Pietr the Latvian (Maigret Series #1)

Pietr the Latvian (Maigret Series #1)

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by Georges Simenon, David Bellos
     
 

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The first novel which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.

'Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy

Overview

The first novel which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.

'Inevitably Maigret was a hostile presence in the Majestic. He constituted a kind of foreign body that the hotel's atmosphere could not assimilate. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man. His firm muscles filled out his jacket and quickly pulled all his trousers out of shape. He had a way of imposing himself just by standing there. His assertive presence had often irked many of his own colleagues.'

In Simenon's first novel featuring Maigret, the laconic detective is taken from grimy bars to luxury hotels as he traces the true identity of Pietr the Latvian.

Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in previous translations as The Case of Peter the Lett and Maigret and the Enigmatic Lett.

'Compelling, remorseless, brilliant.' - John Gray

'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.' - The Guardian

'A supreme writer . . . unforgettable vividness.' - The Independent

Editorial Reviews

From the Publisher
‘One of the greatest writers of the twentieth century…Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.’ — The Guardian

'I love reading Simenon. He makes me think of Chekhov.' — William Faulkner

'The greatest of all, the most genuine novelist we have had in literature' — André Gide

‘A supreme writer…unforgettable vividness’ — The Independent

'Superb... The most addictive of writers... A unique teller of tales' — The Observer

‘Compelling, remorseless, brilliant.’ — John Gray

'A truly wonderful writer... marvellously readable - lucid, simple, absolutely in tune with the workd he creates' — Muriel Spark

'A novelist who entered his fictional world as it he were a part of it' — Peter Ackroyd

'Extraordinary masterpieces of the twentieth century' — John Banville

Product Details

ISBN-13:
9780141392738
Publisher:
Penguin Publishing Group
Publication date:
01/28/2014
Series:
Maigret Series , #1
Pages:
176
Sales rank:
241,548
Product dimensions:
5.00(w) x 7.60(h) x 0.60(d)
Age Range:
18 Years

Read an Excerpt

Georges Simenon

PIETR THE LATVIAN

Translated by DAVID BELLOS

PENGUIN BOOKS

Published by the Penguin Group
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA
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Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

www.penguin.com

First published in serial, as Pietr-le-Letton, in Ric et Rac 1930
This translation first published 2013

Copyright 1930 by Georges Simenon Limited
Translation © David Bellos, 2013
GEORGES SIMENON ® Simenon.tm
MAIGRET ® Georges Simenon Limited
All rights reserved

The moral rights of the author and translator have been asserted

ISBN: 978-0-698-15103-1

Title Page

Copyright Page

About the Author

1. Apparent age 32, height 169 …

2. Mixing with Millionaires

3. The Strand of Hair

4. The Seeteufel’s First Mate

5. The Russian Drunkard

6. Au Roi de Sicile

7. The Third Interval

8. Maigret Gets Serious

9. The Hit-man

10. The Return of Oswald Oppenheim

11. Arrivals and Departures

12. A Woman With a Gun

13. The Two Pietrs

14. The Ugala Club

15. Two Telegrams

16. On the Rocks

17. And a Bottle of Rum

18. Hans at Home

19. The Injured Man

EXTRA: Chapter 1 from The Late Monsieur Gallet

ABOUT THE AUTHOR

 • • • 

Georges Simenon was born on 12 February 1903 in Liège, Belgium, and died in 1989 in Lausanne, Switzerland, where he had lived for the latter part of his life. He published seventy-five novels and twenty-eight short stories featuring Inspector Maigret, and Pietr the Latvian marks the birth of this celebrated literary character. Simenon himself described the moment the character took shape, as he settled down to write this novel in September 1929:

‘I recall sitting in a café one sunny morning … I’d had one, two, maybe three small schnapps laced with a dash of bitters. In any case, an hour later, slightly sleepy, I began to imagine a large powerfully built gentleman I thought would make a passable inspector. As the day wore on, I added various accessories: a pipe, a bowler hat, a thick overcoat with a velvet collar. And since it was cold and damp on my abandoned barge, I put a cast-iron stove in his office.’

