Picaresque

Picaresque

4.3 14
by The Decemberists
     
 

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"The Infanta," the thunderous opening track on the Decemberists' fluid and predictably studious Picaresque, rolls in like a ghost ship at 40 knots in a hail of cannon fire with a mad English professor at the wheel. Colin Meloy and his esteemed West Coast colleagues have no qualms about beginning their third full-length recordSee more details below

Overview

"The Infanta," the thunderous opening track on the Decemberists' fluid and predictably studious Picaresque, rolls in like a ghost ship at 40 knots in a hail of cannon fire with a mad English professor at the wheel. Colin Meloy and his esteemed West Coast colleagues have no qualms about beginning their third full-length record with a processional about a child monarch, and it's a testimony to their talents as orators and interpreters of both the absurd and the mundane that they continue to assimilate more fans than they alienate. While Picaresque follows its predecessor's -- the treacly Her Majesty -- predilection for seafaring and mythology, its boot-covered feet are more firmly planted in the present, resulting in the group's most accessible -- and decidedly upbeat -- product to date. The rollicking "16 Military Wives," the aforementioned "Infanta," and "The Sporting Live" (which comes dangerously close to Belle & Sebastian's "Stars of Track and Field") help balance the spooky atmospherics of more reserved cuts like "From My Own True Love (Lost at Sea)" and "Eli, the Barrow Boy." The Decemberists have always excelled at midtempo British folk-inspired dream pop, and Picaresque is no exception, as the brooding "We Both Go Down Together," which sounds like a mist-drenched Pacific Northwest rendering of R.E.M.'s "Losing My Religion," and the wistful "Engine Driver" rank among the group's finest offerings. The album concludes with the diabolical "Mariner's Revenge Song," a Tin Pan Alley dirge/operetta reminiscent of Kurt Weill's "The Black Freighter," and the brief but intoxicating "Of Angels and Angles," a solo Meloy ballad celebrating the holy trinity of nautical lore: love, drowning, and death.

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Editorial Reviews

Rolling Stone - David Fricke
1/2 A triumph of theatrical imagination: the culmination of the Decemberists' steady march to greatness in four years of enriched storytelling and folk-rock invention.
Entertainment Weekly - Michael Small
Colin Meloy is so darn brilliant. (A-)

Product Details

Release Date:
09/13/2005
Label:
Kill Rock Stars
UPC:
0759656042512
catalogNumber:
425

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Tracks

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Album Credits

Performance Credits

Decemberists   Primary Artist
Petra Haden   Violin,Vocals,Voices
Eric Stern   Vocals,Tenor (Vocal)
Aaron Stewart   Tom-Tom,Tam-tam
Sean Nelson   Vocals,Voices
Paul Brainard   Trumpet
Chris Walla   Guitar,Electric Guitar
Jeff London   shofar
Rachel Blumberg   Drums,Vocals
Chris Funk   Guitar
Colin Meloy   Guitar,Vocals
Jenny Conlee   Accordion,Keyboards,Voices
Carson Ellis   Group Member
Dawn Barger   Group Member
Tom Hill   Trombone
Joe Cunningham   Baritone Saxophone,Tenor Saxophone

Technical Credits

Paul Brainard   Horn Arrangements
Chris Walla   Producer,Audio Production
Decemberists   Producer
Colin Meloy   Composer
John Roderick   Sound Effects
Carson Ellis   Illustrations,Costume Design

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