The Pint Man

( 8 )

Overview

A funny and endearing novel about the comforts of a never-ending adolescence and the glories of Guinness.

For Rodney Poole, a friendly and unassuming lover of clever wordplay and television sports of all stripes, Boyle's Irish Pub is a haven of good cheer, pleasantly pointless conversation, elaborate jokes, heated trivia contests, well-poured pints, and familiar faces. The pressures and demands of the outside world hold no sway there- the crowd...

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Overview

A funny and endearing novel about the comforts of a never-ending adolescence and the glories of Guinness.

For Rodney Poole, a friendly and unassuming lover of clever wordplay and television sports of all stripes, Boyle's Irish Pub is a haven of good cheer, pleasantly pointless conversation, elaborate jokes, heated trivia contests, well-poured pints, and familiar faces. The pressures and demands of the outside world hold no sway there- the crowd at Boyle's is his family, and with family all sins are forgiven.

But reality cannot be kept at bay forever, and now Rodney's best friend and partner in inertia, Keith, is getting married and moving to Chicago. Since Rodney has for the most part enjoyed his bachelorhood vicariously through Keith, the prospect of being single, middle-aged, unemployed, and without his pal to while away the nights with is causing Rodney to rethink—or rather, create—his priorities.

When Keith introduces him to the lovely Mairead (rhymes with parade), a cheerful career woman who seems to enjoy his bad puns, ambitionless nature, and love of literature, Rodney can spy an honorable path to grown-up-hood at last. But a series of comic mishaps jeopardize his budding relationship with Mairead, his friendship with Keith, and most serious of all, his place on a barstool in the idyllic world of Boyle's.

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Editorial Reviews

From the Publisher
Praise for THE PINT MAN

"An exceedingly enjoyable first novel....it’s Rushin’s narrative voice, guileless, digressive, and ribald, riddled with wordplay and trivia, that makes this such a pleasure.....great company for an evening, with or without a pint at your elbow."--Booklist
 

"What sets the work apart is Rodney's sharp wit....Rushin emerges as one of the sharpest wits on the scene"--Publishers Weekly

”THE PINT MAN is clever, bracing, and full of laughs. Steve Rushin proves to be a master juggler of words, a mischievous crossword-puzzler run amok.”
--Carl Hiaasen, author of The Downhill Lie and Nature Girl

“I had so much fun reading THE PINT MAN. Rushin can do more tricks with words than Houdini with locks. There's nobody in America like him. I would put him up against Ogden Nash-and spot Nash half the alphabet.”
--Rick Reilly, author of Who’s Your Caddy? and the upcoming Sports From Hell

"Steve Rushin's The Pint Man is a wisecracking, rib-shaking, beer-stained, warm-hearted romp of a novel about a Midtown ne'er-do-well adrift in that elastic period between post-adolescence and manhood. It's the literary equivalent to Happy Hour at some dreamy shambles of an Irish bar: a raucous carnival of laughter, gruff camaraderie, insults, arguments, languishment, romance, more laughter, blurred reflection, big sloppy hugs, and endless rounds of beer. Anyone who's ever fallen head-over-heels in love with a bar will fall just as hard for this book."
--Jonathan Miles, author of Dear American Airlines

“Steve Rushin has written a very funny book that's also unexpectedly deep and poignant. And just so it's clear, I wrote this blurb while completely sober.”
--A.J. Jacobs, author of The Know-it All and The Year of Living Biblically

Praise for Steve Rushin

“His work is imaginative, quirky, and insightful….. it is a pleasure to encounter a writer who seeks out the humanity and humor in competition.”—Booklist

“One of the most agile essayists around.”
Publishers Weekly

"Riotous”--Esquire 

“A real delight"--USA Today

“Rushin can cull a chortle from a cat.” –Denver Post

“Rushin’s wide-ranging cultural references and casually witty writing style appeal to both insiders and outsiders . . . This is modern literature, wearing broken-in sneakers.”—Minneapolis Star Tribune

