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The Pillars of Creation (Sword of Truth Series #7)

The Pillars of Creation (Sword of Truth Series #7)

3.7 364
by Terry Goodkind

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New York Times bestselling author Terry Goodkind has created his most lavish adventure yet. Tormented her entire life by inhuman voices, a young woman named Lauren seeks to end her intolerable agony. She at last discovers a way to silence the voices. For everyone else the torment is about to begin.

With winter descending and the paralyzing dread of


New York Times bestselling author Terry Goodkind has created his most lavish adventure yet. Tormented her entire life by inhuman voices, a young woman named Lauren seeks to end her intolerable agony. She at last discovers a way to silence the voices. For everyone else the torment is about to begin.

With winter descending and the paralyzing dread of an army of annihilation occupying their homeland, Richard Rahl and his wife Kahlan must venture deep into a strange and desolate land. Their quest turns to terror when they find themselves the helpless prey of a tireless hunter.

Meanwhile, Lauren finds herself drawn into a struggle for conquest and revenge. Worse yet, her will is seized by forces more abhorrent than anything she ever envisioned. Only then does she realize that the voices were real.

Staggered by loss and increasingly isolated, Richard and Kahlan must stop the relentless, unearthly threat, which has come out of the darkest night of the human soul. To do so, Richard will be called upon to face the demons stalking among the Pillars of Creation.

Discover breathtaking adventure and true nobility of spirit. Find out why millions of readers the world over have elevated Terry Goodkind to the ranks of legend.

