Pianists on Playing : Interviews with Twelve Concert Pianists

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Twelve internationally-known keyboard artists entertainingly discuss their daily lives of practicing and performing in informative interviews, including reflections on learning new music, reviving repertoire, performing, controlling nerves, recording sessions, playing with ensemble groups, touring, playing in competitions, and the future of the piano. The pianists interviewed include: Vladimir Ashkenazy, Jorge Bolet, John Browning, Bella Davidovich, Misha Dichter, Janina Fialkowska, Rudolf Firkusny, Leon ...
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More About This Book

Overview

Twelve internationally-known keyboard artists entertainingly discuss their daily lives of practicing and performing in informative interviews, including reflections on learning new music, reviving repertoire, performing, controlling nerves, recording sessions, playing with ensemble groups, touring, playing in competitions, and the future of the piano. The pianists interviewed include: Vladimir Ashkenazy, Jorge Bolet, John Browning, Bella Davidovich, Misha Dichter, Janina Fialkowska, Rudolf Firkusny, Leon Fleisher, Andre-Michel Schub, Abbey Simon, Ralph Votapek, and Andre Watts.

Author Biography: Linda Noyle (B.A. Music & Communications, U. of Iowa; M.A. Urban Affairs, Loyola-Chicago) is a life-long music aficionado, began piano studies privately at the age of eight and continued at the American Conservatory of Music in Chicago.

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Editorial Reviews

Academic Library Book Review
...of value to any music student, but especially so to pianists and performers, or to anyone interested in the interpretation of music..
Clavier
...herein lies the main value of this book: as a compendium of technical and musical approaches from pianists who represent many different cuts of cloth...more insight is packed into this little book than most fatter volumes can offer..
Library Journal
The 12 keyboard artists interviewed for this project responded to specific questions on aspects of their professional livespractice habits, memorizing, using a metronome, handling nervousness, and so on. Under these broad headings, each artist expounds freely, often straying from the immediate topic. The result is a rambling and diffuse collection of individual thoughts, sometimes interesting because the artists themselves interest us, but generally unenlightening and of little practical use. The clearest impression, in fact, is that these artist find it very difficult to articulate their methods. As Jorge Bolet sums it up: ``Practice is a very personal matter.'' Few meaningful generalities can be drawn from this compilation of individual ideas. Susan Kagan, Music Dept., Hunter Coll., CUNY
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Product Details

  • ISBN-13: 9780810819535
  • Publisher: Rowman & Littlefield Publishers, Inc.
  • Publication date: 6/28/1987
  • Pages: 187

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