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On a Sunday, one of them is called at home. And the Firings begin.
Rich with Orwellian doublespeak, filled with sabotage and romance, this astonishing literary debut is at once a comic delight and a narrative tour de force. It’s a novel for anyone who has ever worked in an office and wondered: “Where does the time go? Where does the life go? And whose banana is in the fridge?”
Praise for PERSONAL DAYS
"Witty and appealing...Anyone who has ever groaned to hear 'impact' used as a verb will cheer as Park skewers the avatars of corporate speak, hellbent on debasing the language....Park has written what one of his characters calls 'a layoff narrative' for our times. As the economy continues its free fall, Park's book may serve as a handy guide for navigating unemployment and uncertainty. Does anyone who isn't a journalist think there can't be two books on the same subject at the same time? We need as many as we can get right now." —The New York Times Book Review
"Never have the minutiae of office life been so lovingly cataloged and collated." —"Three First Novels that Just Might Last," —Time
A "comic and creepy début...Park transforms the banal into the eerie, rendering ominous the familiar request "Does anyone want anything from the outside world?" —The New Yorker
"The modern corporate office is to Ed Park's debut novel Personal Days what World War II was to Joseph Heller's Catch-22—a theater of absurdity and injustice so profound as to defy all reason....Park may be in line to fill the shoes left by Kurt Vonnegut and other satirists par excellence."—Samantha Dunn, Los Angeles Times
"In Personal Days Ed Park has crafted a sometimes funny, sometimes heartbreaking, but always adroit novel about office life...Sharp and lovely language." —Newsweek
"A warm and winning fiction debut." — Publishers Weekly
"I laughed until they put me in a mental hospital. But Personal Days is so much more than satire. Underneath Park's masterly portrait of wasted workaday lives is a pulsating heart, and an odd, buoyant hope." — Gary Shteyngart, author of Absurdistan
"The funniest book I've read about the way we work now." –William Poundstone, author of Fortune's Formula
"Ed Park joins Andy Warhol and Don DeLillo as a master of the deadpan vernacular." —Helen DeWitt, author of The Last Samurai
Park's warm and winning fiction debut is narrated by a collective "we" of youngish Manhattan office grunts who watch in helpless horror as their company keeps shrinking, taking their private world of in-jokes and nicknames along with it. The business itself remains opaque, but who eats lunch with whom, which of the two nearby Starbucks is the "good Starbucks," and whose desk knickknacks have the richest iconography become abundantly clear. What starts out feeling like a cutesy set of riffs evolves into such a deft, familiar intimacy that when the next round of layoffs begins in earnest, the reader is just as disconcerted as the characters. As office survivors Lizzie, Jonah, Pru, Crease, Lars and Jason II try to figure out who's next to get the axe, mysterious clues point to a conspiracy that may involve one or more of the survivors. By the time answers arrive, Park-former Voice Literary Supplementeditor, a founding editor of the Believerand the creator of the e-zine the New York Ghost-has built the tension masterfully. Echoing elements from Ferris's debut smash, Then We Came to the End, Park may have written the first cubicle cozy. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.There are stories like this all through Ed Park's debut novel, Personal Days, -- and many much worse. In a nameless Manhattan office, a group of be-cubicled peons huddle in fear on the staticky carpeting. They are proofreaders, perhaps, or copywriters, or fact checkers -- at any rate their work (never discussed) is unfascinating and redolent of squandered IQ. Neon-blanched, sharing an intimacy that cannot thrive -- that dies immediately, in fact -- outside the strange conditions that created it, they have nonetheless made a world: pet names, in-jokes, the minor voodoo of office life. There is a Good Starbucks and a Bad Starbucks. They suck down cigarettes on a patch of sidewalk called The Republic of Smokistan. They blog about their workplace crushes. They might even be happy. But now all that is changing. Their boss, whom they know as the Sprout, is shaking things up: his agenda is inhuman and obscure, but there will be a body count. Firings! First, timid Jill is exiled to Siberia -- "a spacious cubicle on the sixth floor, miles from anyone else, next to the door leading to the fire exit." She soon disappears altogether. Then a man by the name of Graham (dubbed "Grime" by the gang, in recognition of his British accent) arrives, and everything begins to go -- as the Brits say -- pear-shaped.
Readers of Nicholson Baker's The Mezzanine, whatever else they retain of that excellent little book, rarely forget the "loud curt fart like the rap of a bongo drum" that is overheard in the office men's room. There's nothing as startlingly fresh minted as that in Personal Days, but then freshness is not quite the point: Park, following George Saunders, is at pains to mimic the weird consensus idiolect of our time, the little stumps of computer-stained lingo that we get around on. ("Lars had to Google Fleet Street. He could have sworn it was where Sherlock Holmes lived and even bet Pru five bucks, but he was so wrong.") A single truly pristine phrase or image would throw the whole thing out of whack, like a unicorn appearing by the water cooler.