Editorial Reviews

Tormented her entire life by inhuman voices, a young woman seeks to end her intolerable agony, but silencing the voices unleashes torment on everyone else. In this Sword of Truth book, it falls to Richard and Kahlan to stop the unearthly threat that comes out of the darkest night of the human soul.
Publishers Weekly - Publisher's Weekly
Fantasy bestseller Goodkind brings his usual strong sense of place and distinct characterization to his seventh sprawling novel in the popular Sword of Truth series, though the action, too often discussed rather than shown, takes a while to warm up. The struggle continues between the New World's Seeker of Truth, Lord Richard Rahl, and the Old World's totalitarian leader, Emperor Jagang "the Just," against the dry and barren beauty of the desert landscape. After deposing his father, old Lord Rahl, Richard lingers in the background at his immense fortress. Meanwhile, battling for power are the bastards that old Rahl has also sired, notably Richard's oafish lout of a half-brother, Oba, who tries to murder his way to the throne. Taking center stage is the vengeful Jennsen, who wants to kill Richard because she blames him for her mother's murder. Of course, Richard isn't the villain she takes him for, though Jennsen is slow to catch on. Amid the interminable sword-and-sorcery in the tradition of Robert E. Howard (Howard would have especially appreciated the huge serpent with which Oba and Jennsen contend), the author spouts his familiar political pieties. Lip service may be paid to public good, but passion arises only in scenes of violence. For all its clumsy exposition, unlikely coincidences and feeble attempts at humor, this latest installment, with its striking jacket art showing a beautiful desert landscape, is as certain to please Goodkind's legions of fans as previous books in the series. (Dec.) Copyright 2001 Cahners Business Information.
Fans of the seven-volume Sword of Truth series, which is strenghtened with the addition of this title, will be thrilled to find the story of Richard Rahl, Lord Rahl of D'Hara, and his wife, Kahlan, the Mother Confessor, extended. Richard and Kahlan are bit players until the very end, as Richard's half sister, Jennsen, and his murderous half brother, Oba, must come to terms with their heritage and their destiny. Raised as fugitives by their mothers, Jennsen and Oba are ungifted children of Lord Darken Rahl. Conduits between the world of the living and the Keeper's world of the dead, they possess a lethal power and the capacity to undo all magic. Neither Jennsen nor Oba is aware of this potential, although both are troubled by internal voices. As Oba increasingly is lost to the murderous bidding of the Keeper's voice, Jennsen is led astray by a devious servant of Emperor Jagang the Just, drawing both out of D'Hara to a confrontation with Richard at the Pillars of Creation. Plot is definitely Goodkind's forte, and the story unfolds compellingly, with near-perfect pacing, well-realized settings, and superior descriptive narrative. Where this novel falls short is in characterization. Jennsen is easily the most aggravating heroine since Scarlett O'Hara and occasionally makes one long for Scarlett's grit. Always just a bit lost, Jennsen constantly leans on some Big Strong Man for help as she bumbles through situations with implausible luck, an unsympathetic and helpless pawn. Oba is completely sadistic, and Goodkind's enthusiastic descriptions of beatings and quasi vivisections contrast with his restraint in soft-focus sex scenes. None of this will matter, of course, to aficionados of theseries, who will be eager to read another installment in Richard Rahl's story. VOYA CODES: 3Q 4P S A/YA (Readable without serious defects; Broad general YA appeal; Senior High, defined as grades 10 to 12; Adult and Young Adult). 2001, Tor, 512p,
— Ann Welton
Providing a different focus from his previous novels, Goodkind features Jennsen Daggett, the illegitimate daughter of Darken Rahl. In D'Hara, children born to Darken Rahl without "the gift" are sought out and murdered. Jennsen happens to be one of those children. As a result, throughout her childhood, Jennsen and her mother have moved from town to town in an effort to stay alive. When Jennsen discovers what she thinks to be a dead D'Haran soldier in the woods near her home, she knows that her father is getting too close. With the help of Sebastian (a spy of Emperor Jagang's intent on destroying the House of Rahl), Jennsen hides the soldier and quickly hurries home with Sebastian in tow. That night soldiers invade the Daggett household and Jennsen's mother is murdered. Sebastian saves Jennsen and they flee to find Althea, a sorceress Jennsen believes will protect her from Lord Rahl and provide her with knowledge of her puzzling family history. To learn the truth and to become safe, Jennsen must travel into the heart of danger to the People's Palace. Although both Sebastian and a Sister of the Dark persuade Jennsen to kill Richard Rahl, Jennsen soon realizes upon meeting Richard that he is not like his father. Former readers of the series will predict the happy ending. Without Richard and Kahlan in the forefront of this story, fans of those characters may be disappointed, but those who simply enjoy Goodkind's world will find this novel thoroughly entertaining. Goodkind can always be counted on to relate an adventurous and heroic tale. The characters spring to life and Oba as evil personified is creepily compelling. In the spirit of Robert Jordan and Robert E. Howard, this novel is highlyrecommended for those who enjoy epic fantasies though readers may want to start with the first book of the series, Wizard's First Rule, to fully appreciate Goodkind's work. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2001, Tor, 725p.,
— Ginger Armstrong
Library Journal
Goodkind takes a left turn in this seventh entry of his "Sword of Truth" series. He abandons his main characters for a time and concentrates on the life and adventures of a young woman named Jennsen, the illegitimate daughter of Darken Rahl. Jennsen hears voices (complete with Cecil B. Demille effects) and is pursued by dark forces seemingly because of her heritage. She flees her home after her mother is killed in search of a sorceress she thinks holds the keys to her destiny, only to discover more than she bargains for...such as a big swamp snake. Goodkind's D'Hara world is a glittering tapestry described in immediate and sometimes gruesome detail; it is interesting to hear how he has turned it upside down in The Pillars of Creation. The narration by Jim Bond is crisp, well done, and dramatic. Thankfully, Brilliance Audio seems to have abandoned its former whirlwind reading pace. Listeners will be enthralled and eager to sample more series entries. Though the price tag and length will deter some libraries, this is enthusiastically recommended for anyone who enjoys monumental fantasy. Barbara Perkins, Irving P.L., TX Copyright 2002 Cahners Business Information.
From the Publisher
“A plot summary doesn't do justice . . . Goodkind is moving up.” —Booklist

Product Details

Tom Doherty Associates
Publication date:
Sword of Truth Series , #7
Edition description:
First Edition
Sales rank:
Product dimensions:
6.74(w) x 4.12(h) x 1.52(d)
Age Range:
14 - 18 Years

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Read an Excerpt

The Pillars of Creation

By Terry Goodkind

Tom Doherty Associates

Copyright © 2001 Terry Goodkind
All rights reserved.
ISBN: 978-1-4299-3489-3


Picking through the dead man's pockets, Jennsen Daggett came across the last thing in the world she would ever have expected to find. Startled, she sat back on her heels. The raw breeze ruffled her hair as she stared wide-eyed at the words written in precise, blocky letters on the small square of paper. The paper had been folded in half twice, carefully, so that the edges had been even. She blinked, half expecting the words to vanish, like some grim illusion. They remained solid and all too real.