Publishers Weekly
The first novel from former Sports Illustrated columnist Rushin joins other works of pub fiction, yet it's the wordplay—not the alcohol consumption—that drives the novel. Rodney Poole is unemployed, spends much of his time at New York bar Boyle's, and has had only one serious girlfriend. Change is in the air as Rodney's best friend prepares to move to Chicago and Rodney meets a woman named Mairead (who appears to actually like him); even his prospects of finding a job are looking up. It's not a plot-heavy novel, with much of its suspense revolving around a mysteriously disappearing and reappearing U-Haul truck and the question of whether two bullies schooled by Rodney will show up at Boyle's again. What sets the work apart is Rodney's sharp wit. Praised for is “verbal ambidexterity,” Rodney loves wordplay as much as he loves beer, as is amply demonstrated in his wooing of Mairead. The banter is funny enough to make the reader look past the novel's defects, and Rushin emerges as one of the sharpest wits on the scene. (Feb.)
Kirkus Reviews
Rushin's first novel revels in wordplay and pub culture but skimps on everything else. That guy at the bar doing the crossword, a pint of Guinness at his elbow, is indulging in his two greatest pleasures. Rodney Poole is a regular at Boyle's, a Manhattan dive that is more home to him than his dirty shoebox of an apartment. Here he can banter with the other regulars and Armen the Barman. With the ladies, Rodney's on less firm ground; his last date was ruined by a misunderstood palindrome. However, change is coming for this unemployed 34-year-old. Keith, his drinking buddy since college, is leaving for Chicago and marriage, but has set him up with a blind date. Mairead can look Rodney in the eye (she's six feet to his six-five), and she shares his love of words, so they may have a future. Romancing her and tending to Keith, who broke his foot during a run-in at the bar, is about all the action Rodney gets in this sliver of a story, which often stops cold so the omniscient narrator can pass along the words of Orwell, Camus and Fitzgerald. Former Sports Illustrated columnist Rushin (The Caddie Was a Reindeer, 2004, etc.) makes an awkward transition to fiction. When he's not dropping literary names, he's filling in the narrative gaps with fart jokes and close-ups of toilets. He doesn't fare much better with characterization, especially that of his protagonist: Rodney is a generic, educated slob, a pale shadow of the better-specified Ignatius J. Reilly in Confederacy of Dunces. There are some flashes of wit-Rodney tells Mairead, a stickler for correct use of apostrophes, "you're beautiful when you're pedantic"-but they blur into a comic monologue too eager to please.
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Product Details

  • ISBN-13: 9780767931830
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 3/8/2011
  • Pages: 272
  • Sales rank: 1,022,135
  • Product dimensions: 5.10 (w) x 7.90 (h) x 1.00 (d)

Meet the Author

STEVE RUSHIN, the author of the nonfiction books Road Swing and The Caddie Was a Reindeer, wrote a beloved weekly column called Air & Space for Sports Illustrated from 1998 to 2007. He and his wife, Rebecca Lobo, live in Connecticut with their three children.

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Read an Excerpt

  To say that Rodney went there religiously was not just a figure of speech, for Boyle's resembled a church even at noon, when no one was yet kneeling in the Gents, asking God for His mercy.  

At that hour, a shaft of sunlight shone through stained glass. Which is to say, windows whose glass was comprehensively stained--by a double-glazing of nicotine and automotive exhaust, and the secondhand smoke of a half-century of bullshit.   There were just the two windows--flanking the punched nose of a red front door--so that Boyle's faced the world through befogged spectacles. Whether these were the befogged spectacles of a man who has just come into a warm place from a cold one or of aman wearing permanent, prescriptive beer goggles depended largely on what one wanted from Boyle's.  

Suffice to say that over the decades the bar and its regulars had begun to resemble one another, in the way of pets and their owners or old married couples.   It was now impossible to tell whether its customers smelled of Boyle's or Boyle's smelled of its customers, only that both smelled, unmistakably, of corned beef and Lysol.   

    Rodney sat at the bar, his right hand slapped up against his brow, so that the ballpoint pen plugged between two fingers appeared to grow from his forehead, like a unicorn horn.   He looked up from his crossword, to the bottles of the back bar: there was something provocative about those jewel-toned vessels, their backs turned to a mirrored wall, as if trying on pants in a department store dressing room, as if checking out theirown bottoms in a new pair of jeans.  

