| The Band Perry | Primary Artist |
| Eric Darken | Percussion |
| Dan Dugmore | Dobro, Steel Guitar |
| Stuart Duncan | Fiddle |
| Paul Franklin | Steel Guitar, Sitar |
| Jim Hoke | Penny Whistle |
| Dann Huff | Guitar (12 String Electric) |
| Jerry McPherson | Electric Guitar |
| David Huff | Percussion |
| Aaron Sterling | Drums |
| Reid Perry | Bass |
| Charlie Judge | Synthesizer, Piano, Keyboards, Hammond B3 |
| Neil Perry | Bouzouki, Mandolin |
| Cherie Oakley | Background Vocals |
| Ilya Toshinskly | Acoustic Guitar, Banjo, Guitar (Resonator) |
| Ben Krebs | Fonts |
| Dann Huff | Producer |
| Steve Marcantonio | Engineer |
| Chris Tompkins | Composer |
| Brad Paisley | Composer |
| Shane McAnally | Composer |
| Adam Ayan | Mastering |
| Scott Borchetta | Executive Producer |
| Sean Neff | Digital Editing |
| David Huff | Programming, Digital Editing |
| Sarah Buxton | Composer |
| Rodney Clawson | Composer |
| Matt Ramsey | Composer |
| Reid Perry | Composer |
| Joe Osborne | Composer |
| Brandy Clark | Composer |
| Seth Morton | Engineer |
| Charlie Judge | Loop Programming |
| Neil Perry | Composer |
| Kimberly Perry | Composer |
| Brian Henningsen | Composer |
| Trevor Rosen | Composer |
| Clara Henningsen | Composer |
| Aaron Henningsen | Composer |
| Jacob Bryant | Composer |
| Steve Rusch | Engineer |
| John Davidson | Composer |
Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
Starting with the threats of "Better Dig Two," there's a swagger that underpins much of Pioneer, the second album from family country-pop trio the Band Perry. This boldness never quite dissipates under the thunderous cloud of big ballads, of which there are many here. Almost all the attitude derives from Kimberly Perry, who retains a sense of palpable defiance even in the quietest moments, her vigor lending passion to music that is deliberately designed to appeal to the widest possible audience as it blurs the line between contemporary country and pop. At times, this desire to be everything to everyone leads to some seriously odd juxtapositions, as on the ...