Foolish though she knew the thought was, she still felt as if the dead soldier might be watching her for any reaction. Showing none, outwardly, anyway, she stole a look at his eyes. They were dull and filmy. She had heard people say of the deceased that they looked like they were only sleeping. He didn't. His eyes looked dead. His pale lips were taut, his face was waxy. There was a purplish blush at the back of his bull neck.

Of course he wasn't watching her. He was no longer watching anything. With his head turned to the side, toward her, though, it almost seemed as if he might be looking at her. She could imagine he was.

Up on the rocky hill behind her, bare branches clattered together in the wind like bones clacking. The paper in her trembling fingers seemed to be rattling with them. Her heart, already thumping at a brisk pace, started to pound harder.

Jennsen prided herself in her levelheadedness. She knew she was letting her imagination get carried away. But she had never before seen a dead person, a person so grotesquely still. It was dreadful seeing someone who didn't breathe. She swallowed in an attempt to compose her own breathing, if not her nerves.

Even if he was dead, Jennsen didn't like him looking at her, so she stood, lifted the hem of her long skirts, and stepped around the body. She carefully folded the small piece of paper over twice, the way it had been folded when she had found it, and slipped it into her pocket. She would have to worry about that later. Jennsen knew how her mother would react to those two words on the paper.

Determined to be finished with her search, she squatted on the other side of the man. With his face turned away, it almost seemed as if he were looking back up at the trail from where he had fallen, as if he might be wondering what had happened and how he had come to be at the bottom of the steep, rocky gorge with his neck broken.

His cloak had no pockets. Two pouches were secured to his belt. One pouch held oil, whetstones, and a strop. The other was packed with jerky. Neither contained a name.

If he'd known better, as she did, he would have taken the long way along the bottom of the cliff, rather than traverse the trail across the top, where patches of black ice made it treacherous this time of year. Even if he didn't want to retreat the way he had come in order to climb down into the gorge, it would have been wiser for him to have made his way through the woods, despite the thick bramble that made travel difficult up there among the deadfall.

Done was done. If she could find something that would tell her who he was, maybe she could find his kin, or someone who knew him. They would want to know. She clung to the safety of the pretense.

Almost against her will, Jennsen returned to wondering what he had been doing out here. She feared that the carefully folded piece of paper told her only too clearly. Still, there could be some other reason.

If she could just find it.

She had to move his arm a little if she was to look in his other pocket.

"Dear spirits forgive me," she whispered as she grasped the dead limb.

His unbending arm moved only with difficulty. Jennsen's nose wrinkled with disgust. He was as cold as the ground he lay on, as cold as the sporadic raindrops that fell from the iron sky. This time of year, it was almost always snow driven before such a stiff west wind. The unusual intermittent mist and drizzle had surely made the icy places on the trail at the top even slicker. The dead man only proved it.

She knew that if she stayed much longer she would be caught out in the approaching winter rain. She was well aware that people exposed to such weather risked their lives. Fortunately, Jennsen wasn't terribly far from home. If she didn't get home soon, though, her mother, worried at what could be taking so long, would probably come out after her. Jennsen didn't want her mother getting soaked, too.

Her mother would be waiting for the fish Jennsen had retrieved from baited lines in the lake. For once, the lines they tended through holes in the ice had brought them a full stringer. The fish were lying dead on the other side of the dead man, where she had dropped them after making her grim discovery. He hadn't been there earlier, or she would have seen him on her way out to the lake.

Taking a deep breath to gird her resolve, Jennsen made herself return to her search. She imagined that some woman was probably wondering about her big, handsome soldier, worrying if he was safe, warm, and dry.

He was none of that.

Jennsen would want someone to tell her mother, if it were she who had fallen and broken her neck. Her mother would understand if she delayed a bit to try to find out the man's identity. Jennsen reconsidered. Her mother might understand, but she still wouldn't want Jennsen anywhere near one of these soldiers. But he was dead. He couldn't hurt anyone, now, much less her and her mother.