More than a few of Boyle's regulars regarded the bottles that way--voyeuristically, with what amounted to lust.  

A bottle of Cockburn's was shelved next to a bottle of Dry Sack. Given their proximity, Rodney thought of them not as port and sherry but as twinned male medical afflictions, the former leading inevitably to the latter.  

In front of him, a pint of Guinness, with its clerical collar of foam. Behind him, four booths, snug as confessionals, their rosewood benches salvaged from St. Michael the Archangel's. Two million asses, squirming through Masses: they had burnished thepews, leaving a rich patina that looked to Rodney like Murphy's Irish Red.  

He thought of how, when he farted in church as a kid, his mother whispered, "Now you're sitting in your own pew."   Boyle's church pews, like Boyle's dogs, had found a better home in Boyle's. A sign above the first booth quoted Mark 2:16:     

  When the Scribes and Pharisees saw Him, they said unto His disciples, "how is it that He eateth and drinketh with publicans and sinners?"      

Armen set Rodney's lunch plate heavily on the bar. It settled like a spun coin. Armen's name was Gary Garabedian, but to anyone who'd been to Boyle's more than once, he was Armen. Armen the Barman.  

Rodney and Armen once passed a summer's evening compiling a list of notable people, like Armen, of Armenian ancestry. The list consisted entirely of famous surnames that ended in -ian: Dr. Jack Kevorkian, Cherilyn (Cher) Sarkisian, basketball coach JerryTarkanian. "Yossarian," Rodney said. "From Catch-22."  

"Raffi Cavoukian," Armen said, citing a multiplatinum children's troubadour whom Rodney had never heard of. Rodney was not merely childless but as bereft of children as a man can be--a kind of orphan in reverse.  

Rodney played to his strength and countered with sports personalities of the 1970s: Notre Dame football coach Ara Parseghian, Miami Dolphins kicker Garo Yepremian, and NFL field judge Armen Terzian, who was knocked unconscious by a thrown whiskey bottleafter costing the Minnesota Vikings a playoff game against the Dallas Cowboys.  

At the end of the bar, another man being slowly knocked unconscious with a whiskey bottle said: "Conan the Barbarian."  

Rodney turned to look at the guy. He had a face like a punched pillow. His jug-handle ears--and the emptiness echoing between them--called to mind golf's Wanamaker Trophy, given annually to the winner of the PGA Championship, whose highlights were justthen playing on TV. In time, he would become known to everyone at Boyle's as Wanamaker--except on the back of his Boyle's softball jersey, where his name would be abbreviated in the way that old baseball box scores abbreviated Gionfriddo as "G'fr'do" or Vandermeeras "V'D'M'r."  

On his softball jersey, "Wanamaker" was contracted to "Wan'ker."  

During nights like that one, celebrating celebrated Armenians with a group of strangers, Rodney had all the companionship he needed inside Boyle's.  

As new people entered through that swinging red door, they were challenged to name an Armenian celebrity whose name ended in -ian. When an old man said, "Ruffian," Rodney recalled how the great thoroughbred filly was buried where she had collapsed--at Belmont, her nose pointed for all eternity toward a finish line she'd never reach.  

It was about as apt a metaphor as he could think of for the comic futility of life.     

  Rodney forked a piece of porterhouse into his mouth and chewed it like a cud. He fed a French fry to Edith, the bulldog who spent entire days asleep under the bar, a courtesy extended to only a few of Boyle's regulars.  

He had no idea where or whether Edith went when Boyle's closed. But Rodney had seen Edith drink Bushmill's directly from a dog dish in a match race won by Wanamaker.   Until a year ago, the bar had two bulldogs. But Edith was widowed when Drinketh died of pneumonia, leaving Edith that most disappointing of all creations: a setup without a punch line.  

Rodney had a blind date tonight, a setup that would almost certainly have no payoff.   He took a pull from his pint of Guinness and his brain began to run on its hamster wheel to nowhere: Guinness is stout, stout is a kind of porter, porter was popular among porters in the street markets of London, who drank it in porter houses, which servedsteak, which is why they call the swatch of suede I am now masticating a "porterhouse steak."  