Penguin is publishing the entire series of Maigret novels.

PENGUIN BOOKS

PIETR THE LATVIAN

‘I love reading Simenon. He makes me think of Chekhov’

William Faulkner

‘A truly wonderful writer … marvellously readable – lucid, simple, absolutely in tune with the world he creates’

Muriel Spark

‘Few writers have ever conveyed with such a sure touch, the bleakness of human life’

A. N. Wilson

‘One of the greatest writers of the twentieth century … Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories’

Guardian

‘A novelist who entered his fictional world as if he were part of it’

Peter Ackroyd

‘The greatest of all, the most genuine novelist we have had in literature’

André Gide

‘Superb … The most addictive of writers … A unique teller of tales’

Observer

‘The mysteries of the human personality are revealed in all their disconcerting complexity’

Anita Brookner

‘A writer who, more than any other crime novelist, combined a high literary reputation with popular appeal’

P. D. James

‘A supreme writer … Unforgettable vividness’

Independent

‘Compelling, remorseless, brilliant’

John Gray

‘Extraordinary masterpieces of the twentieth century’

John Banville

1. Apparent age 32, height 169 …

ICPC to PJ Paris Xvzust Krakow vimontra m ghks triv psot uv Pietr-le-Letton Bremen vs tyz btolem.

 • • • 

Detective Chief Inspector Maigret of the Flying Squad raised his eyes. It seemed to him that the cast-iron stove in the middle of his office with its chimney tube rising to the ceiling wasn’t roaring properly. He pushed the telegram away, rose ponderously to his feet, adjusted the flue and thrust three shovels of coal into the firebox.

Then he stood with his back to the stove, filled his pipe and adjusted his stud collar, which was irritating his neck even though it wasn’t set very high.

He glanced at his watch. Four p.m. His jacket was hanging on a hook on the back of the door.

Slowly he returned to his desk, mouthing a translation as he went:

International Criminal Police Commission to Police Judiciaire in Paris: Krakow police report sighting Pietr the Latvian en route to Bremen.

The International Criminal Police Commission, or ICPC, is based in Vienna. Broadly speaking, it oversees the struggle against organized crime in Europe, with a particular responsibility for liaison between the various national police forces on the Continent.

Maigret pulled up another telegram that was similarly written in IPC, the secret international police code used for communication between all the world’s police forces. He translated at sight:

Polizei-Präsidium Bremen to PJ Paris: Pietr the Latvian reported en route Amsterdam and Brussels.

Another telegram from the Nederlandsche Centrale in Zake Internationale Misdadigers, the Dutch police HQ, reported:

At 11 a.m. Pietr the Latvian boarded Étoile du Nord, compartment G. 263, car 5, destination Paris.

The final message in IPC had been sent from Brussels and said:

Confirm Pietr the Latvian on board Étoile du Nord via Brussels 2 a.m. in compartment reported by Amsterdam.

Behind Maigret’s desk there was a huge map pinned to the wall. The inspector was a broad and heavy man. He stood staring at the map with his hands in his pockets and his pipe sticking out the side of his mouth.

His eyes travelled from the dot representing Krakow to the other dot showing the port of Bremen and from there to Amsterdam and Paris.

He checked the time once again. Four-twenty. The Étoile du Nord should now be hurtling along at sixty miles an hour between Saint-Quentin and Compiègne.

It wouldn’t stop at the border. It wouldn’t be slowing down.

In car 5, compartment G. 263, Pietr the Latvian was presumably spending his time reading or looking at the scenery.

Maigret went over to a door that opened onto a closet, washed his hands in an enamel basin, ran a comb through thick dark-brown hair flecked with only a few silver strands around the temple, and did his best to straighten out his tie – he’d never learned how to do a proper knot.

It was November and it was getting dark. Through the window he could see a branch of the Seine, Place Saint-Michel, and a floating wash-house, all in a blue shroud speckled by gas lamps lighting up one after the other.

