlers or poke at the mouths of dead birds with sticks. And she wouldn't let Baptiste keep a blood-soaked handkerchief.

Louise had a dream that followed her from a long night into morning. It was a familiar dream. She heard a Salish voice, neither a man nor a woman's voice. The voice did not speak to her but to the dream she cupped in her small hands like a million water-colored glass beads.

It is cold. Snakes sleep in deep holes trapped by snow. We tell our stories now. Rattlers are quiet. It is so far back your blood smells like oil in the tongues of your grandmothers. The snow is frozen so hard it can bruise. The snowdrifts are razor-edged. Snow shines. We're locked here. Outside Grandma's house, a naked man stands near a red fire. His face the face of a woman, smooth and deep-planed. His back is lean with ribs. His hips are narrow. Flames light high on the roof of Grandma's house. Base-blue tongues of flame burn buckskin tamarack. Black wood dust to white wood ash. The naked man blows through teeth, his cracked lips whistling to fire. His whistle calls a great wind up from snow.

Firelight becomes one small candle. It flickers, then fails white, then fails, fails white to smoke. Steady wind scatters white ash to thin choking sheets of hot dust. Snow and timber powder, hot and cold. The man stands before the white stars, the endless snow.

His white light is turning to morning.

Louise never asked her grandmother about the handkerchief again. She knew who had brought it back. She remembered stories of her great-grandfather: the secret training rituals of medicine people sent to find a single pin in a night that pressed to forty below, one pin dropped deep in snow, miles from where they stood, shivering and naked. Her grandfather had saved her. Somehow he had picked her blood from the dark hands of Dirty Swallow. And she knew it had been at a great price. She would never talk to Baptiste Yellow Knife again.

When Louise was fourteen, Baptiste snuck up behind her and slipped a rattler's tail in her hand with the slick skill of a small wind passing. She wasn't sure what to do with it. She stared at it for a long while, then dropped it deep into her pocket, hoping it would fall out of the hole she hadn't mended. But the tail became a power she was afraid of, a feeling she had never had before.

"Why didn't you just get rid of that when he gave it to you?" her grandmother asked.

Louise didn't answer. She looked at her feet as her grandmother was talking. She didn't know how to tell her grandma that once the rattle had gotten into her pocket, it began moving, as though the whole snake was still attached. She felt the rattle twitching on her leg, like a new muscle, and she was afraid of it in a way that made her strong.

Grandma made Louise bury the rattle on the hill and mark the spot with three red-colored rocks. "That way we can avoid it," she said. Louise took her time burying the rattle. She found the nicest spot on the hill under the shade of a juniper tree. She dug a deep hole that was sweet with the smell of new roots. She carefully wrapped the rattle with a glove she had worn thin to fool it into feeling she was near. Then she covered the hole up as fast as she could with the sweep of her arms and the clawing cup of her hands. She walked slowly away from the small rock mound, pacing her steps, careful not to look back and reveal any desire to stay.

All that night dreams swallowed her. She was falling. Tall grass shot up around her and whispered with heat. Smooth flat rocks near Magpie Hill were shining with sun. She felt the warm breath of her mother and curled down into a dark sleep.

Louise found a power in ignoring Baptiste Yellow Knife. He no longer existed for her. She pretended she did not hear or see him. She stopped listening for the whisper of scales beneath the thin slat steps of her grandmother's house. He had less presence for her than the ghost of her sister's dead cat. Sleep was good, and she began to feel at ease. When he came close behind her from any direction, she sidestepped him and talked as if he wasn't there. The only time Baptiste could secure her attention was when he rode his horse Champagne. He had even named the horse for her when he had overheard her say she wanted to try champagne. When she had stopped to pet the horse, Baptiste began telling everyone at the Ursulines' that he was going to marry Louise. "Stay away from her," he would say. "She belongs to me." The more she denied him, the more he would follow her. She would look for him, she told herself, so she could stay clear of him.

At the stick games in Dixon she hid beneath Charlie Kicking Woman's tribal-police car for almost an hour with everybody staring at her, because Melveena Big Beaver had told her Baptiste was looking for her. She lay half under the engine-hot car in a stain of oil that ruined her good dress, only to find Baptiste walked past her holding hands with Hemaucus Three Dresses. When Louise stood to shake the dry grass from her hair, Baptiste did not look at her or even shift a glance her way. Only his mother, Dirty Swallow, eyed Louise. Dirty Swallow sat in the dirt of the stick-game line without a blanket. Her eyes were small and steady and though she kept playing the game she kept her eyes on Louise, opened her palm to reveal the black-rimmed bone.