Her mother would be even more troubled once Jennsen showed her what was written on the little piece of paper.

Jennsen knew that what really drove her search was the hope for some other explanation. She desperately wanted it to be something else. That frantic need kept her beside his dead body when she wanted nothing so much as to run for home.

If she didn't find anything to explain away his presence, then it would be best to cover him and hope that no one ever found him. Even if she had to stay out in the rain, she should cover him over as quickly as possible. She shouldn't wait. Then no one would ever know where he was.

She made herself push her hand down into his trouser pocket, all the way to the end. The flesh of his thigh was stiff. Her fingers hurriedly gathered up the nest of small objects at the bottom. Gasping for breath at the awful task, she pulled it all out in her fist. She bent close in the gathering gloom and opened her fingers for a look.

On top were a flint, bone buttons, a small ball of twine, and a folded handkerchief. With one finger, she pushed the twine and handkerchief to the side, exposing a weighty clutch of coins — silver and gold. She let out a soft whistle at the sight of such wealth. She didn't think that soldiers were rich, but this man had five gold marks among a larger number of silver marks. A fortune by most any standard. All the silver pennies — not copper, silver — seemed insignificant by contrast, even though they alone were probably more than she had spent in the whole of her twenty years.

The thought occurred to her that it was the first time in her life that she had ever held gold — or even silver — marks. The thought occurred to her that it might be plunder.

She found no trinket from a woman, as she had hoped, so as to soften her worry about what sort of man he had been.

Regrettably, nothing in the pocket told her anything of who he might be. Her nose wrinkled as she went about the chore of returning his possessions to his pocket. Some of the silver pennies spilled from her fist. She picked them all up from the wet, frozen ground and forced her hand into his pocket again in order to return them all to their rightful place.

His pack might tell her more, but he was sprawled atop it, and she wasn't sure she wanted to try to have a look, since it was likely to hold only supplies. His pockets would have held anything he considered valuable.

Like the piece of paper.

She supposed all the evidence that she really needed was in plain sight. He wore stiff leather armor under his dark cloak and tunic. At his hip was a simple but ruggedly made and wickedly sharp soldier's sword in a torn utilitarian black leather scabbard. The sword was broken at midlength, no doubt in the long tumble from the trail.

Her eyes glided more carefully over the remarkable knife sheathed at his belt. The hilt of the knife, gleaming in the gloom, was what had riveted her attention from the first instant. The sight of it had held her frozen until she realized its owner was dead. She was sure that no simple soldier would possess a knife that exquisitely crafted. It had to be more expensive than any knife she had ever seen.

On the silver hilt was the ornate letter "R." Even so, it was a thing of beauty.

From a young age, her mother had taught her to use a knife. She wished her mother could have a knife as fine as this.


Jennsen jumped at the whispered word.

Not now. Dear spirits, not now. Not here.


Jennsen was not a woman who hated much in life, but she hated the voice that sometimes came to her.

She ignored it, now, as always, forcing her fingers to move, to try to discover if there was anything else about the man that she should know. She checked the leather straps for concealed pockets but found none. The tunic was a plain cut, without pockets.

Jennsen, came the voice again.

She gritted her teeth. "Leave me be," she said aloud, if under her breath.


It sounded different, this time. Almost as if the voice wasn't in her head, as it always was.

"Leave me alone," she growled.

Surrender, came the dead murmur.

She glanced up and saw the man's dead eyes staring at her.

The first curtain of cold rain, billowing in the wind, felt like the icy fingers of spirits caressing her face.

Her heart galloped yet faster. Her breath caught against her ragged pulls, like silk catching on dry skin. With her wide-eyed gaze locked on the dead soldier's face, she pushed with her feet, scuttling back across the gravel.

She was being silly. She knew she was. The man was dead. He wasn't looking at her. He couldn't be. His stare was fixed in death, that's all, like her stringer of dead fish — they weren't looking at anything. Neither was he. She was being silly. It only seemed he was looking at her.

But even if the dead eyes were staring at nothing, she would just as soon that they weren't doing it in her direction.


Beyond, above the sharp rise of granite, the pine trees swayed from side to side in the wind and the bare maple and oak waved their skeletal arms, but Jennsen kept her gaze fixed on the dead man as she listened for the voice. The man's lips were still. She knew they would be. The voice was in her head.

