Piano Four Hands

Editorial Reviews

All Music Guide - Ken Dryden
The search for unknown recordings by Bill Evans has been persistent since his untimely death at the age of 51 in 1980. This privately recorded session features Evans sharing a piano with his old friend pianist Luíz Eça (best known for his composition "The Dolphin") in a Rio de Janeiro nightclub during his final tour of South America. They play a number of duets together, with Eça playing bass and Evans treble (though they do switch places), and the focus is mostly on standards, with Marc Johnson joining them on bass for five songs. Evidently taken from two separate sets that evening since several songs are repeated, Evans revisits old favorites like "Who Can I Turn To" and ...
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Editorial Reviews

All Music Guide - Ken Dryden
The search for unknown recordings by Bill Evans has been persistent since his untimely death at the age of 51 in 1980. This privately recorded session features Evans sharing a piano with his old friend pianist Luíz Eça (best known for his composition "The Dolphin") in a Rio de Janeiro nightclub during his final tour of South America. They play a number of duets together, with Eça playing bass and Evans treble (though they do switch places), and the focus is mostly on standards, with Marc Johnson joining them on bass for five songs. Evidently taken from two separate sets that evening since several songs are repeated, Evans revisits old favorites like "Who Can I Turn To" and his jagged set-closing theme "Five," along with introducing several of his then-recent compositions ("Letter to Evan," "Laurie," and "Bill's Hit Tune"). The informal nature of the meeting results in less polish than a planned record date, though there are many memorable moments, while Evans' audible comments to his friend add a special dimension, as if one is sitting next to the piano. Evans sits out several numbers, including a fine interpretation of "Wave" by singer Leny Andrade (with pianist Cidinho and Marc Johnson) plus a solo by Cidinho and a duet featuring him with Eça. One oddity is the brief attempt at "One Note Samba" that is abandoned after a few seconds, then after a conversation between the two pianists, they opt for "Stella by Starlight." The failure to research the identity of the "Untitled Original" by Evans (which turns up twice, the latter time in a solo version following the second duet of "Letter to Evan") and the less than perfect sound quality make it seem like this CD is a bootleg. In any case, the emergence of yet another previously unknown recording by Bill Evans, especially a rare meeting with a second pianist in an informal live setting, will be of great interest to his fans.
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Product Details

  • Release Date: 4/6/2010
  • Label: Jazz Lips
  • EAN: 8436028693498
  • Catalog Number: 2869349
  • Sales rank: 157,347

Tracks

Disc 1
  1. 1 Noelle's Theme - Bill Evans (3:04)
  2. 2 Untitled Original - Bill Evans (2:14)
  3. 3 Who Can I Turn To - Bill Evans (5:04)
  4. 4 Letter to Evan - Bill Evans (3:15)
  5. 5 Laurie - Bill Evans (5:13)
  6. 6 Five - Bill Evans
  7. 7 Wave - Bill Evans (4:46)
  8. 8 Chorino Pra Ele - Bill Evans (2:34)
  9. 9 Letter to Evan - Bill Evans
  10. 10 Laurie - Bill Evans (3:08)
  11. 11 Bill's Hit Tune - Bill Evans (5:43)
  12. 12 Corcovado - Bill Evans (3:57)
  13. 13 One Note Samba - Victor Young
  14. 14 E Nada Mais - Bill Evans (3:00)
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Album Credits

Performance Credits
Luíz Eça Primary Artist
Technical Credits
Bill Evans Composer
Michel Legrand Composer
Leslie Bricusse Composer
Antonio Carlos Jobim Composer
Anthony Newley Composer
Hermeto Pascoal Composer
Stella By Starlight Composer
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