Baptiste was animal and dark and when he smiled at Hemaucus he almost looked handsome. Louise felt relieved and pulled breath deep into her lungs, but the moment of relief came to her with the feeling she had lost something. She lit a cigarette and tried to attend the scar of juniper trees near the road. She looked over at the both of them. Baptiste rubbed the back of Hemaucus's brown hand on the side of his thigh then led her to the stick-game line. Louise saw the two of them smiling at each other.

She didn't know how to feel. She wondered if everyone was feeling sorry for her because Baptiste Yellow Knife had managed to find someone new, someone better. She knew she didn't want Baptiste Yellow Knife and his attentions, had run from him for years. She had dodged his every whisper, averted his every glance. She stood next to the dusty trees feeling dry-handed. The oil stain bloomed on her dress. Louise thought the people were looking at her because they were thinking she should be jealous of Hemaucus. And in the stinging light of a summer day passing, Hemaucus's hair hung heavy, so shiny it seemed to be water. Hemaucus was an older woman but she quieted her laughter with her hands when she looked at Baptiste. Her waist was full and her smooth arms were tight-lined with muscle.

Louise felt small. She could feel the hard lines of her ribs. Her stomach was sinking and hollow. The bones of her pelvis caught the thin fabric of her dress. She had heard the old women telling her grandmother to watch her. "Make sure she hasn't got TB," they said. And, standing in the field, the grass white and brittle at her ankles, she felt her big-boned knees. She felt tired and foolish. Maybe she had fooled herself into thinking she looked better than she did. When Melveena Big Beaver walked by with her sister Mavis, when they both looked at Louise and turned their heads covering their smiles, Louise kicked dust at them.

--from Perma Red by Debra Magpie Earling, Copyright © June 2002, The Putnam Publishing Group, a member of Penguin Putnam, Inc., used by permission.

Read More Show Less

Customer Reviews

Average Rating 4.5
( 6 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 6 Customer Reviews
  • Posted March 30, 2009

    A novel of Triumph and Despair

    This touching, disturbing novel by Ms. Earling, a member of the Salish and Kootenai tribes of the Flathead Reservation, is a poignant look at life for the Native American in the 1940s. This was when Indian children were taken from their homes and families to attend schools where it appeared the primary interest was in knocking the "Indian" out of them, even if it took brute force and terrible humiliation, and it often did.
    The heroine of this story, Louise White Elk, was subject to this forced "education." She ran away every chance she got, but she was always hunted down and brought back to one school or another. Finally to escape, she marries a man who loves her, but one who carries the bitter and angry scars of this forced assimulation into the white culture, a culture he would die before accepting. Louise is loved (desired) by three men. She is beaten and used, but she possesses a will that, like her husband's, cannot be broken this side of death.
    I am a native of western Montana and very familiar with the places Ms. Earling writes about in this novel, but for me, it's not the place, but the story, and this is some story. Eunice Boeve, author of Ride a Shadowed Trail.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 25, 2006


    This book is great. Some of the chapters dragggged a little, but other than that, I was very very impressed. Steamy in some places, but enjoyable. I can't wait to read this book again (as soon as I get it back from my friend!)

    Was this review helpful? Yes  No   Report this review
  • Posted December 9, 2008

    more from this reviewer

    insightful period piece

    In the 1940s on the Flathead Indian Reservation in Montana, Louise White Elk finds herself pulled in opposite directions. She knows that Baptiste Yellow Knife is considered the local bad guy and she has known that since he blew some weird white powder into her face when she was nine. Still she finds the lure from the excitement that Baptiste generates by dancing to his own drum hard to resist. Like a moth to the light she is drawn to Baptiste though her brains screams not go down that path because she has experienced his abusive selfishness. <P>On the other hand married police officer Charlie Kicking Woman also struggles with the pull of two worlds as he tries to enforce the law. Though married, he desires Louise, but does his best to hide his feelings for the enigmatic woman. Hanging over this potential triangle is the impact of Harvey Stoner who owns everything and is willing to use his material advantage to ¿buy¿ what he covets, but will that include murder? <P>PERMA RED is an insightful period piece that works at its best when Charlie, Baptiste, and Louise stand on center stage and either interact or fail to relate. Whenever Harvey or Charlie¿s wife enters the engaging story line¿s ¿sacred¿ triangle, they seem to disjoint the plot as intruders. Still, Debra Magpie Earling paints a discerning portrait of 1940s life on a reservation starring three strong key characters. <P>Harriet Klausner

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 30, 2008

    No text was provided for this review.

  • Anonymous

    Posted April 10, 2011

    No text was provided for this review.

  • Anonymous

    Posted August 14, 2009

    No text was provided for this review.

Sort by: Showing all of 6 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)