Picturing the Wreck

Picturing the Wreck

by Dani Shapiro
     
 

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In a masterful departure from her earlier work, the author of Playing with Fire and Fugitive Blue tells the story of Solomon Grossman, a once-prominent psychologist who seeks his own redemption by searching for his long lost son.

Overview

In a masterful departure from her earlier work, the author of Playing with Fire and Fugitive Blue tells the story of Solomon Grossman, a once-prominent psychologist who seeks his own redemption by searching for his long lost son.

Editorial Reviews

Meg Cohen Ragas

Dani Shapiro's third novel, Picturing the Wreck, is a fresh and eye-opening narrative that's told -- oddly enough for the work of a young female novelist -- from the perspective of a lonely, embittered 64-year-old man. Shapiro has written a shrewd commentary on life's wicked ironies, and on how the sometimes unfortunate choices we make seal our futures. Solomon Grossman was a respected psychoanalyst in a respectable, if faltering, marriage when he began an affair with one of his patients. When his wife leaves him after learning of his infidelity, she takes the one thing that matters to him most: their one-year-old son, Daniel. "I grabbed at the blue blanket, but she was already in motion, pulling Daniel away from me," Solomon recalls. "And I was left holding the warm, soft remnant of a life." Now, 30 years later, Solomon is still alone, living with the consequences of his actions. When he recognizes Daniel on television -- he's a government safety officer investigating a plane crash in Los Angeles -- he senses a chance for reconciliation, an opportunity to recreate himself in his son's eyes.

In Picturing the Wreck, Shapiro has crafted an intimate tale about an almost biblical fall from grace that probes the depths of a broken man's psyche. Her provocative prose and bold psychological interpretations give us a glimpse of Grossman's soul: "I have spent my life trying, in the words of the great Sigmund, to reduce my patients' neurotic misery to common unhappiness," he says. "But when I look at my son, I know that I am the source of so much of his own neurotic misery -- and nothing I can do will change that history." In addition to expertly capturing the unbridled maleness of her protagonist, Shapiro also allows us to empathize with him -- and to hope for his redemption. -- Salon

Library Journal
The narrator of Shapiro's (Playing with Fire, LJ 6/1/90; Fugitive Blue, LJ 12/92) third novel is Holocaust fugitive, psychotherapist loner Solomon Grossman, who by chance sees his adult son Daniel interviewed on television. This brings him to relate his sad story to Daniel, in absentia. Thirty years before, Solomon was accused of molesting his patient Katrina Volk, the daughter of a Nazi. Though undercurrents of anger, guilt, expiation, and seduction surround the incident-which Solomon was unable to explain-his wife left him, taking Daniel with her. Now Solomon jets to Los Angeles, where father and son reconcile just before Solomon dies of a heart attack. In death he becomes a sort of guardian angel, trying to help Daniel overcome his own checkered past. Shapiro interweaves personal and political history: tiny gold threads of possibility peek through, but no seams show. In the end, she achieves the difficult feat of producing a book that is appealing, kind, and compassionate without being maudlin. Recommended for fiction collections.-Harold Augenbraum, Mercantile Lib., New York

Product Details

ISBN-13:
9780452277694
Publisher:
Penguin Group (USA)
Publication date:
02/01/1997
Pages:
256
Product dimensions:
5.26(w) x 7.96(h) x 0.67(d)

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