His face was still turned toward the trail from where he had fallen to his death. She had thought his lifeless sight had been turned in that direction, too, but now his eyes seemed to be turned more toward her.

Jennsen curled her fingers around the hilt of her knife.


"Leave me be. I'll not surrender."

She never knew what it was that the voice wanted her to surrender. Despite having been with her nearly her whole life, it had never said. She found refuge in that ambiguity.

As if in answer to her thought, the voice came again.

Surrender your flesh, Jennsen.

Jennsen couldn't breathe.

Surrender your will.

She swallowed in terror. It had never said that before — never said anything she could understand.

Often, she would faintly hear it — as if it were too far away to be clearly understood. Sometimes she thought she could hear the words, but they seemed to be in a strange language.

She often heard it when she was falling asleep, calling to her in that distant, dead whisper. It spoke other words to her, she knew, but never so as she could understand more than her name and that frighteningly seductive single-word command to surrender. That word was always more forceful than any other. She could always hear it even when she could hear no other.

Her mother said that the voice was the man who, nearly Jennsen's whole life, had wanted to kill her. Her mother said that he wanted to torment her.

"Jenn," her mother would often say, "it's all right. I'm here with you. His voice can't hurt you." Not wanting to burden her mother, Jennsen often didn't tell her about the voice.

But even if the voice couldn't hurt her, the man could, if he found her. At that moment, Jennsen desperately wished for the protective comfort of her mother's arms.

One day, he would come for her. They both knew he would. Until then, he sent his voice. That's what her mother thought, anyway.

As much as that explanation frightened her, Jennsen preferred it to thinking herself mad. If she didn't have her own mind, she had nothing.

"What's happened here?"

Jennsen gasped in a cry of fright as she spun, pulling her knife. She dropped into a half crouch, feet spread, knife held in a death grip.

It was no disembodied voice, this. A man was walking up the gully toward her. With the wind in her ears, and the distraction of the dead man and the voice, she hadn't heard him coming.

As big as he was, as close as he was, she knew that if she ran, and if he was of a mind, he could easily run her down.


The man slowed when he saw her reaction, and her knife.

"I didn't mean to give you a scare."

His voice was pleasant enough.

"Well, you did."

Although the hood of his cloak was up and she couldn't see his face clearly, he seemed to be taking in her red hair the way most people did when they saw her.

"I can see that. I apologize."

She didn't slacken her defensive posture in acceptance of the apology, but instead swept her gaze to the sides, checking to see if he was alone, to see if anyone else was with him and might be sneaking up on her.

She felt a fool for being caught by surprise like that. In the back of her mind she knew she couldn't ever really be safe. It didn't necessarily take stealth. Even simple carelessness on her part could at any time bring the end. She felt a sense of forlorn doom at how easily it could happen. If this man could walk up in broad daylight and startle her so easily, what did that say of her hopelessly extravagant dream that one day her life could be her own?

The dark rock wall of the cliff glistened in the wet. The windswept gully was deserted of anyone but her and the two men, the dead one and the one alive. Jennsen was not given to imagining sinister faces lurking in forest shadows, as she had been as a child. The dark places in among the trees were empty.

The man stopped a dozen paces away. By his posture, it wasn't fear of her knife that halted him, but fear of causing her a worse fright. He stared openly at her, seemingly lost in some private thought. He quickly recovered from whatever it was about her face that so held his gaze.

"I can understand why a woman would have cause to be frightened when a stranger suddenly walks up on her. I would have passed on by without alarming you, but I saw that fellow on the ground and you there, bent over him. I thought you might need help, so I rushed over."

The cold wind pressed his dark green cloak against his sinewy build and lifted the other side away to reveal his well-cut but simple clothes. His cloak's hood covered his head against the first trailers of rain, leaving his face somewhat indistinct in its shadow. His smile was one of courteous intent, no more. He wore the smile well.

"He's dead" was all she could think to say.

Jennsen was unaccustomed to speaking to strangers. She was unaccustomed to speaking to anyone but her mother. She was unsure as to what to say — how to react — especially under the circumstances.

