Persepolis: The Story of a Childhood

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Overview

Originally published to wide critical acclaim in France, where it elicited comparisons to Art Spiegelman's Maus, Persepolis is Marjane Satrapi's wise, funny, and heartbreaking memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran's last emperors, Marjane bears witness to a childhood uniquely ...

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Overview

Originally published to wide critical acclaim in France, where it elicited comparisons to Art Spiegelman's Maus, Persepolis is Marjane Satrapi's wise, funny, and heartbreaking memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran's last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country.

Persepolis paints an unforgettable portrait of daily life in Iran: of the bewildering contradictions between home life and public life and of the enormous toll repressive regimes exact on the individual spirit. Marjane's child's-eye-view of dethroned emperors, state-sanctioned whippings, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a stunning reminder of the human cost of war and political repression. It shows how we carry on, through laughter and tears, in the face of absurdity. And, finally, it introduces us to an irresistible little girl with whom we cannot help but fall in love.


About the Author

Marjane Satrapi was born in 1969 in Rasht, Iran. She grew up in Tehran, where she studied at the Lycée Français before leaving for Vienna and then going to Strasbourg to study illustration. She currently lives in Paris, where she is at work on the sequel to Persepolis and where her illustrations appear regularly in newspapers and magazines. She is also the author of several children's books.

Editorial Reviews

Liberation (France)
A triumph. . . . Like Maus, Persepolis is one of those comic books capable of seducing even those most allergic to the genre. The author's masterstroke is to allow us to experience history from within her family, with irony and tenderness.
From The Critics
Satrapi's drawing style is bold and vivid. She paints a thick inky black-on-white, in a faux-naif pastiche of East and West. Persepolis deploys all the paranoid Expressionism latent in the comic strip's juxtapositions of scale -- the child dwarfed by looming parents, would-be rescuers dwarfed by giant policemen guarding the locked doors to a movie theater that's been set on fire -- but when Satrapi depicts a schoolyard brawl, it's straight from Persian miniature. Persepolis was first published to enormous success in Satrapi's adopted France, where adult comic books are a long-favored form. The English edition comes with an introduction expressing the author's desire to show Americans that Iran is not only a country of fanatics and terrorists. The book could hardly have come at a better moment. — Fernanda Eberstadt

Product Details

  • ISBN-13: 9780375714573
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 6/1/2004
  • Edition description: Reprint
  • Pages: 160
  • Sales rank: 1,011
  • Lexile: NC380L (what's this?)
  • Product dimensions: 6.01 (w) x 8.86 (h) x 0.49 (d)

Meet the Author

Marjane Satrapi was born in 1969 in Rasht, Iran. She grew up in Tehran, where she studied at the Lycée Français before leaving for Vienna and then going to Strasbourg to study illustration. She currently lives in Paris, where she is at work on the sequel to Persepolis and where her illustrations appear regularly in newspapers and magazines. She is also the author of several children's books.

Reading Group Guide

The questions and discussion topics that follow are intended to enhance your group's reading of Persepolis by Marjane Satrapi. Persepolis is Satrapi's memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. It is a childhood entwined with the history of her country.

Persepolis paints an unforgettable portrait of daily life in Iran: the bewildering contradictions between home life and public life and the toll that repressive regimes exact on the individual spirit. Satrapi's child's-eye-view of dethroned emperors, state-sanctioned whippings and executions, and heroes of the revolution allows us to learn as she does the history of this fascinating country and of her own extraordinary family. Intensely personal, profoundly political, and wholly original, Persepolis is at once a story of growing up and a reminder of the human cost of war and political repression.

As the Los Angeles Times has written, "Although she may not have intended it, Satrapi has grown into her youthful dream of prophethood. She is a voice calling out to the rest of us, reminding us to embrace this child's fervent desire that human dignity reign supreme."

1. The New York Times hails Persepolis as "the latest and one of the most delectable examples of a booming postmodern genre: autobiography by comic book." Why do you think this genre is so popular? Why did Satrapi chose this format in which totell her story? What does the visual aspect add that a conventional memoir lacks? Have you read other graphic memoirs, such as Maus by Art Spiegelman or Joe Sacco's Palestine? How is Persepolis different and/or similar to those? How does Persepolis compare to other comic books? Would you call this a comic book, or does it transcend this and other categories? Where would you place this book in a bookstore? With memoirs, comic books, current events?

