The Pine Barrens

The Pine Barrens

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by John McPhee, James Graves
     
 

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Most people think of New Jersey as a suburban-industrial corridor that runs between New York and Philadelphia. Yet in the low center of the state is a near wilderness, larger than most national parks, which has been known since the seventeenth century as the Pine Barrens.

The term refers to the predominant trees in the vast forests that cover the area and to

Overview

Most people think of New Jersey as a suburban-industrial corridor that runs between New York and Philadelphia. Yet in the low center of the state is a near wilderness, larger than most national parks, which has been known since the seventeenth century as the Pine Barrens.

The term refers to the predominant trees in the vast forests that cover the area and to the quality of the soils below, which are too sandy and acid to be good for farming. On all sides, however, developments of one kind or another have gradually moved in, so that now the central and integral forest is reduced to about a thousand square miles. Although New Jersey has the heaviest population density of any state, huge segments of the Pine Barrens remain uninhabited. The few people who dwell in the region, the "Pineys," are little known and often misunderstood. Here McPhee uses his uncanny skills as a journalist to explore the history of the region and describe the people—and their distinctive folklore—who call it home.

Product Details

ISBN-13:
9780374708672
Publisher:
Farrar, Straus and Giroux
Publication date:
04/01/2011
Sold by:
Macmillan
Format:
NOOK Book
Pages:
157
Sales rank:
949,834
File size:
765 KB

Read an Excerpt

The Pine Barrens


By John McPhee

Farrar, Straus and Giroux

Copyright © 1968 John McPhee
All rights reserved.
ISBN: 978-0-374-70867-2



CHAPTER 1

The Woods from Hog Wallow

FROM THE FIRE TOWER ON BEAR SWAMP Hill, in Washington Township, Burlington County, New Jersey, the view usually extends about twelve miles. To the north, forest land reaches to the horizon. The trees are mainly oaks and pines, and the pines predominate. Occasionally, there are long, dark, serrated stands of Atlantic white cedars, so tall and so closely set that they seem to be spread against the sky on the ridges of hills, when in fact they grow along streams that flow through the forest. To the east, the view is similar, and few people who are not native to the region can discern essential differences from the high cabin of the fire tower, even though one difference is that huge areas out in this direction are covered with dwarf forests, where a man can stand among the trees and see for miles over their uppermost branches. To the south, the view is twice broken slightly—by a lake and by a cranberry bog—but otherwise it, too, goes to the horizon in forest. To the west, pines, oaks, and cedars continue all the way, and the western horizon includes the summit of another hill—Apple Pie Hill—and the outline of another fire tower, from which the view three hundred and sixty degrees around is virtually the same as the view from Bear Swamp Hill, where, in a moment's sweeping glance, a person can see hundreds of square miles of wilderness. The picture of New Jersey that most people hold in their minds is so different from this one that, considered beside it, the Pine Barrens, as they are called, become as incongruous as they are beautiful. West and north of the Pine Barrens is New Jersey's central transportation corridor, where traffic of freight and people is more concentrated than it is anywhere else in the world. The corridor is one great compression of industrial shapes, industrial sounds, industrial air, and thousands and thousands of houses webbing over the spaces between the factories. Railroads and magnificent highways traverse this crowded scene, and by 1985 New Jersey hopes to have added so many additional high-speed roads that the present New Jersey Turnpike will be quite closely neighbored by the equivalent of at least six other turnpikes, all going in the same direction. In and around the New Jersey corridor, towns indistinguishably abut one another. Of the great unbroken city that will one day reach at least from Boston to Richmond, this section is already built. New Jersey has nearly a thousand people per square mile—the greatest population density of any state in the Union. In parts of northern New Jersey, there are as many as forty thousand people per square mile. In the central area of the Pine Barrens—the forest land that is still so undeveloped that it can be called wilderness—there are only fifteen people per square mile. This area, which includes about six hundred and fifty thousand acres, is nearly as large as Yosemite National Park. It is almost identical in size with Grand Canyon National Park, and it is much larger than Sequoia National Park, Great Smoky Mountains National Park, or, for that matter, most of the national parks in the United States. The people who live in the Pine Barrens are concentrated mainly in small forest towns, so the region's uninhabited sections are quite large—twenty thousand acres here, thirty thousand acres there—and in one section of well over a hundred thousand acres there are only twenty-one people. The Pine Barrens are so close to New York that on a very clear night a bright light in the pines would be visible from the Empire State Building. A line ruled on a map from Boston to Richmond goes straight through the middle of the Pine Barrens. The halfway point between Boston and Richmond–the geographical epicenter of the developing megalopolisis in the northern part of the woods, about twenty miles from Bear Swamp Hill.

