Photography: History and Theory

Photography: History and Theory

4.7 4
by Jae Emerling
     
 

ISBN-10: 0415778557

ISBN-13: 9780415778558

Pub. Date: 02/17/2012

Publisher: Taylor & Francis

Photography: History and Theory introduces students to both the history of photography and critical theory.

From its inception in the nineteenth century, photography has instigated a series of theoretical debates. In this new text, Jae Emerling therefore argues that the most insightful way to approach the histories of photography is to address

Overview

Photography: History and Theory introduces students to both the history of photography and critical theory.

From its inception in the nineteenth century, photography has instigated a series of theoretical debates. In this new text, Jae Emerling therefore argues that the most insightful way to approach the histories of photography is to address simultaneously the key events of photographic history alongside the theoretical discourse that accompanied them.

While the nineteenth century is discussed, the central focus of the text is on modern and contemporary photographic theory. Particular attention is paid to key thinkers, such as Baudelaire, Barthes and Sontag. In addition, the centrality of photography to contemporary art practice is addressed through the theoretical work of Allan Sekula, John Tagg, Rosalind Krauss, and Vilém Flusser. The text also includes readings of many canonical photographers and exhibitions including: Atget, Brassai, August Sander, Walker Evans, The Family of Man, Diane Arbus, Lee Friedlander, Cindy Sherman, Bernd and Hilla Becher, Sebastaio Salgado, Jeff Wall, and others.

In addition, Emerling provides close readings of key passages from some major theoretical texts. These glosses come between the chapters and serve as a conceptual line that connects them. Glosses include:

  • Roland Barthes, "The Rhetoric of the Image" (1964)
  • Susan Sontag, Regarding the Pain of Others (2002)
  • Michel Foucault on the archive (1969)
  • Walter Benjamin, "Little History of Photography" (1931)
  • Vilém Flusser, Towards a Philosophy of Photography (1983)

A substantial glossary of critical terms and names, as well as an extensive bibliography, make this the ideal book for courses on the history and theory of photography.

Product Details

ISBN-13:
9780415778558
Publisher:
Taylor & Francis
Publication date:
02/17/2012
Edition description:
New Edition
Pages:
288
Product dimensions:
6.10(w) x 9.20(h) x 0.60(d)

Table of Contents

Introduction 1: The Thing Itself Gloss on Walter Benjamin, "Little History of Photography" (1931) 2: Frame (Matter and Metaphor) Gloss on Roland Barthes, "Rhetoric of the Image" (1964) 3: Documentary, or Instants of Truth Gloss on Susan Sontag, "Regarding the Pain of Others" (2002) 4: The Archive as Producer Gloss on Michel Foucault, The Archaeology of Knowledge (1969) 5: Time-Images Gloss on Vilém Flusser, Towards a Philosophy of Photography (1983)

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Photography: History and Theory 5 out of 5 based on 0 ratings. 2 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Emerling puts together both contemporary photographic theory and photo history into a cogent and well researched statement about where photography is today.   I would highly recommend this book for anyone who is interested in knowing more about photography.