2. Written as a memoir, is Persepolis more powerful than if Satrapi had fictionalized the story? Why or why not? Compare this book to other memoirs you have read. What are the benefits and drawbacks of memoirs?

3. In an Associated Press interview, Satrapi said, "The only thing I hope is that people will read my book and see that this abstract thing, this Axis of Evil, is made up of individuals with lives and hopes." And in her introduction to Persepolis, she explains that she wrote this book to show that Iran is not only a country of "fundamentalism, fanaticism, and terrorism." How does Satrapi go about challenging this myth? How does Persepolis dispel or confirm your views on Iran? In what ways does reading this book deepen your understanding and knowledge of Iran, and the current situation in Iraq?

4. How is Persepolis organized and structured? What has Satrapi chosen to emphasize in her childhood? How is the passage of time presented? Describe Satrapi's drawings. How do the drawings add to the narrative of the story?

5. Describe the writer's voice. Is it appealing? Which aspects of Marji's character do you identify with or like the most, the least? Did your reaction to the little girl affect your reading experience?

6. How did the revolution exert power and influence over so many people, including many educated and middle class people like Satrapi's parents? Why did so many people leave after the revolution? Why do you think Marji's parents send her off to Austria while they stay in Tehran? Why don't they leave/escape as well?

7. "Every situation has an opportunity for laughs." (p. 97) Give some examples of how the ordinary citizens of Iran enjoyed life despite the oppressive regime. What made you laugh? How does Satrapi add comic relief? How are these scenes relevant to the story as a whole?

8. What kinds of captivity and freedom does the author explore in Persepolis? What stifles or prevents people from being completely free? How do they circumvent and defy the rules imposed on them and attempt to live ordinary lives despite revolution and war? Give some examples of their small acts of rebellion.

9. "In spite of everything, kids were trying to look hip, even under risk of arrest." (p. 112) How did they do this? What do you think you would have done had you been a child in this environment? What acts of rebellion did you do as a teen? In way ways is Satrapi just a normal kid?

10. What does Satrapi say regarding disparity between the classes before and after the Iranian Revolution? Discuss some examples that Marji witnesses and contemplates.

11. At the core of the book is Marji's family. What is this family like? What is important to Marji's parents? What environment do they create for their daughter despite living under an oppressive regime and through a brutal, prolonged war? From where do they get their strength?

12. What is the role of women in the story? Compare and contrast the various women: Marji, her mother, her grandmother, her school teachers, the maid, the neighbors, the guardians of the revolution.

13. Discuss the role and importance of religion in Persepolis. How does religion define certain characters in the book, and affect the way they interact with each other? Is the author making a social commentary on religion, and in particular on fundamentalism? What do you think Satrapi is saying about religion's effect on the individual and society?

14. In what ways is Persepolis both telling a story and commenting on the importance of stories in our lives? What does the book suggest about how stories shape and give meaning to our experience? Discuss some of the stories in Persepolis—Uncle Anoosh's story, her grandfather's story, Niloufar's story.

15. What is Satrapi suggesting about the relationship between past and present, and between national and personal history? What role does her family history, and the stories of her relatives, play in shaping Marji?

Customer Reviews
Average Rating 4.5
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  • Posted December 5, 2010

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    Very interesting

    I thought the book Persepolis was a pretty good book. Some of the things learned reading this book, is when the bombing sirens would go off the unusual places they would hide. For example, some of the places they hid were in their basements or they would just lay on the ground and cover their heads. For school all the girls were required to wear a veil and a long black robe. The people were not allowed to show any of their hair and had to get rid of their facial hair. I was surprised at their rules, they couldn't have board games and were not allowed to have curtains on their windows. Also they were not allowed to listen to music or have posters. I sure would not like those rules and neither did they.
    One thing that was confusing to me was when the chapters would end and a new one would begin, the subject would change to something completely different. It was hard to follow the book sometimes. My favorite part of the book was the ending. When the daughter is at the airport and she is leaving her family she turns around to say one last goodbye and her mom has fainted. She says to herself " I should have just kept walking", she said this because this made her sad that her family will miss her and she will miss them.
    I would recommend this book because it is a book that keeps you interested. It was a very unpredictable book too and there were some twists and turns that makes you want to keep reading. I am looking forward to reading the second book.