Technically, the Pine Barrens are much larger than the thousand or so square miles of them that remain wild, and their original outline is formed by the boundaries of a thick layer of sand soils that covers much of central and southern New Jersey–down the coast from the outskirts of Asbury Park to the Cape May Peninsula, and inland more than halfway across the state. Settlers in the seventeenth and eighteenth centuries found these soils unpromising for farms, left the land uncleared, and began to refer to the region as the Pine Barrens. People in New Jersey still use the term, with variants such as "the pine belt," "the pinelands," and, most frequently, "the pines." Gradually, development of one kind or another has moved in over the edges of the forest, reducing the circumference of the wild land and creating a man-made boundary in place of the natural one. This transition line is often so abrupt that in many places on the periphery of the pines it is possible to be at one moment in farmland, or even in a residential development or an industrial zone, and in the next moment to be in the silence of a bewildering green country, where a journey of forty or fifty miles is necessary to get to the farms and factories on the other side. I don't know where the exact center of the pines may be, but in recent years I have spent considerable time there and have made outlines of the integral woodland on topographic maps and road maps, and from them I would judge that the heart of the pine country is in or near a place called Hog Wallow. There are twenty-five people in Hog Wallow. Some of them describe it, without any apparent intention to be clever, as a suburb of Jenkins, a town three miles away, which has forty-five people. One resident of Hog Wallow is Frederick Chambers Brown. I met him one summer morning when I stopped at his house to ask for water.


Fred Brown's house is on an unpaved road that curves along the edge of a wide cranberry bog. What attracted me to it was the pump that stands in his yard. It was something of a wonder that I noticed the pump, because there were, among other things, eight automobiles in the yard, two of them on their sides and one of them upside down, all ten years old or older. Around the cars were old refrigerators, vacuum cleaners, partly dismantled radios, cathode-ray tubes, a short wooden ski, a large wooden mallet, dozens of cranberry picker's boxes, many tires, an orange crate dated 1946, a cord or so of firewood, mandolins, engine heads, and maybe a thousand other things. The house itself, two stories high, was covered with tarpaper that was peeling away in some places, revealing its original shingles, made of Atlantic white cedar from the stream courses of the surrounding forest. I called out to ask if anyone was home, and a voice inside called back, "Come in. Come in. Come on the hell in."

I walked through a vestibule that had a dirt floor, stepped up into a kitchen, and went on into another room that had several overstuffed chairs in it and a porcelain topped table, where Fred Brown was seated, eating a pork chop. He was dressed in a white sleeveless shirt, ankle-top shoes, and undershorts. He gave me a cheerful greeting and, without asking why I had come or what I wanted, picked up a pair of khaki trousers that had been tossed onto one of the overstuffed chairs and asked me to sit down. He set the trousers on another chair, and he apologized for being in the middle of his breakfast, explaining that he seldom drank much but the night before he had had a few drinks and this had caused his day to start slowly. "I don't know what's the matter with me, but there's got to be something the matter with me, because drink don't agree with me anymore," he said. He had a raw onion in one hand, and while he talked he shaved slices from the onion and ate them between bites of the chop. He was a muscular and well-built man, with short, bristly white hair, and he had bright, fast-moving eyes in a wide-open face. His legs were trim and strong, with large muscles in the calves. I guessed that he was about sixty, and for a man of sixty he seemed to be in remarkably good shape. He was actually seventy-nine. "My rule is: Never eat except when you're hungry," he said, and he ate another slice of the onion.

In a straight-backed chair near the doorway to the kitchen sat a young man with long black hair, who wore a visored red leather cap that had darkened with age. His shirt was coarse-woven and had eyelets down a V neck that was laced with a thong. His trousers were made of canvas, and he was wearing gum boots. His arms were folded, his legs were stretched out, he had one ankle over the other, and as he sat there he appeared to be sighting carefully past his feet, as if his toes were the outer frame of a gunsight and he could see some sort of target in the floor. When I had entered, I had said hello to him, and he had nodded without looking up. He had a long, straight nose and high cheekbones, in a deeply tanned face that was, somehow, gaunt. I had no idea whether he was shy or hostile. Eventually, when I came to know him, I found him to be as shy a person as I have ever had a chance to know. His name is Bill Wasovwich, and he lives alone in a cabin about half a mile from Fred. First his father, then his mother left him when he was a young boy, and he grew up depending on the help of various people in the pines. One of them, a cranberry grower, employs him and has given him some acreage, in which Bill is building a small cranberry bog of his own, "turfing it out" by hand. When he is not working in the bogs, he goes roaming, as he puts it, setting out cross-country on long, looping journeys, hiking about thirty miles in a typical day, in search of what he calls "events" —surprising a buck, or a gray fox, or perhaps a poacher or a man with a still. Almost no one who is not native to the pines could do this, for the woods have an undulating sameness, and the understory—huckleberries, sheep laurel, sweet fern, high-bush blueberry—is often so dense that a wanderer can walk in a fairly tight circle and think that he is moving in a straight line. State forest rangers spend a good part of their time finding hikers and hunters, some of whom have vanished for days. In his long, pathless journeys, Bill always emerges from the woods near his cabin—and about when he plans to. In the fall, when thousands of hunters come into the pines, he sometimes works as a guide. In the evenings, or in the daytime when he is not working or roaming, he goes to Fred Brown's house and sits there for hours. The old man is a widower whose seven children are long since gone from Hog Wallow, and he is as expansively talkative and worldly as the young one is withdrawn and wild. Although there are fifty-three years between their ages, it is obviously fortunate for each of them to be the other's neighbor.

