Picasso at the Lapin Agile and Other Plays

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Overview

Steve Martin is one of America's treasured comedic actors, having appeared in some of the most popular movies of our time. He is also an accomplished screenwriter who has for the past few years turned his attention to writing plays. The results, collected here, demonstrate new facets of the range and talent he possesses on screen. His plays hilariously explore very serious questions about love and happiness and the meaning of life; they are rich with equal parts pain and slapstick humor, torment and wit. Picasso ...
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Overview

Steve Martin is one of America's treasured comedic actors, having appeared in some of the most popular movies of our time. He is also an accomplished screenwriter who has for the past few years turned his attention to writing plays. The results, collected here, demonstrate new facets of the range and talent he possesses on screen. His plays hilariously explore very serious questions about love and happiness and the meaning of life; they are rich with equal parts pain and slapstick humor, torment and wit. Picasso at the Lapin Agile, Steve Martin's first full-length play, opened at Chicago's Steppenwolf Theater before moving on to Los Angeles (where it was the longest-running show in the history of the Westwood Playhouse) and, finally, to New York. An imagined meeting of Pablo Picasso and Albert Einstein in 1904 - when both men were in their twenties - it is a compelling examination of science and art and their impact on a rapidly changing society. As the two men engage in a battle of ideas about probability, lust, artistic integrity, and the future, the play moves with ease between the breezy and the profound. Picasso at the Lapin Agile and Other Plays contains three one-acts, first presented together at the Joseph Papp Public Theater in New York. WASP depicts an archetypal middle-class white Anglo-Saxon Protestant family trying to live up to the routine of an idealized fifties suburbia. It is a dark and surreal comedy - a broad satire punctuated with insightful and poetic moments of irony. A meditation on the nature of love and loneliness, The Zig-Zag Woman concerns a woman so desperate to find affection that, with the help of a magic trick, she appears to divide her body into three parts. In the final play, Patter for the Floating Lady, a magician plans to levitate his assistant in order to give her what he could not give her when they were together: freedom.
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Editorial Reviews

Library Journal
Actor-comedian Martin is also an accomplished writer of screenplays, short stories, and now stage plays. The present work is his first full-length play and has enjoyed commercial success in New York, Los Angeles, and Chicago. It depicts an imaginary meeting of Pablo Picasso and Albert Einstein in 1904 Paris, exploring the impact of art and science on our rapidly changing society. A surprise visit by Elvis adds some satiric commentary from a late-20th-century perspective. Among the other three short plays is Wasp, a stinging look at idealized 1950s suburban life. Though not essential, this is recommended for modern drama collections in larger public and academic libraries.Howard E. Miller, M.L.S., St. Louis
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Product Details

  • ISBN-13: 9780802135230
  • Publisher: Grove/Atlantic, Inc.
  • Publication date: 8/28/1997
  • Edition description: 1 PBK ED
  • Pages: 160
  • Sales rank: 527,768
  • Product dimensions: 5.51 (w) x 8.29 (h) x 0.48 (d)

Meet the Author

Steve Martin
Steve Martin
While he rose to fame as one of America's foremost funnymen on the big and little screens, Steve Martin has taken to giving his unique, fantastical sense of humor literary life, from books like the bestselling novella Shopgirl to plays like Picasso at the Lapin Agile and The Underpants.

Biography

"If Woody Allen is the archetypal East Coast neurotic, Steve Martin is the ultimate West Coast wacko," Maureen Orth wrote for Newsweek in 1977. At the time, Martin was a star on the standup comedy circuit, known for his nose glasses, bunny ears and sudden attacks of "happy feet." More than 20 years later, the idea that the two are counterparts still seems apt: Like Woody Allen, Steve Martin has gone from comedy writer and performer to scriptwriter, director, playwright and book author. But while Woody Allen's transformation from angst-ridden intellectual into Bergman-inspired auteur was something fans might have anticipated, who would have guessed that the wild and crazy guy with the arrow through his head harbored a passion for philosophy, art and literature?

