Peter Pan in Scarlet
  • Peter Pan in Scarlet
  • Peter Pan in Scarlet

Peter Pan in Scarlet

4.4 24
by Geraldine McCaughrean, Scott M. Fischer

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The first-ever authorized sequel to J. M. Barrie's Peter Pan!

In August 2004 the Special Trustees of Great Ormond Street Children's Hospital, who hold the copyright in Peter Pan, launched a worldwide search for a writer to create a sequel to J. M. Barrie's timeless masterpiece. Renowned and multi award-winning English author Geraldine

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The first-ever authorized sequel to J. M. Barrie's Peter Pan!

In August 2004 the Special Trustees of Great Ormond Street Children's Hospital, who hold the copyright in Peter Pan, launched a worldwide search for a writer to create a sequel to J. M. Barrie's timeless masterpiece. Renowned and multi award-winning English author Geraldine McCaughrean won the honor to write this official sequel, Peter Pan in Scarlet. Illustrated by Scott M. Fischer and set in the 1930s, Peter Pan in Scarlet takes readers flying back to Neverland in an adventure filled with tension, danger, and swashbuckling derring-do!

Editorial Reviews

Publishers Weekly
The product of a contest commissioned by trustees at London's Great Ormond Street Hospital, owner of the copyright to J.M. Barrie's original Peter Pan, this authorized sequel largely succeeds in entertaining fans of the classic. Curry offers an easy, comfortable pace and somewhat subdued tone for this outing, seemingly taking great care to introduce listeners to new characters (Fireflyer, a male fairy) and reacquaint them with old ones (Wendy and John Darling, Peter). As the central plot unfolds-a return by the League of Pan to Neverland, and their treasure-hunting adventures there with Peter-Curry particularly delights in giving voice to Ravello, a tattered lion tamer and dramatically obsequious fellow who offers to assist the crew and who has a hilarious, hard-to-place foreign accent. Slightly darker and a bit harder to follow than its predecessor (also new on audio; see notes), McCaughrean's follow-up, sparked here by Curry's solid performance-is sure to prove irresistible for many. All ages. (Oct.) Copyright 2006 Reed Business Information.
Children's Literature - Naomi Williamson
The first thing you notice about this book is the wonderful jacket illustration. Tony DiTerlizzi does an amazing job of capturing the reader's imagination by portraying the illustrious Peter Pan wearing the beautiful scarlet jacket for which this "first-ever authorized sequel to J. M. Barrie's Peter Pan" is named. The illustrations by Scott M. Fischer are reminiscent of the beautiful artwork of the 1980 edition of Peter Pan by Trina Schart Hymen, yet maintain the integrity of this new volume as it chronicles the continued "life" of Peter. McCaughrean was chosen to write the book after winning a competition held by the Great Ormond Street Hospital for Sick Children, to which all rights of Peter Pan were given by J. M. Barrie in 1929. Taking place in the 1930s, the story begins as the "lost boys" and the Darling children, John and Wendy, who are all now grown, find themselves dreaming of Neverland. They decide that Peter Pan must be in trouble and the dreams are calling them back to help him. But how do you return to a place of your childhood, a place of fairies, pirates, wild animals, and Indians? Why, you find a fairy, and steal some fairy dust! Then you become young again and fly off to Neverland to find Peter and see what is causing the dreams and how you can help stop them. The children are off on an adventure that rivals that of the original story. McCaughrean has captured the flavor of Barrie's story and created new adventures to continue the excitement of Peter Pan. It isn't necessary to have recently read Peter Pan, but a look at the 1911 story prior to the reading of this new episode, will allow the reader to see how well McCaughrean has remainedtrue to the original story and characters. Almost all of the characters are there, Peter, Tinkerbell, Hook, Smee, the Lost Boys, Wendy, and John, as well as many others and a few new characters, like the Ravelling Man and Fireflyer. With a blend of early 20th century writing and ideas and contemporary language and ideas, McCaughrean has woven a connection to Peter and Neverland for present and future generations. Adventure follows adventure as life goes on in Neverland, but a Neverland unlike the one the children remember from days gone by. Details of the story are for reading, and the reader will surely embrace the magic of Peter Pan and his scarlet coat.
School Library Journal
Gr 5 Up-In this sequel to J. M. Barrie's Peter and Wendy (first published in 1911), the grown-up Lost Boys suffer from bad dreams leaking out of Neverland that result in cutlasses, pistols, pirate eye-patches, and other things appearing under their pillows. After a living crocodile shows up in the Gentleman's Club of the former Lost Boys, Wendy realizes that something is very wrong and that they must return to Neverland. In order to become young again, they wear their own children's clothes and obtain fairy dust for flying, and set off to heal it. However, when they reunite with Peter Pan, they forget their original mission and become caught up in the wild joys of his imaginative adventures. After they find Captain Hook's abandoned boat with a map to hidden treasure, Peter Pan dons Hook's second-best suit of scarlet and takes command of the ship. The League is accompanied by Fireflyer, an impudent, ravenous fairy with an astounding capacity for telling lies, and Ravello, a charming but ominous circus man who seems to be made entirely of snarled bits of yarn. As they travel closer to Neverpeak, where the treasure allegedly is buried, the menaces surrounding their quest escalate to the point where the League members become unsure of one another's true nature and loyalty. McCaughrean captures the excitement of the original story without the overly precious Victorian glorification of childhood. Wendy and the former Lost Boys are developed characters (with a welcome surprise of a gender-change that's believable within the scope of the story). Even Peter Pan, who struggles to remain as brash and carefree as he ever was, is not immune to change and consequences. Pen-and-ink illustrations add to the enjoyment of the story.-Farida S. Dowler, Mercer Island Library, WA Copyright 2006 Reed Business Information.
Kirkus Reviews
In the year's most hyped title for young readers, the much-honored McCaughrean delivers an "authorized" sequel that stays true to the original's style and spirit but speaks to modern sensibilities as well. Disturbed by a tide of entirely too-real dreams flowing out of Neverland, the now-grown Wendy and Lost Boys contrive a way to fly back as children. They find their old haunt a poisoned place, with trees turned autumnal, skeletons of mermaids on the beach and Peter himself particularly sullen and unlikable. Getting to the cause takes them on a harrowing quest for treasure buried atop wintry Neverpeak. The new tale smoothes out a few wrinkles in the old, adding another girl to the cast with the temporary transformation of Tootles and redefining the "redskins" as the diverse Tribes of the Eight Nations. McCaughrean also tucks in a band of humorously disaffected adolescents dubbed "Roarers," deft literary allusions from Barrie and other writers, reunions that range from tearful to shocking and (inevitably) a sequel-ready conclusion. Worthy homage, all in all, as well as a strong, poignant tale in its own right. Silhouette illustrations a la Arthur Rackham's for Peter Pan in Kensington Gardens (1906) not seen. (Q & A) (Fantasy. 11-13, adult)

