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Persian Pottery in the First Global Age: The Sixteenth and Seventeenth Centuries

Overview

In Persian Pottery in the First Global Age: the Sixteenth and Seventeeth Centuries the authors, L. Golombek, R. B. Mason, P. Proctor, and E. Reilly, challenge the commonly accepted narrative regarding Safavid pottery workshops and chronology and relate changes to historical context.
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Overview

In Persian Pottery in the First Global Age: the Sixteenth and Seventeeth Centuries the authors, L. Golombek, R. B. Mason, P. Proctor, and E. Reilly, challenge the commonly accepted narrative regarding Safavid pottery workshops and chronology and relate changes to historical context.
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Editorial Reviews

From the Publisher
"The Safavid period was a truly global age evidenced by its material culture. In this ground-breaking survey of both elite Iranian pottery and imported Chinese porcelain, Lisa Golombek and her team have separated out fact from fiction and extracted revelatory details from a paucity of documentary sources, to unravel a concise linear narrative. This critical survey places this overlooked luxury ware in its socio-economic and cultural context. Consumption is introduced through discussions of shape and purpose; caravanserai, Armenian merchants and East India Company distribution networks; and the importance of contemporary connoisseurship, imperial collecting and royal kitchens is introduced. The commoditization of the potteries, potters and technological innovations are other themes of discourse. Ubiquitous chinoiseries and other foreign patterns are justified by fashionability, inextricably linked with all luxury goods. Integrating modern petrography and archaeology with traditional art history, explored in Tamerlane’s Tablewares, has further clarified the mystery of marks and production centres. Golembek, with authors Robert Mason, Patricia Proctor, and Eileen Reilly are to be lauded for providing a level platform for future researchers to build on."

Patricia Ferguson, Consulting Curator, Victoria and Albert Museum

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Product Details

  • ISBN-13: 9789004260856
  • Publisher: Brill Academic Publishers, Inc.
  • Publication date: 12/20/2013
  • Series: Arts and Archaeology of the Islamic World , #1
  • Pages: 526
  • Product dimensions: 7.70 (w) x 10.50 (h) x 1.30 (d)

Meet the Author

Lisa Golombek, Ph.D. (1968) University of Michigan, is Curator Emeritus (Royal Ontario Museum) and Professor Emeritus (University of Toronto). Her publications on Islamic art range from architecture to portable objects and include The Timurid Architecture of Iran and Turan (Princeton University Press 1988) and Tamerlane’s Tableware (ROM press 1996).

Robert Mason, D. Phil (1994) University of Oxford, is Associate Professor at the University of Toronto, and is an archaeological scientist at the Royal Ontario Museum. He has published widely on the typology, technology, and provenance of the ceramics of the Islamic world, including Shine Like the Sun: Lustre-painted and Associated Pottery from the Medieval Middle East (ROM press, 2004).

Patricia Proctor : M.A. (1968) University of Toronto, is a retired Curator of Chinese Ceramics at the Royal Ontario Museum. She has played an active role in exhibitions and galleries at the ROM and published translations and articles on Chinese ceramics.

Eileen Reilly: M.A. (1998) is a collections care specialist, artist, editor and appraiser. She has worked at the Royal Ontario Museum and the Art Gallery of Ontario.

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Table of Contents

Preface
Conventions
Collections Cited
List of Important Dates
Maps

Introduction

Part I: Safavid Pottery and Society

Chapter One: Safavid Society and the Ceramic Industry

Iran under the Safavids (Lisa Golombek)
The Dynamics of Supply and Demand (Lisa Golombek)
The Potter
Chinese Porcelain in Safavid Iran
The Markets for Safavid Pottery
The Safavid Potter and the First Global Age
The Object: Shapes and Functions of Safavid Pottery (Lisa Golombek and Eileen Reilly)

Chapter Two: Dominant Fashions and Distinctive Styles: A History of the Ceramic Industry in Safavid Iran (Lisa Golombek)
China at the Door: The Sixteenth Century
China in the House: The Seventeenth Century
Phase I: 1615–1640
Phase II: 1640–1650
Phase III: 1650–1680
Phase IV: 1680–1722

Chapter Three: The Measure of Faithfulness: the Chinese Models for Safavid Blue-and-White (Patricia Proctor)

Chapter Four: The “Kubachi Problem” (Lisa Golombek)
The “Kubachi Problem”
The Isfahan/ Qumisheh Workshop

Chapter Five: The Safavid Workshops and Petrographic Analysis (Robert B. Mason)
Part II: Identifying Safavid Pottery – A Guide
Chapter Six: Diagnostic Motifs (Lisa Golombek and Eileen Reilly)
6.1 Rims: Sixteenth Century
6.2 Backs: Sixteenth Century
6.3 Backs: Seventeenth Century
6.4 Rims: Isfahan, Seventeenth Century

Chapter Seven: Potters’ Marks (Lisa Golombek and Robert B. Mason, and Eileen Reilly)
7.1 Seal-marks
7.2 Tassel-marks
7.3 Character-marks

Chapter Eight: Form Study (Eileen Reilly)

Part III: Catalogue of Safavid Pottery in the Royal Ontario Museum (Lisa Golombek)
[images approx. 50 pp.]

Appendices

Appendix A
Dated vessels
Dated tiles
Appendix B
Concordance of the Safavid Ceramics Project Numbers

Bibliography

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