He opened a drawer and glanced at a dispatch from the International Identification Bureau in Copenhagen.

Paris PJ Pietr-le-Letton 32 169 01512 0224 0255 02732 03116 03233 03243 03325 03415 03522 04115 04144 04147 05221 …

This time he made an effort to speak the translation aloud and even went over it several times, like a schoolchild reciting a lesson:

Description Pietr the Latvian: apparent age 32 years, height 169 cm, sinus top straight line, bottom flat, extension large max, special feature septum not visible, ear unmarked rim, lobe large, max cross and dimension small max, protuberant antitragus, vex edge lower fold, edge shape straight line edge feature separate lines, orthognathous upper, long face, biconcave, eyebrows thin fair light, lower lip jutting max thick lower droop, light.

This ‘word-picture’ of Pietr was as clear as a photograph to Inspector Maigret. The principal features were the first to emerge: the man was short, slim, young and fair-haired, with sparse blond eyebrows, greenish eyes and a long neck.

Maigret now also knew the shape of his ear in the minutest detail. This would enable him to make a positive identification in a milling crowd even if the suspect was in disguise.

He took his jacket off the hook and slipped his arms into it, then put on a heavy black overcoat and a bowler hat.

One last glance at the stove, which seemed on the verge of exploding.

At the end of the corridor, on the stair landing that was used as a waiting room, he reminded Jean:

‘You won’t forget to keep my stove going, will you?’

The wind swirling up the stairs took him by surprise, and he had to shelter from the draught in a corner to get his pipe to light.

 • • • 

Wind and rain blew in squalls over the platforms of Gare du Nord despite the monumental glass canopy overhead. Several panes had blown out and lay in shards on the railway tracks. The lighting wasn’t working properly. People huddled up inside their clothes.

Outside one of the ticket windows an alarming travel notice had been posted:

Channel forecast: gale-force winds.

One woman, whose son was to catch the Folkestone boat train, looked upset; her eyes were red. She kept on telling the boy what he should do, right up to the last minute. In his embarrassment he had no choice but to promise not to go out on deck.

Maigret stood near platform 11 where people were awaiting the arrival of the Étoile du Nord. All the leading hotels, as well as Thomas Cook, had their agents standing by.

He stood still. Other people were agitated. A young woman clad in mink yet wearing only sheer silk stockings walked up and down, stamping her heels.

He just stood there: a hulk of a man, with shoulders so broad as to cast a wide shadow. When people bumped into him he stayed as firm as a brick wall.

The yellow speck of the train’s headlamp appeared in the distance. Then came the usual hubbub, with porters shouting and passengers tramping and jostling their way towards the station exit.

A couple of hundred passengers paraded past Maigret before he picked out in the crowd a short man wearing a broad-checked green travelling cape of a distinctly Nordic cut and colour.

The man wasn’t in a hurry. He had three porters behind him. Bowing and scraping, an agent from one of the grand hotels on the Champs-Élysées cleared the way in front of him.

Apparent age 32, height 169 … sinus top …

Maigret kept calm. He looked hard at the man’s ear. That was all he needed.

The man in green passed close by. One of his porters bumped Maigret with one of the suitcases.

At exactly the same moment a railway employee began to run, shouting out something to his colleague standing at the station end of the platform, next to the barrier.

The chain was drawn closed. Protests erupted.

The man in the travelling cape was already out of the station.

Maigret puffed away at his pipe in quick short bursts. He went up to the official who had closed the barrier.

‘Police! What’s happened?’

‘A crime … They’ve just found …’

‘Carriage 5? …’

‘I think so …’

The station went about its regular business; only platform 11 looked abnormal. There were fifty passengers still waiting to get out, but their path was blocked. They were getting excited.

‘Let them go …’ Maigret said.

‘But …’

‘Let them go …’

He watched the last cluster move away. The station loudspeaker announced the departure of a local train. Somebody was running somewhere. Beside one of the carriages of the Étoile du Nord there was a small group waiting for something. Three of them, in railway company livery.