Rodney wondered if he should order a second porterhouse tonight, on his date, so that he could regale her with this history.   He looked again at his crossword clue: "Spot remover." With the safecracker's disdain for the locksmith, he inked in dogcatcher. Then his right hand went back to his forehead, and the ballpoint again was unicorned to his brow.   Before the smoking ban, when that pen was a cigarette, it looked like a smokestack for his brain. That brain remained a bustling widget factory, three shifts working round the clock to make a product that nobody needed, at least not outside of Boyle's.  

Some people have a mind like a steel trap. Rodney had a mind like a lint trap. It retained only useless fluff: batting averages, ancient jingles, a slogan glimpsed once, years ago, on the side of a panel van, for an exterminator ("We'll Make Your AntsSay Uncle") or a window-treatment supplier ("A Couple of Blind Guys") or a septic tank specialist ("Doody Calls").  

High in a corner behind the bar, beneath a ceiling tiled to look like tin, hung an ancient TV, a Zenith at its nadir. Armen turned the sound up. Family Feud, with a new host, who said: "One hundred people surveyed, top five answers on the board, name afamous Rudolph."  

Rodney clicked the ballpoint pen with his thumb as if it were the plunger on Jeopardy and said: "Red-Nosed Reindeer, Giuliani, Nureyev, Valentino . . ."  

Armen said, "Wilma Rudolph."   Wanamaker said, "Wilma Flintstone."   "It's famous Rudolphs," Armen said. "Not famous Wilmas."  

"There are no other famous Wilmas," Rodney said.   Armen said, "Not true: Wilma Mankiller. Chief of the Cherokee Nation."  

On TV, the host said, "I need an answer."  

A young woman in a lime-sherbet pantsuit held her palms upward as if waiting for rain. She cringed preemptively and said: "Hitler?"  

Armen roared and shouted, "Rudolph Hitler!"  

Rodney thought how "Rudolph" sounded benign, "Adolf" malevolent. He wondered aloud if names were destiny.  

"You mean, would I be a barman if my name weren't Armen?" Armen asked. "It's like Alicia Keys. She plays the piano and her name is Keys."   "Her real name is Cook," Rodney said. "Her stage name is Keys. Just like your real name is Gary. Armen's your stage name. You're Armen because you're a barman, she's Keys because she plays piano."  

If Cook's name was her destiny, Rodney reflected, she'd be making pot pies with Vance, the Boyle's cook who seemed to pop his head out the kitchen door once a day, like a cuckoo from a clock. 

  "I'm talking the other way around," he said. "Like the archbishop of Manila was Cardinal Sin. The team dentist for the San Francisco Giants, his name is Les Plack."  

Armen said, "I read that an unusually high percentage of people named Dennis become dentists."  

"What about Wilma Mankiller?" Wanamaker said. "How'd you like to go on a blind date, you ask her her name, she says, 'Mankiller.' Probably didn't have a lot of second dates." 

  "Mankiller, party of one." Armen said jauntily. But the four booths of the Boyle's dining room were empty.  

Rodney felt compelled to point out that Wilma Mankiller did not become a killer of men, but Armen had already moved on to Lorena Bobbitt, who famously hacked off her husband's wang with a kitchen knife and flung it out a car window. "Lorena, bob it," Armensaid. "That's destiny." 

  Wanamaker said to Rodney, "What am I missing?" 

  Rodney thought of all the possible answers: hair, brains, job, class, deodorant. But all he said was "Look it up."  

Armen turned to the back bar and examined Boyle's reference library of Quiz Night argument stoppers. His fingers passed over a 1986 paperback copy of The Guinness Book of World Records, its cover torn off, its corners rounded with wear, and plucked insteadthe paperback dictionary next to it. He cleared his throat theatrically and read: 

  "Bob noun, second definition: Something that has been cut short, for example, a horse's tail when docked, a dog's ears when clipped, your johnson when removed with a Ginsu knife . . ."  