That first morning, while Bill went on looking at his outstretched toes, Fred got up from the table, put on his pants, and said he was going to cook me a pork chop, because I looked hungry and ought to eat something. It was about noon, and I was even hungrier than I may have looked, so I gratefully accepted his offer, which was a considerable one. There are two or three small general stores in the pines, but for anything as fragile as a fresh pork chop it is necessary to make a round trip from Fred's place of about fifty miles. Fred went into the kitchen and dropped a chop into a frying pan that was crackling with hot grease. He has a fairly new four burner stove that uses bottled gas. He keeps water in a large bowl on a table in the kitchen and ladles some when he wants it. While he cooked the meat, he looked out a window through a stand of pitch pines and into the cranberry bog. "I saw a big buck out here last night with velvet on his horns," he said. "Them horns is soft when they're in velvet." On a nail high on one wall of the room that Bill and I were sitting in was a large meat cleaver. Next to it was a billy club. The wall itself was papered in a flower pattern, and the wallpaper continued out across the ceiling and down the three other walls, lending the room something of the appearance of the inside of a gift box. In some parts of the ceiling, the paper had come loose. "I didn't paper this year," Fred said. "For the last couple months, I've had sinus." The floor was covered with old rugs. They had been put down in random pieces, and in some places as many as six layers were stacked up. In winter, when the temperature approaches zero, the worst cold comes through the floor. The only source of heat in the house is a wood-burning stove in the main room. There were seven calendars on the walls, all current and none with pictures of nudes. Fading into pastel on one wall was a rotogravure photograph of President and Mrs. Eisenhower. A framed poem read:

    God hath not promised
    Sun without rain
    Joy without sorrow
    Peace without pain.


Noticing my interest in all this, Fred reached into a drawer and showed me what appeared to be a postcard. On it was a photograph of a woman, and Fred said with a straight face that she was his present girl, adding that he meets her regularly under a juniper tree on a road farther south in the pines. The woman, whose appearance suggested strongly that she had never been within a great many miles of the Pine Barrens, was wearing nothing at all.

I asked Fred what all those cars were doing in his yard, and he said that one of them was in running condition and the rest were its predecessors. The working vehicle was a 1956 Mercury. Each of the seven others had at one time or another been his best car, and each, in turn, had lain down like a sick animal and had died right there in the yard, unless it had been towed home after a mishap elsewhere in the pines. Fred recited, with affection, the history of each car. Of one old Ford, for example, he said, "I upset that up to Speedwell in the creek." And of an even older car, a station wagon, he said, "I busted that one up in the snow. I met a car on a little hill, and hit the brake, and hit a tree." One of the cars had met its end at a narrow bridge about four miles from Hog Wallow, where Fred had hit a state trooper, head on.

The pork was delicious and almost crisp. Fred gave me a potato with it, and a pitcher of melted grease from the frying pan to pour over the potato. He also handed me a loaf of bread and a dish of margarine, saying, "Here's your bread. You can have one piece or two. Whatever you want."

Fred apologized for not having a phone, after I asked where I would have to go to make a call, later on. He said, "I don't have no phone because I don't have no electric. If I had electric, I would have had a phone in here a long time ago." He uses a kerosene lamp, a propane lamp, and two flashlights.

He asked where I was going, and I said that I had no particular destination, explaining that I was in the pines because I found it hard to believe that so much unbroken forest could still exist so near the big Eastern cities, and I wanted to see it while it was still there. "Is that so?" he said, three times. Like many people in the pines, he often says things three times. "Is that so? Is that so?"

