Piero della Francesca: Artist and Man

Piero della Francesca: Artist and Man

by James R. Banker
Piero della Francesca: Artist and Man

Piero della Francesca: Artist and Man

by James R. Banker

Hardcover

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Overview

Largely neglected for the four centuries after his death, the fifteenth century Italian artist Piero della Francesca is now seen to embody the fullest expression of the Renaissance perspective painter, raising him to an artistic stature comparable with that of Leonardo da Vinci and Michelangelo.

But who was Piero, and how did he become the person and artist that he was? Until now, in spite of the great interest in his work, these questions have remained largely unanswered. Piero della Francesca: Artist and Man integrates the story of Piero's artistic and mathematical achievements with the full chronicle of his life for the first time, fortified by the discovery of over one hundred previously unknown documents, most unearthed by the author himself.

The book presents us with Piero's friends, family, and collaborators, all set against the social background of the various cities and courts in which he lived - from the Tuscan commune of Sansepolcro in which he grew up, to Renaissance Florence, Ferrara, Ancona, Rimini, Rome, Arezzo, and Urbino, and eventually back to his home town for the final years of his life. As Banker shows, the cultural contexts in which Piero lived are crucial for understanding both the man and his paintings.

What emerges is a thoroughly intriguing Renaissance individual, firmly embedded in his social milieu, but forging an historic identity through his profound artistic and mathematical achievements.

Product Details

ISBN-13: 9780199609314
Publisher: Oxford University Press
Publication date: 04/15/2014
Pages: 304
Product dimensions: 6.80(w) x 9.70(h) x 1.00(d)

About the Author

James R. Banker is professor emeritus of Italian history at North Carolina State University, and lives for most of the year in Florence and Sansepolcro. An expert on the life and works of Piero della Francesca and Sassetta, two artists closely associated with San Sepolcro, his research has emphasized the role of lay religion in the lives of early Renaissance Italians, and the role of patrons, lay and clerical, in the paintings of both Sassetta and Piero. Author of numerous articles on Renaissance themes, his books include Death in the Community: Memorialization and Confraternities in an Italian Commune and, most recently, The Culture of San Sepolcro During the Youth of Piero della Francesca.

Table of Contents

Introduction
1. Piero's Formation in Sansepolcro
2. Piero the Incessant Learner and Traveler, 1439-1450
3. Piero in the Court of Sigismondo Malatesta in Rimini
4. Piero in Arezzo: The Legend of the True Cross
5. The Confraternity and the Altarpiece of Madonna della Misericordia
6. Greek Geometry in Rome and Piero's Trattato d'abaco
7. Piero's Return to Patria and Family
8. An Arezzo Interlude
9. The Practice of Perspective: The Sant'Antonio and Sant'Agostino Altarpieces and the Flagellation
10. Piero della Francesca in Urbino in the Early 1470s
11. Piero in Sansepolcro, 1472-1475
12. Piero in Urbino in 1475-1476
13. The Persuasiveness of Paternal Authority, 1477-81
14. Piero in the Last Decade of His Life
Conclusion
Chronology of Piero's Life and Work
Index
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