Peter Philips: Harpsichord Works

Editorial Reviews

All Music Guide - Blair Sanderson
A contemporary of John Bull and Jan Pieterszoon Sweelinck, Peter Philips was one of the most prolific English composers of the late Renaissance, and he composed in nearly all the available genres and styles of the period. His keyboard works are typical of the Elizabethan era, relying chiefly on the fantasia, pavan, and galliard as standard forms; but his catalog also includes transcriptions of songs and madrigals by other composers, notably Orlande de Lassus and Giulio Caccini, among others. This 2006 release from Naxos presents the best-known pieces, played with élan by Elizabeth Farr on a 1658 Italian harpsichord, restored by Keith Hill. Her performances are actually ...
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Editorial Reviews

All Music Guide - Blair Sanderson
A contemporary of John Bull and Jan Pieterszoon Sweelinck, Peter Philips was one of the most prolific English composers of the late Renaissance, and he composed in nearly all the available genres and styles of the period. His keyboard works are typical of the Elizabethan era, relying chiefly on the fantasia, pavan, and galliard as standard forms; but his catalog also includes transcriptions of songs and madrigals by other composers, notably Orlande de Lassus and Giulio Caccini, among others. This 2006 release from Naxos presents the best-known pieces, played with élan by Elizabeth Farr on a 1658 Italian harpsichord, restored by Keith Hill. Her performances are actually the saving grace of this recording, because Philips' music tends to be stylistically narrow, limited in modes and harmonies apart from some piquant dissonances caused by cross-relations, and very chaste in expression; for all the ornaments, variable tempos, and flexible rhythms that are natural features of these pieces, they convey only a small range of emotions and can seem to blend into each other, so restrained are the moods of each. Still, Farr's execution is fluid and clean, and her touch is even throughout, though it can be quite crisp and marcato when necessary. The reproduction by RMC Classical Music, Inc., is first rate and an image of the instrument used in the recording appears on the cover.
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Product Details

  • Release Date: 9/26/2006
  • Label: Naxos
  • UPC: 747313286423
  • Catalog Number: 8557864
  • Sales rank: 381,977

Tracks

Disc 1
  1. 1 Fantasia for keyboard in F major (1582) - Peter Philips & Elizabeth Farr (7:32)
  2. 2 Amarilli for keyboard - Peter Philips & Elizabeth Farr (4:04)
  3. 3 Chi fara fed'al cielo, FVB 9 - Peter Philips & Elizabeth Farr (6:37)
  4. 4 Work(s): Pavan in G major - Peter Philips & Elizabeth Farr (3:27)
  5. 5 Deccio Dunque partire, for keyboard in D minor (after Luca Marenzio) - Peter Philips & Elizabeth Farr (3:51)
  6. 6 Work(s): Io partirò (Luca marenzio, 1553-1599) - Peter Philips & Elizabeth Farr (3:07)
  7. 7 Work(s): Ma voi, caro ben mio (Luca Marenzio, 1553-1599) - Peter Philips & Elizabeth Farr (3:31)
  8. 8–9 Pavan and Galliard for consort in 5 parts "Paget" - Peter Philips & Elizabeth Farr (9:57)
  9. 9 Bon Jour Mon Cueur di Orlando (Fitzwilliam Virginal Book) - Peter Philips & Elizabeth Farr (4:39)
  10. 10 Le Rossignol - Peter Philips & Elizabeth Farr (5:10)
  11. 11 Margott Laborez - Peter Philips & Elizabeth Farr (2:47)
  12. 12 Fantasia in d - Peter Philips & Elizabeth Farr (3:47)
  13. 13 Fece da voi partita, FVB 4 - Peter Philips & Elizabeth Farr (4:17)
  14. 15–16 Passamezzo Pavan and Galliard - Peter Philips & Elizabeth Farr (15:08)
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Album Credits

Performance Credits
Elizabeth Farr Primary Artist
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