 • • • 

The stationmaster got to them first. He was a large man and had a worried look on his face. Then a hospital stretcher was wheeled through the main hall, past clumps of people who looked at it uneasily, especially those about to depart.

Maigret walked up the side of the train with his usual heavy tread, smoking as he went. Carriage 1, carriage 2 … He came to carriage 5.

That’s where the group was standing at the door. The stretcher came to a halt. The stationmaster tried to listen to the three men, who were all speaking at the same time.

‘Police! Where is he?’

Maigret’s presence provided obvious relief. He propelled his placid mass towards the centre of the frantic group. The other men instantly became his satellites.

‘In the toilet …’

Maigret hauled himself up onto the train and saw that the toilet door on his right was open. On the floor, in a heap, was a body, bent double in a strangely contorted posture.

The conductor was giving orders from the platform.

‘Shunt the carriage to the yard … Hang on! … Track 62 … Let the railway police know …’

At first he could only see the back of the man’s neck. But when he tipped his cap off its oblique angle, he could see the man’s left ear. Maigret mumbled to himself: lobe large, max cross and dimension small max, protuberant antitragus …

There were a few drops of blood on the linoleum. Maigret looked around. The railway staff were standing on the platform or on the running board. The stationmaster was still talking.

So Maigret clenched his pipe between his teeth even harder and turned the man’s head over.

If he hadn’t seen the traveller in the green cloak leave the station, if he hadn’t seen him taken to a car by an interpreter from the Majestic, he could have had doubts.

It was the same physiognomy. The same fair toothbrush moustache under a sharply defined nose. The same sparse blond eyebrows. The same grey-green eyes.

In other words: Pietr the Latvian!

Maigret could hardly turn around in the tiny washroom, where the tap was still running and a jet of steam was seeping from some poorly sealed joint.

He was standing right next to the corpse. He pulled the man’s upper body upright and saw on his chest, on his jacket and shirt, the burn-marks made by gunshot from point-blank range.

It was a big blackish stain tinged with the dark red of coagulating blood.

 • • • 

One detail struck the inspector. He happened to notice one of the man’s feet. It was twisted on its side, as was the whole body, which must have been squashed into a corner so as to allow the door to close.

The shoe was black and happened to be of a very cheap and common kind. Apparently it had been re-soled. The heel was worn on one side, and a coin-shaped gap had opened up in the middle of the sole.

The local chief of the railway police had now reached the carriage and was calling up from the platform. He was a self-confident man wearing a uniform with epaulettes.

‘So what is it, then? Murder? Suicide? Don’t touch anything until the law gets here, OK? Be careful! I’m the one who’s in charge. OK?’

Maigret had a tough time disentangling his own feet from the dead man’s legs to extricate himself from the toilet. With swift, professional movements he patted the man’s pockets. Clean as a whistle. Nothing in them at all.

He got out of the carriage, His pipe had gone out, his hat was askew and he had a bloodstain on his cuff.

‘Well, if it isn’t Maigret! … What do you make of it, then?’

‘Not much. Go have a look yourself …’

‘It’s suicide, right?’

‘If you say so … Did you call the prosecutor’s office?’

‘As soon as I heard …’

Meet the Author

Georges Simenon (1903–1989) was born on February 12th, 1903 in Liege, Belgium. At the age of nineteen, Simenon embarked to Paris to begin a career as a writer.  In 1923 he began publishing under various pseudonyms, and in 1929 began the Inspector Maigret series which helped elevate him to a household name in continental Europe.  His prolific output of more than four hundred novels and the gripping, dark realism of his prose has cemented him as an inedlible fixture of twentieth century literature.  He died in 1989 in Lausanne, Switzerland.

David Bellos is the director of the Program in Translation and Intercultural Communication at Princeton University, where he is also a professor of French and comparative literature. He has won many awards for his translations of Georges Perec, Ismail Kadare, and others, including the Man Booker International Translator’s Award.

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Pietr the Latvian 4 out of 5 based on 0 ratings. 1 reviews.
Anonymous More than 1 year ago