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Photographic Possibilities: The Expressive Use of Ideas, Materials and Processes / Edition 2

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Overview

Photographic Possibilities, Second Edition continues to provide a reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images. This practical guide integrates technical methods with the aesthetic outcome. It offers readers clear, step-by-step instructions on historic and on contemporary processes that integrate both the technical information and the aesthetic inspiration needed to create outstanding photographs.

This new expanded edition concisely covers the most significant new products, processes, and issues that have effected the practice during the past decade. Two new chapters are exclusively devoted to digital photography, covering the history of digital imaging as well as the latest techniques and practices. Also included is an in-depth discussion on the copyright, which deals with the ethical and conceptual issues surrounding digital imaging that are rapidly changing the world of photography.

Audience: Advanced photography students, professionals and advanced amateurs.

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Editorial Reviews

From The Critics

"Here is a great source of material on just about every kind of alternative way of creating photo images, including formulae, directions, charts, and what could be considered a full reference directory of info for each subject, plus a lot of their history."—Apogee Photo Magazine

"...this is an invaluable resource for anybody who is interested in the creative side of photography. As well as traditional techniques, the second edition now encompasses digital possibilities too."—Jon Tarrant, British Journal of Photography

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Product Details

  • ISBN-13: 9780240803623
  • Publisher: Taylor & Francis
  • Publication date: 5/28/2001
  • Edition description: REV
  • Edition number: 2
  • Pages: 288
  • Product dimensions: 8.50 (w) x 10.90 (h) x 0.60 (d)

Meet the Author

Robert Hirsch is a photographer, writer, and the Director of Light Research (lightresearch.net). His books include Seizing the Light: A History of Photography, Photographic Possibilities: The Expressive Use of Ideas, Materials, and Processes, and Exploring Color Photography. Hirsch is a former Associate Editor for Digital Camera (UK) and Photovision Magazine, and a contributor to Afterimage, exposure, Buffalo Spree, Fotophile, FYI, History of Photography, Ilford Photo Instructor Newsletter, and The Photo Review, as well as former Director of CEPA Gallery.

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Table of Contents

Why We Make Photographs;
Photographic Printmaking;
Safety;
Special-Use Films and Processing;
Formulas of Your Own;
Black-and-White Film Developers;
Analog Printmaking: Equipment, Materials, and Processes;
Black-and-White Paper Developers;
Toning for Visual Effects;
Special Cameras and Equipment;
An Introduction to Some Widely Used Alternative Processes;
Altering Photographic Concepts;
Photography and Computers;
Digital Input and Output;
Index

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