    1 out of 1 people found this review helpful.

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  • Posted June 14, 2010

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    Graphical Novel Memoir

    In Persepolis, Marjane Satrapi uses the graphic novel format to share her life story with readers. Satrapi grew up in Iran during the years that the Shah lost power and the Fundamentalist Muslims became the government authority.

    Satrapi was raised in a modern family that valued education and modern life. Her parents were part of the revolution that forced the Shah from power. They were shocked, however, when the ultra-religous government that took over soon made the freedoms they were used to and expected illegal. No longer could women dress as they pleased; they were instead forced to wear the veil. No longer could the Iranian people travel freely; the borders were closed for over three years, and even when reopened, passports were almost impossible to obtain. No longer could one count on an education; the universities were closed for over two years.

    Darker items were to follow. There were 3000 political prisoners under the Shah, but there were 300,000 political prisoners under the new regime. Satrapi's family had both relatives and friends that were imprisoned, tortured and some were even executed. Then the government got involved in a war with Iraqi. Bombings were common, and over a million people were killed.

    Satrapi's use of the graphic format is a perfect match to the story of a young girl whose life changes so dramatically and who tries to make sense of the things happening around her with a child's understanding. Satrapi ended up being educated outside of Iran in her teen years and later, and chose a graphic artist's career. This book was a perfect match for her talent, and her memoir is chilling. To see freedoms taken away gradually is difficult, and when one looks up and sees where the normality markers have moved to, it is eye-opening. This book is recommended to all readers who care about world events, and those who enjoy memoirs.

    1 out of 1 people found this review helpful.

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  • Posted August 5, 2010

    Great opportunity for teachers

    Persepolis has been around for awhile, so as a teacher I thought I would make a plug for using it in the classroom. Since Persepolis is a graphic text, it encourages multiples literacies (different types of reading and thinking) and inferential thinking by requiring students to read images as well as text. In a world that is so dominated with images, teaching kids how to read images is growing increasingly important.

    Furthermore, given the tensions in the Middle East right now, Satrapi does a beautiful job on humanizing the Iranian people that most Westerners simply know from 20-sec. newsclips. It also offers historical, yet anecdotal, information on the Iran-Iraq War, politics in the Middle East, gender roles and women's rights. And to top it all off, Satrapi is funny!!! This book is just too full of teachable moments to pass up in the classroom.

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  • Posted August 8, 2009

    Loved it!

    I enjoyed reading this book and carefully investigating the graphics. I learned about the book because it is the book that my alma mater chose as the book for the first year students to read. I then decided to teach a mini-course for incoming international students at my own university using Persepolis as the text. Since the book has many interconnected themes, our overarching discussion concerns revolutions, but I asked the students to think about the role economics, religion, and class played in the acceptance/success of the Iranian or Islamic Revolution. The other critically important point to note is that the book is told in an innovate fashion, from the perspective of a child. With such a big world with such complex problems, we almost never think about how children view the changes occuring around them.

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  • Posted May 18, 2009

    You will not be disappointed

    This graphic novel is an extremely important one not only for graphic novel lovers and collectors who appreciate them for their artwork and narrative, but also for the racial, ethnical, historical, and political implications this volume holds. Rarely, does a work of art hold such human and such political ramifications. In conjunction, be aware that you are purchasing only the first half of the story. So, if you want the whole thing, which are you going to want, you should consider purchasing the copy that includes volume one and two. Again, you will not be disappointed.

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  • Posted November 29, 2008

    more from this reviewer

    Graphic biographies are gaining ground

    Graphic biographies deliver a new depth to the genre. Sometimes a picture is worth 10,000 words. A wonderful story of the loss of childhood, home and family. Can't wait to read the next volume.