I asked him what he thought of a plan that has been developed by Burlington and Ocean Counties to create a supersonic jetport in the pines, connected by a spur of the Garden State Parkway to a new city of two hundred and fifty thousand people, also in the pines.

"They've been talking about that for three years, and they've never give up," Fred said.

"It'd be the end of these woods," Bill said. This was the first time I heard Bill speak. I had been there for an hour, and he had not said a word. Without looking up, he said again, "It'd be the end of these woods, I can tell you that."

Fred said, "They could build ten jetports around me. I wouldn't give a damn."

"You ain't going to be around very long," Bill said to him. "It would be the end of these woods."

Fred took that as a fact, and not as an insult. "Yes, it would be the end of these woods," he said. "But there'd be people here' you could do business with."

Bill said, "There ain't no place like this left in the country, I don't believe—and I travelled around a little bit, too."

Eventually, I made the request I had intended to make when I walked in the door. "Could I have some water?" I said to Fred. "I have a jerry can and I'd like to fill it at the pump."

"Hell, yes," he said. "That isn't my water. That's God's water. That's God's water. That right, Bill?"

"I guess so," Bill said, without looking up. "It's good water, I can tell you that."

"That's God's water," Fred said again. "Take all you want."


(Continues...)

Excerpted from The Pine Barrens by John McPhee. Copyright © 1968 John McPhee. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

John McPhee was born in Princeton, New Jersey, and was educated at Princeton University and Cambridge University. His writing career began at Time magazine and led to his long association with The New Yorker, where he has been a staff writer since 1965. Also in 1965, he published his first book, A Sense of Where You Are, with Farrar, Straus and Giroux, and in the years since, he has written nearly 30 books, including Oranges (1967), Coming into the Country (1977), The Control of Nature (1989), The Founding Fish (2002), Uncommon Carriers (2007), and Silk Parachute (2011). Encounters with the Archdruid (1972) and The Curve of Binding Energy (1974) were nominated for National Book Awards in the category of science. McPhee received the Award in Literature from the Academy of Arts and Letters in 1977. In 1999, he was awarded the Pulitzer Prize for Annals of the Former World. He lives in Princeton, New Jersey.


John McPhee was born in Princeton, New Jersey, and was educated at Princeton University and Cambridge University. His writing career began at Time magazine and led to his long association with The New Yorker, where he has been a staff writer since 1965. Also in 1965, he published his first book, A Sense of Where You Are, with Farrar, Straus and Giroux, and in the years since, he has written nearly 30 books, including Oranges (1967), Coming into the Country (1977), The Control of Nature (1989), The Founding Fish (2002), Uncommon Carriers (2007), and Silk Parachute (2011). Encounters with the Archdruid (1972) and The Curve of Binding Energy (1974) were nominated for National Book Awards in the category of science. McPhee received the Award in Literature from the Academy of Arts and Letters in 1977. In 1999, he was awarded the Pulitzer Prize for Annals of the Former World. He lives in Princeton, New Jersey.
James Graves illustrated The Pine Barrens from Farrar, Straus and Giroux.

Brief Biography

Hometown:
Princeton, New Jersey
Date of Birth:
March 8, 1931
Place of Birth:
Princeton, New Jersey
Education:
A.B., Princeton University, 1953; graduate study at Cambridge University, 1953-54
Website:
http://www.johnmcphee.com/

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The Pine Barrens 4 out of 5 based on 0 ratings. 8 reviews.
Anonymous 22 days ago
[Yes. Go to 'hhf' second result. It's a multi-result.]
Anonymous 22 days ago
You there, Saxon?"
Anonymous More than 1 year ago
G
willijo4 More than 1 year ago
I cross through the Pine Barrens on my way to the New Jersey Shore and have often wondered what's behind the trees and why us the area unique. John McPhee provides some of the answers by way of a serious of connected stories/tales. His descriptions of the characters that populate the Pine Barrens and their way of life gave me an appreciation of the area that I wasn't expecting when I purchased the book. Next time I pass through, I will be sure to stop and learn more about the individuals through personal contact. One of my reasons for purchasing the book was to learn about some of the unique plants and animals of the area. I was disappointed that this spect was not covered in more depth.
Anonymous More than 1 year ago
*walks in with her pelt gleaming.she grabs the vole wingflower got.
Anonymous More than 1 year ago
Yeah.... #~# Hollyleaf
Anonymous More than 1 year ago
WE ARE MOVING CAMP TO WINGS OF WIND ALL RESULTS! NO CAPS WHEN YOU TYPE IN WINGS OF WIND! -Froststorm
Anonymous More than 1 year ago
I am a Black tom with blue eyes- Nightclaw