Which is not to say that Park's writing lacks exquisiteness. Any office environment worth the name, as every sentient drone knows, is fundamentally self-ironizing; one moves down the crackling hallways with that sleepwalker sensation of deeds that repetition has made automatic, and words already ritualized by use. Personal Days is almost scriptural in this respect. Behold, for example, the Friday afternoon departure of the Sprout:
There's a spring in his step, a thin jacket draped over his arm, and a bag from the Italian bakery dangling from a finger.
Have a good one, he says to Jenny, closing his door and locking it smoothly.
Later, man, he barks at Jonah while turning the corner by the mail room, the very picture of managerial friendliness.
Any fun weekend plans? he asks Pru, not quite pausing as he heads to the elevator. She says she'll probably see a movie and go to a party in Brooklyn. He nods and says, Excellent plan -- don't do anything I wouldn't do.
Park is a near-clinical humorist and parodist, in a vein that will doubtless have the odd reviewer hailing Personal Days as "LOL-funny!" The Sprout, always in a rush, sends emails of quite startling illiteracy: "Thnaks, for the heads-op! Aprecite it." Jill, out in Siberia, begins a strange compilation of corporate wisdom, carefully transcribing the apothegms of authors like Randall Slurry (Office Politics 101) and M. Halsey Patterson (Yes, I Drank The Kool-Aid -- And I Went Back for Seconds). "Don't be the one who says, I told you so," counsels Slurry. "Tell them so to begin with. Tell them often." And from The Manager's Bible: The New Memory System for Daily Insights, by Wayne V. Hammer with Juliette Earp, Jill draws the following Eastern-tinted consolation: "Confusion is inevitable. Ride the wave."
Park, of course, made all this up; indeed, it's worryingly possible, within the context of the novel, that Jill made it all up too. The fragmented narrative and shaggy-dog tangents of Personal Days operate in the service of a seeping, slow-build paranoia, of the sort that has sustained whole seasons of ABC's Lost. The firings and humiliations continue; the character called Grime takes on unnerving new properties. At an after-work gathering someone gets his tooth knocked out by accident. Inter-cubicle relations are further complicated and etiolated by erroneously sent emails, crashed servers, unopenable documents, and fitful blogging. What is Operation JASON? By the book's final section, which takes a dramatic, Cheever-esque detour into a first-person voice, we are beginning to be acquainted with a deep and lasting level of derangement. These places, in case anyone needs to be reminded, drive you crazy.
Park is one of the founding editors of the literary monthly The Believer, a publication I have always resented for its peculiar and persistent quality of delightfulness, like that of a gifted child whose prattle is distracting his parents from serving the drinks. In the wake of his novel, though, I see that I will probably have to revise this sullen prejudice, because Personal Days is another thing altogether -- neither anxiously nor prodigiously brilliant, but quite maturely and pitilessly so. --James Parker
James Parker is the author of Turned On: A Biography of Henry Rollins (Cooper Square Press). He is a staff writer for the Boston Phoenix.
A Novel
Copyright © 2008 Ed Park
All right reserved.
ISBN: 9780812978575
Excerpted from Personal Days by Ed Park Copyright © 2008 by Ed Park. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Initially, the book is funny and the situations immediately identifiable to anyone who's worked in a corporate environment. Much of the first section of the book is dedicated to mockery of modern management styles and the abuses of the English language that often accompany them. But the odd first-person-plural narrative comes off as somewhat gimmicky and, initially, there's not much difference between most of the characters and little sense of plot. But this changes throughout the book and it really picks up some speed and an interestingly menacing tone towards the end. The relationships hinted at in the final section come off as a bit forced and I'd have liked a little more character development in the beginning to justify it - but still, it does come together quite nicely and in general this is a great book.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted May 22, 2008
I read this book in 2 days. It's a short, easy, fun read. Having worked in an office for too many years, I totally related to many of the characters in the story. I read fiction here & there as a break from my business and computer books, & this is the best I've read in the last year. I was actually laughing aloud! Alone. Definitely recommend to those who have worked in office buildings. You are the ones who will really get it!
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted May 23, 2008
disclaimer - i don't work in an office environment, so perhaps that contributes to my missing the point. very reminicent of the show 'the office'. almost to the point of it being a rip-off. i expected more than just the typical interoffice drama. was hoping for something a little more disturbing. for me the only disturbing aspect was the entire book being 1 to 4 paragraph long chapters until the last chapter. that one goes on forever and for no darned good reason.
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Posted January 6, 2009
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Posted May 30, 2009
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Overview
In an unnamed New York-based company, the employees are getting restless as everything around them unravels. There’s Pru, the former grad student turned spreadsheet drone; Laars, the hysteric whose work anxiety stalks him in his tooth-grinding dreams; and Jack II, who distributes unwanted backrubs–aka “jackrubs”–to his co-workers.On a Sunday, one of them is called at home. And the Firings begin.
Rich with Orwellian doublespeak, filled with sabotage and romance, this astonishing literary debut is at once a comic delight and a narrative tour de force. It’s a novel for anyone who has ever worked in an office and wondered:...