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  • Posted November 3, 2008

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    I Also Recommend:

    An interesting educational book

    I had to read this book for a college course, along with "Kite Runner". Persepolis is an interesting book with originality in its writing style. It is like a political comic book, with nothing funny about it. The black and white ink is a symbol of how things are in her life. Black or white, good or bad. I enjoyed this book very much, and I am looking forward to reading part 2.

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  • Posted November 3, 2008

    Persepolis Provides an interesting and entertaining historical account of Iran's political controversy.

    In her book Persepolis, Marjan Satrapi, a native born to Iran in 1969, gives the readers a first hand glance at what it is like to grown up in a politically charged environment. Through black and white graphic illustrations and comedic yet serious narration, Satrapi reveals what it was like to grow up in Tehran from the ages of 6 to 14 (during the late 1970¿s). Her memoirs demonstrate the internal conflicts of a child who lives among the controversy during the overthrow of the Shah¿s regime, the success of the Islamic Revolution, and the devastation caused by the war with Iraq.
    Her tale not only reveals her personal experiences, but also validates the stories of other people in her home and public life who faced the conflicts between fundamentalism and democracy. This story is one of heroes and villains, and one of torture and comedy that will give readers a better understanding of the complexities of the past and present Iranian Conflicts.

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  • Anonymous

    Posted October 22, 2008

    Persepolis

    Persepolis, as the cover reads, is the story of a childhood. A childhood filled with protests, war, and revolutionaries, but told through a young adult¿s eyes and thoughts. Through words and illustrations Marjane Satrapi tells of her experiences as a teen in Iran during the Islamic revolution. The reader watches as Marjane struggles to find her identity as a young woman in a world of turmoil while at the same time trying to figure our the people she loves and those that are intent on making their lives miserable. The readers feels involved in the story as if they were beside Marjane as she questions her faith, her government, and yes, even her father.

    While Marjane is in the midst of a relentless revolution, the reader gets the chance to see all of this through a young adult¿s experiences. She is still a normal teenager. While she is busy going to protests and hating having to wear a veil, she is also buying Michael Jackson buttons and posters of American rock stars are hanging in her bedroom. While it does not make the revolution any less severe it is nice to see it from her perspective. Young adults may not be able to identify with what she is going through, but they can probably identify with the way she thinks about the events and handles certain situations.

    What Marjane does not write she shows through the illustrations of the graphic novel. In certain frames the pictures tell so much more than the words. They tell the information the author could not put into words, such as revolutionaries being tortured and the remains of her friend¿s house that was demolished during an attack. For this reason and the concepts presented by Marjane, such as communism and religion, along with some strong language this book is more suited to older readers, probably high school age. Even with these age groups there will still be many concepts they will need explained and discussed.

    Overall a beautifully written and illustrated book that will open the eyes of young adults and adults alike to the events Marjane and her friends and family witnessed and lived through.

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  • Anonymous

    Posted May 9, 2008

    Persepolis

    As a personal experience Persepolis really opened my eyes to the prejudice in other countries. Although it is not your typical memoir with only your imagination to lead you through the writer¿s experiences, with Persepolis you can really get into the book because Marji leads you through extremely important events in her life leading up to who she is today she had to fight through many negative influences and people in her life. Persepolis may be a comic book but for that very reason is why it is an honorable book and she put you into the story so know exactly how she felt or what she saw. Persepolis is a shockingly tremendous page-turner. Like a lot of other books what would the book be with out a movie? Although I have not seen the movie I would love to watch it so I can compare my previous notes from the book. Concluding how intrigued I was with the book I feel that although the movie is a cartoon and in black and white I feel that it would definitely bring me to the verge of tears.

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  • Anonymous

    Posted March 13, 2007

    Wonderful twist of lititure and art

    Amazing tale of a girl just trying to live through the Islamic revolution. Wonderful use of cartooning to get points acrosed. A Uniquely heartbreaking novel.

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  • Anonymous

    Posted April 17, 2006

    best book I've ever read

    Great book about the hardships of an Iranian child growing up in a revolution. It got me thinking of how hard it must have been to be her. Overall, a fabulous book.

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  • Anonymous

    Posted March 26, 2006

    Fantastic!