"Oh. I'm sorry." He stretched his neck a little, without coming any closer, trying to see the man on the ground.

Jennsen thought it a considerate thing to do — not trying to come closer to someone who was clearly nervous. She hated that she was so obvious. She had always hoped she might appear to others somewhat inscrutable.

His gaze lifted from the dead man, to her knife, to her face. "I suppose you had cause."

Perplexed for a second, she finally grasped his meaning and blurted out, "I didn't do it!" He shrugged. "Sorry. From over here I can't tell what happened."

Jennsen felt awkward holding a knife on the man. She lowered the arm with the weapon.

"I didn't mean to ... to appear a madwoman. You just startled the wits out of me."


Excerpted from The Pillars of Creation by Terry Goodkind. Copyright © 2001 Terry Goodkind. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

One of the most popular writers of fantasy today, Terry Goodkind divides his time between Maine and Nevada.

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The Pillars of Creation (Sword of Truth Series #7) 3.7 out of 5 based on 0 ratings. 363 reviews.
Sliph More than 1 year ago
The problem with this book and why so many people are disappointed with it is because Faith of the Fallen was so amazingly good and truly epic that any other book that comes after is going to be held to that standard and ultimately going to fall short. This book is a neccessary evil in the series and truly is the balance to the last book. It really makes me wonder if he did it on purpose this way, I honestly wouldn't be surprised. Introducing a whole new set of characters after the last book was a gutsy move and after reading pillars It's easy to see that this story was neccessary to be told in order to build up the rest of the series. I admit that this one was a slow read for me because lets face it after faith ...yea...this was slow going, BUT im glad that I pushed through and read it because the ending was worth it although it took awhile to get there.
Anonymous More than 1 year ago
I was pleased the way Mr. Goodkind found new characters and new twists to keep the storyline fresh and interesting. The story within a story is well done and well written; although not very well edited. I have been very disappointed in the last 3 books with the misspelled words, bad punctuation and grammatical mistakes. It makes it quite difficult sometimes to follow the thought/s of the characters when words are not used to properly convey the the story. That being said - I would (and have) highly recommend this series!
Anonymous More than 1 year ago
I have really enjoyed reading this series. It has adventure, thrill, excitement, romance, political and moral lessons, drama ... a little of everything. The characters are developed extremely well and are multi-faceted. The storyline is original, exciting, and very interesting. Quotes and lessons from this series are very thought provoking and pertain to all times. The only con to the series is these books could have used more editing as they get somewhat wordy and repetitive - each book has many sections that explain what happened in previous books - again. I found myself skimming past those paragraphs and pages. Overall, they are very well written, and I find myself easily drawn into their world.
Lyteshadow More than 1 year ago
Looking over prior user reviews, it strikes one that this book's naysayers have either: 1-generic, unsupported complaints of dullness or faulty logic, or 2-so much of a lack of imagination that they can't stand a book that doesn't solely focus on the series' two main protagonists. The truth is that this tale has everything that makes for a rousing fantasy adventure. An interesting spin on the typical hero's quest, constant looming danger and the threat of imminent death, a likable, sympathetic, yet real-enough-to-sometimes-get-on-your-nerves protagonist, and some truly foul villainy. Now I will grant that after spending so long focusing strictly on Richard and Kahlan, it could seem a bit awkward to so suddenly and drastically shift gears. One could argue that this book would have made more sense had it been placed earlier in the series, and not so far removed from the first introduction of one of Richard's siblings. On the other hand, I for one had been waiting in rapt anticipation to see if Mr. Goodkind would see fit to include more of Darken Rahl's unwanted offspring, and so approached this tale as something of a breath of fresh air. I mean seriously, if someone has enjoyed the series enough to continue reading it up to this point, clearly the most logical response is to have an utter lapse in reasoning and lose all faith in the author, refusing to believe that he might actually know what he's doing, right? (/sarcasm) Anyway, Pillars of Creation is fully capable of standing on it's own merit, introduces a fun new character into the series roster, and has left me simply itching to dig into book 8 as soon as possible.
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Kelley_Bean More than 1 year ago
Awesome book, a lot of people were pissed cause Richard and Kahlan wasn't in it but for the last couple of chapters but I was happy to have some new Characters to read about.
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