The men at the bar roared. And so the conversation stayed aloft on an undercurrent of fear. Fear of women. Armen had a twelve-year-old daughter whom he almost never saw. Rodney once asked him why and Armen forestalled further inquiry by saying, "She liveswith her mother," in a tone that suggested, "She lives with a feral wolverine." And so women were literally castrating, metaphorically man-killing, at least until one of them walked into the bar, which didn't often happen until after five. Then, everyone sata little straighter, began smoothing out imaginary neckties, a cupped hand in front of every mouth casually checking for halitosis.   At this hour of the afternoon, Boyle's was as male as a monastery.    

   As Rodney was well aware, monks have been synonymous with beer since at least 800 AD, when Gall began brewing at his monastery in Switzerland, a tradition that continues to this day in the alpine town of St. Gallen.  

Saint Gallen. Rodney wondered if he too could be sainted for drinking beer in a holy place. 

  "You're not a monk," Armen reminded him. "Your celibacy is involuntary."  

High behind the bar, perched on the plinth of a stereo speaker, was a bottle of Frangelico--a bottle shaped like a Franciscan friar, in a brown habit with a white rope cincture around his waist. It bothered Rodney that this Italian hazelnut liqueur wasnamed for a Piedmontese painter and Dominican--Fra Angelico--when Dominicans wore white habits that were never belted by a rope.  

Involuntarily, he thought of the anagram: desperation = a rope ends it. 

  "Think there's beer in heaven?" Rodney asked Armen.  

"In heaven there is no beer," Armen said. "That's why we drink it here. Says so right in the polka."  

Rodney wasn't sure. At home, he kept a laminated prayer card magnetized to the fridge: I'd like to give a lake of beer to God I'd love the Heavenly Host to be tippling there For all eternity . . ._      

The Meat Puppets said hell was a lake of fire. Could both be true? Heaven a lake of beer, hell a lake of fire? Rodney liked this notion--of the afterlife as a choice between beer or barbecue, a tailgate for all eternity.       . . . I'd sit with the men, the women of God There by the lake of beer We'd be drinking good health forever And every drop would be a prayer.   --St. Brigid of Kildare (c. 451-525)   

    Rodney wasn't the first man who found drink to be a convivial companion in the absence of women. He thought of the thirteen men drinking wine at the Last Supper; of the lifers at Leavenworth making pruno in prison toilets.  

His lunch went cold. Or rather, the warm bits went cold while the cold bits went warm. The beer was warming, the porterhouse cooling. That was the day's special, Guinness and steak, what the wipe board behind the bar called the "Murph & Turf."   Rodney let his hand fall idly on a stack of Harp coasters, so that he appeared to be taking an alcoholic oath of office.  

His bladder twitched, and for the first time in two hours Rodney alit from his stool, with its view backstage into the kitchen. The thrum and slosh of the dishwasher reminded him of childhood, of sitting three feet in front of the TV after dinner, thegreen shag carpet serving as elephant grass for his army men, while his parents recapped their respective days over coffee in the kitchen. 

  When the cool darkness of the bar had given way to the fluorescent light of the Gents, with its bouquet of disinfectant urinal pucks, Rodney stepped onto the tiled platform in front of the toilets. The riser was only six inches high, but it gave the full-bladderedman the pleasant illusion that he wasn't so much taking a leak as delivering a keynote address. Indeed, over the years, many of Rodney's fellow urinators had turned orators, delivering incoherent valedictories from these very urinals, their eyes fixed on thewhite tiled wall a foot in front of them. 

  Giza had its pyramids. Boyle's had its urinals, three of them, each one nearly capacious enough to be a walk-in toilet, a stand-up sarcophagus, five feet tall and filled with ice cubes, so that steam rose primordially while Rodney took a whiz.   On the wall, a machine dispensed cologne and condoms, the alpha and omega of the one-night stand.  

The condom machine bore a graffito: Katerina Kleszcz is easier done than said. Rodney admired the wordplay while deploring the sentiment.  

He shook, shivered, and zipped. He flushed with his elbow, turned the faucets on and off with his wrists, dried his hands on his pants, and then gently kicked open the swinging door of the Gents with the sole of his right running shoe.  