Growing up in Orange County, California, Martin worked afternoons, weekends and summers at Disneyland, where he learned to do magic tricks, make balloon animals and perform vaudeville routines. By the time he was 18, he was performing at Knott's Berry Farm while attending junior college. He was a bright but unenthusiastic student until a girlfriend (and her loan of Somerset Maugham's The Razor's Edge) inspired him to transfer to Long Beach State and major in philosophy. There, he delved into metaphysics, semantics and logic before concluding that he was meant for the arts. He transferred again, to the theater department at UCLA, and started performing comedy in local clubs. Truth in art, he later said, "can't be measured. You don't have to explain why, or justify anything. If it works, it works. As a performer, non sequiturs make sense, nonsense is real." (Aha -- there was a philosophical impulse behind those bunny ears.)

After a string of successful T.V. comedy-writing gigs, Martin got back into performing, and a few years later, he was landing spots on "The Tonight Show" and guest-hosting "Saturday Night Live," where he performed his famous King Tut routine. His first album, Let's Get Small, won a Grammy and was the best-selling comedy album of 1977. His first book, Cruel Shoes, was a collection of comic vignettes with titles like "How to Fold Soup" and "The Vengeful Curtain Rod." And his starring role in The Jerk kicked off a highly successful film career that includes more than 20 hit movies, including Roxanne and L.A. Story, both of which Martin wrote and directed.

Early on, critics classed Steve Martin with comedians like Martin Mull and Chevy Chase -- goofy white guys whose slapstick comedy had no overt political message, though it might have a postmodern touch of self-critique. But Martin kept scaling the heights of absurdity until he'd reached an altitude all his own. Beginning in 1994, he took two years off from movie acting to concentrate on his writing. The result was Picasso at the Lapin Agile, a surreal comedy about Picasso and Einstein that won critical and popular acclaim: "More laughs, more fun and more delight than anything currently on the New York stage," raved The New York Observer.

Though Martin went back to the movies, he also kept on writing, turning out several more plays and a series of ingeniously demented essays for The New Yorker and The New York Times, many of which are collected in book form in Pure Drivel. Then, in 2000, he surprised readers with his bestselling book Shopgirl, a tender, insightful novella about a Neiman Marcus clerk and her two suitors. These days, Martin is recognized as a "gorgeous writer capable of being at once melancholy and tart, achingly innocent and astonishingly ironic" (Elle). He's also been tapped to host ceremonies for the prestigious National Book Awards. It seems the man who once defined comedy as "acting stupid so other people can laugh" is in fact one of the smartest guys ever to emerge from L.A.

Good To Know

As a stand-up comedian on "The Tonight Show", Martin was demoted to guest-host nights for a while because Johnny Carson didn't think his act -- which could include reading from the phone book or telling jokes to four dogs onstage -- was funny.

After he became nationally famous as a comedian, Martin joked that his new wealth had allowed him to buy "some pretty good stuff. Got me a $300 pair of socks, got a fur sink ... let's see ... an electric dog-polisher, a gasoline-powered turtleneck sweater ... and of course I bought some dumb stuff, too." Actually, Martin is a serious art collector whose purchases include paintings and drawings by Roy Lichtenstein, Francis Bacon, Pablo Picasso and David Hockney.

Martin's marriage to the actress Victoria Tennant ended in 1994. But it was his subsequent breakup with actress Anne Heche that really broke his heart, he hinted in an Esquire interview. "I spent about a year recovering, and searching out myself and asking why things happened the way they did. I wrote a play about it, Patter for the Floating Lady. Oh, I shouldn't have told you that. I should have said I made it up."

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    1. Also Known As:
      Stephen Martin (full name)
    2. Hometown:
      Beverly Hills, California
    1. Date of Birth:
      August 14, 1945
    2. Place of Birth:
      Waco, Texas
    1. Education:
      Long Beach State College; University of California, Los Angeles
    2. Website:

Table of Contents

Picasso at the Lapin Agile 1
The Zig-Zag Woman 73
Patter for the Floating Lady 89
WASP 103
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