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Product Details

Margaret K. McElderry Books
Publication date:
Edition description:
Sales rank:
Product dimensions:
5.40(w) x 8.20(h) x 1.00(d)
Age Range:
9 - 14 Years

Read an Excerpt

Peter Pan in Scarlet

By Geraldine McCaughrean

Margaret K. McElderry

Copyright © 2006 Special Trustees of Great Ormond Street
All right reserved.

ISBN: 1-4169-1808-6

Chapter One

The Old Boys

"I'm not going to bed," said John - which startled his wife. Children are never ready for bed, but grown-ups like John are usually hankering for their pillows and eiderdowns from the moment they finish dinner. "I'm not going to bed!" said John again, and so ferociously that his wife knew he was very frightened indeed.

"You have been dreaming again, haven't you?" she said tenderly. "Such a trial."

John scrubbed at his eyes with his knuckles. "I told you. I never dream! What does a man have to do to be believed in his own house?"

His wife stroked his shiny head and went to turn down the bedclothes. And there on John's side of the bed, something bulged up through the coverlet. It wasn't a hot-water bottle or a teddy bear or a library book. Mrs. John folded down the sheets. It was a cutlass.

With a sigh, she hung it on the hook behind the bedroom door, alongside the quiver of arrows and John's dressing gown. Both she and her husband liked to pretend it was not happening (because that's what grown-ups do when they are in trouble), but secretly they both knew: John was dreaming of Neverland again. After every dream, something was left behind in his bed next morning, like the stones around a dish after a serving of prunes. A sword here, a candle there, a bow, a medicine bottle, a top hat ... The nightafter he dreamed of mermaids, a fishy smell hung about the stairs all day. The wardrobe was piled high with the dregs of dreams - an alarm clock, an Indian head-dress, an eye-patch, a pirate's tricorn hat. (The worst nights were when John dreamed of Captain Hook.)

Mrs. John plumped up the pillows with a brisk blow of her hand - and a gunshot rang out through the whole house, waking the neighbours and terrifying the dog. The bullet shied about the room, bouncing off the lamp-stand and smashing a vase. Cautiously, with two fingers, Mrs. John drew the pistol from under the pillow and dropped it into the bin, like a kipper found to be not quite fresh.

"They are so real!" whimpered her husband from the doorway. "These wretched dreams are just so real!"