Only when he was back in the bar proper did he reflexively begin to breathe through his nose again.  

From the Hardcover edition.

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Interviews & Essays

Steve Rushin on New York Irish bars

I met my wife in an Irish bar in New York: The Dublin House, on West 79th Street, with its great neon harp flashing above the door like a lighthouse beacon. We met before the smoking ban, when cigarettes were still compulsory and everyone left the place smelling like a smoked brisket and the harp sometimes seemed, as you walked out alone at 2 o'clock in the morning, to be blinking back tears.

At the time, I frequented another bar on the West Side-though "frequented" hardly does it justice. "Constanted" is more like it. The Emerald Inn, on Columbus Avenue, was a block from my fetid apartment and became, as it did for many in the neighborhood, the rec room or front parlor I didn't have.

There were other bars: You didn't want to be seen at the same place every night-a problem not shared by the protagonist in The Pint Man, Rodney Poole. Rodney is content to take up residence at Boyle's, the New York bar where much of the action (and conspicuous inaction) of The Pint Man takes place.

But I sometimes cheated on the Emerald, and went uptown to McAleer's, which had darts, or across town to Fiona's, for European Champions League soccer. There, my English buddy Simon and I would sit in hard-back chairs watching mid-week, mid-day matches that bled into prime time, and then into the 11 o'clock news, and then into the late night monologues. One night we chased a day of beer and TV with a bracing walk through Central Park, at midnight, in a downpour. When we reached the western shore of the park, we went to the nearest place we could find to get out of the rain: The Emerald, for a nightcap.

All of this is to say that I always wanted to own a convivial place that could shelter you from a storm, and reality, that was small, but with the sort of ancient, oversized, walk-in urinals they have at the Old Town Bar or McSorley's. (One of the minor ambitions of this novel was to do for urinal makers what Moby-Dick did for whaling, and exalt an overlooked industry.)

In writing The Pint Man, I was faced with the elemental question of what to call my bar. Beer has long been in my blood, and not just in the literal sense. My ancestors were much practiced at naming bars. In 1946, my father's father, Jack Rushin, opened a joint on Market Street in San Francisco he called Jack's. But the neon sign he ordered came back misspelled. Faced with a costly correction, he installed it unaltered, which is why San Francisco had-under different ownership-a famous nightclub of the '50s called Fack's.

On my mother's side, I come from a long line of big-league baseball players, firefighters, and bar owners named Boyle. My grandfather Jimmie Boyle briefly played catcher for the New York Giants and his brother Buzz was an outfielder for the Brooklyn Dodgers. Their uncle, Jack Boyle, had a long career with the Phillies, then became nearly as renowned as the owner of a bar in downtown Cincinnati.

With The Pint Man then, I aspired to tell a story largely set in an Irish bar, with a lot of beer, and a little bit of baseball talk, and more urinals than were strictly necessary, and to call that bar Boyle's. Like its real-world antecedents, Boyle's is proof that sunlight isn't always required for life to flourish on this planet. -- Steve Rushin

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Customer Reviews

Average Rating 3.5
( 8 )
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Sort by: Showing all of 8 Customer Reviews
  • Anonymous

    Posted May 21, 2011

    Great read

    One of the best books i have read, didnt want it to end

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  • Posted December 19, 2010

    You'll laugh out loud

    Rushin nevers fails to entertain be it non fiction or THE PINT MAN his first novel. You'll need to be on your game as he plays with grammar,derivations, origins and dialog but it is worth it.

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  • Anonymous

    Posted May 5, 2010

    I Also Recommend:

    This laugh out loud novel is entertaining for both men and women.

    The Pint Man is a funny and charming novel by superb first time novelist Steve Rushin. It is laugh-out-loud funny and a great read for both men and women. If you like smart books that make you laugh, The Pint Man is your kind of novel.

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  • Posted March 13, 2010

    more from this reviewer

    Very Good

    I have followed Steve Rushin since he wrote weekly for Sports Illustrated. This novel is every bit as good and as humorous as any of his past work

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    Posted July 11, 2011

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    Posted December 24, 2010

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    Posted January 12, 2011

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    Posted December 12, 2010

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