    This is a book people should read to see the wrongdoing that have happened and still happen in Iran. It is a great example of how a government uses the name of Islam to cover up horrible acts which alter the True relgion of Islam. Good Book Marjane~

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  • Anonymous

    Posted July 15, 2005

    5 star

    Blatantly honest, wrenchingly emotional, humorously witty, politically invigorating, comfortingly nostalgic. Who would've expected this much from a simplistic, black-and-white graphix book?

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  • Anonymous

    Posted September 15, 2005

    AWESOME!

    This is an increrdible book...yeah it may not look interesting but for me someone who dislikes to read and was assigned to read this book when began could not put the book down and finished it in 1 day. It is AMAZING! I highly recommend it.

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  • Anonymous

    Posted February 6, 2004

    Gorgeously heartwrenching, hilariously sombre

    Persepolis was immensely wonderful. I completed the book in one sitting, and my laughter would intermingle with my tears as my fingers flipped through Satrapi's wonderful drawings. A feminist magazine (whose name is a five-letter word that begins with 'B') interviewed Marjane Satrapi, which is how I found out about this book. I've mentioned it to a few friends of mine, and one of them started to read it while over at my house. I'm eagerly awaiting the sequels to this book. The tale is a powerful one, and adding to the strength are the simple sketches that give us glimpses of Iran during this turbulent time. Many Americans don't know much about Iran or the Middle East, and even though this wasn't meant to be a history book, I found out a lot of things that I was unaware of. Persepolis shows us that we aren't much different from our counterparts in Iran, and that the love of family is worth more than any government decree.

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  • Anonymous

    Posted December 25, 2003

    Persepolis is Graphic and Elegant

    The most captivating thing about Persepolis is the medium - stark black-and-white cartoons. The images are engrossing, and as the story unfolds, the reader looses sense of time. I finished the book in a few hours, without even realizing how fast things were going. What is incredible about Persepolis is that through this page-turning graphic prose, the author relates a personal story about a life lived under oppression. I first learned about this story in Amnesty Now magazine, a publication of Amnesty International, USA, and I was excited to find that Persepolis is not only a great example of human rights writing, but is also a solid piece all-around.

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  • Anonymous

    Posted July 30, 2003

    Imaginative and Poignant

    I started reading Persepolis yesterday. I finished reading Persepolis yesterday. I couldn't put it down! I found Persepolis to be a touching, witty, and imaginative story of life in Revolutionary Iran. As an Iranian-American, I found myself relating to Persepolis on many levels. Satrapi does a brilliant job balancing the depth and seriousness of the story with humorous familial antidotes and comical illustrations. This book is a must-read and I'm happily recommending it to all of my friends!

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  • Anonymous

    Posted July 22, 2003

    A moving masterpiece

    I read most of this book in one sitting, at a cafe, where I tried (with little success) not to laugh out loud, and to hide my tears. Fortunately, I left the last few pages for home and no one saw me bawling my eyes out at the ending. * Marjane Satrapi is a great storyteller. Her artwork wonderfully portrays the world, as she saw it as a 10 to 14 year old in Iran. The text has a great deal of nuanced humor, for which the translators must get a lot of credit. * I appreciated being reminded that the revolution in Iran was NOT an Islamic one; it was a popular uprising against a repressive monarchy squandering the country's resources in ways that pleased the western powers that put the shah in power. In the memoir, we share the author's joy as non-Islamist revolutionists are freed from the shah's prisons; in the next couple of years, we see them back in prison (or executed), we see the veil forced on women; in short, we see the Islamists brutally hijack the revolution. * I also appreciated the fact that less than a page is dedicated to the US embassy and hostages. Everyone in the US asks about the hostages, but the embassy thing was an incident of no particular interest to people in Iran, for whom the revolution and the war were the major issues. * I hope I am not portraying the book as a polemic, because it is, above all, the memoir of a spunky girl growing up in extraordinary circumstances, her relationship to her strong-willed and permissive parents, her cool grandmother, her classmates, her relatives--former royalty, revolutionaries, a suffering uncle who had to send his son to the West. What a great book!

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  • Anonymous

    Posted June 7, 2003

    Wonderful

    Witty, heartbreaking, unique, and absorbing. It is remarkable to see how people bravely push ahead with their daily lives in the face of oppression and war. Persepolis should be considered a classic.

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