All over London and even as far afield as Fotheringdene and Grimswater, old boys were dreaming the same kind of dreams. Not young, silly boys but boys grown-up: cheerful, stolid boys who worked in banks or drove trains or grew strawberries or wrote plays or stood for Parliament. Cozy at home, surrounded by family and friends, they thought themselves comfortable and safe ... until the dreams began. Now each night they dreamed of Neverland and woke to find leftovers in their beds - daggers or coils of rope, a pile of leaves or a hook.

And what did they have in common, these dreamers? Just one thing. They had all once been Boys in Neverland.

"I have called you all together, because something must be done!" said Judge Tootles, twirling his big moustache. "It is not good enough! Gone on far too long! Won't do! Enough is enough! We must act!"

They were eating brown soup in the library of the Gentlemen's Club off Piccadilly - a brown room with brown portraits of gentlemen wearing brown suits. Smoke from the fireplace hung in the air like a brown fog. On the dining table lay an assortment of weapons, the sole of a shoe, a cap, a pair of giant bird's eggs.

The Honourable Slightly fingered them thoughtfully: "The flotsam of Night washed up on the shores of Morning!" he said (but then the Honourable Slightly played the clarinet in a nightclub and was inclined to write poetry).

"Call Mrs. Wendy! Mrs. Wendy would know what to do!" said Judge Tootles. But of course Wendy had not been invited, because ladies are not allowed in the Gentlemen's Club.

"I say we should let sleeping dogs lie," said Mr. Nibs, but nobody thanked him, because dogs are not allowed in the Gentlemen's Club either.

"Mind over matter!" exclaimed Mr. John. "We must just try harder not to dream!"

"We tried that," said the Twins mournfully. "Stayed awake all night for a week."

"And what happened?" asked Mr. John, intrigued.

"We fell asleep on the London omnibus on the way to work, and dreamed all the way to Putney. When we got off, we were both wearing warpaint."

"How perfectly charming," said the Honourable Slightly.

"Last night we dreamed of the Lagoon," added Second Twin.

There was a murmur of heartfelt sighs. Each of the Old Boys had dreamed lately of the Lagoon and woken with wet hair, and dazzle in his eyes.

"Is there a cure, Curly?" enquired Mr. Nibs, but Dr. Curly knew of no cure for an outbreak of unwanted dreams.

"We should write a letter of complaint!" boomed Judge Tootles. But nobody knew of a Ministry for Dreams or whether there was a Minister of State for Nightmares.

In the end, with nothing solved and no plan of campaign, the Old Boys sank into silence and fell asleep in their armchairs, their brown coffee cups dropping brown drips onto the brown carpet. And they all dreamed the same dream.

They dreamed they were playing tag with the mermaids, while the reflections of rainbows twisted around and between them like water snakes. Then, from somewhere deeper down and darker, came a hugely slithering shape that brushed the soles of their feet with its knobbly, scaly hide....

When they woke, the Old Boys' clothes were sopping wet, and there on its back, in the middle of the Gentlemen's Library, was a prodigious crocodile, lashing its tail and snapping its jaws in an effort to turn over and make supper of them.

The Gentlemen's Club emptied in the record time of forty-three seconds, and next day Members everywhere received a letter from the management.

The Gentlemen's Club Brown Street, off Piccadilly, London W1

23rd April 1926 We regret to inform you that the Club will be closed for redecoration from 23rd April until approximately 1999. Your obedient servants, The Management

In the end, of course, it was Mrs. Wendy who explained it. "Dreams are leaking out of Neverland," she said. "Something must be wrong. If we want the dreams to stop, we must find out what."

Mrs. Wendy was a grown woman, and as sensible as can be. She had a tidy mind. For six days in any week she strongly disapproved of dreams littering up the house. But on the seventh, she was not quite so sure. Recently she had begun hurrying to bed, eager for that twilight flicker that comes between waking and sleep. From behind closed eyelids she would watch for a dream to come floating towards her - just as once she had watched at her bedroom window, hoping against hope for a small figure to come swooping through the local stars. Each bedtime her heart beat faster at the thought of glimpsing the Lagoon again, or hearing the cry of the Neverbird. Above all, she longed to see Peter again: the friend she had left behind in Neverland all those years before.

Now Neverland was rubbing against the Here and Now, wearing holes in the fabric in between. Tendrils of dream were starting to poke through. All was not well. Somehow Mrs. Wendy knew it.

"Perhaps the dreams are messages," said one Twin.

"Perhaps they are warnings," said the other.

"Perhaps they are symptoms," said Dr. Curly, putting his stethoscope to his own forehead and listening for the dreams inside.

"I'm awfully afraid they may be," said Wendy. "Something is wrong in Neverland, gentlemen ... and that is why we must go back."


Excerpted from Peter Pan in Scarlet by Geraldine McCaughrean Copyright © 2006 by Special Trustees of Great Ormond Street. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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