Pitching My Tent: On Marriage, Motherhood, Friendship, and Other Leaps of Faithby Anita Diamant
Before The Red Tent won her international literary acclaim, Anita Diamant was a columnist in Boston./i>/i>/i>
From the bestselling author of The Red Tent and Good Harbor, a collection of intimate, autobiographical reflections on the milestones, revelations, and balancing acts of life as a wife, mother, friend, and member of a religious community.
Before The Red Tent won her international literary acclaim, Anita Diamant was a columnist in Boston. Over the course of twenty years, she wrote essays that reflected the shape and evolution of her life, as well as the trends of her generation. In the end, her musings about love and marriage, birth and death, nature versus nurture, politics and religion—and everything from female friendships to quitting smoking—have created a public diary of the progress of her life that resonated deeply with her readers. Now, Pitching My Tent collects the finest columns of a writer who is a reporter by training and a storyteller by heart, all revised and enriched with new material. Personal, inspiring, and often funny, Pitching My Tent displays the warmth, humor, and wisdom that Diamant's legions of fans have come to cherish.
"Celebrates the mystery, complexity, and power of faith." Book magazine
"Diamant's graceful prose is down-to-earth and true." The Boston Globe
- Publication date:
- Sold by:
- SIMON & SCHUSTER
- NOOK Book
- Sales rank:
- File size:
- 1 MB
Read an Excerpt
Pitching My TentOn Marriage, Motherhood, Friendship & Other Leaps of Faith
By Anita Diamant
Thorndike PressCopyright © 2004 Anita Diamant
All right reserved.
IntroductionBefore The Red Tent, before Good Harbor, before and during six books on contemporary Jewish life, I was a columnist.
I wrote essays about friendship and fashion, about marriage and electoral politics, about abortion, lingerie, situation comedies, birth, death, God, country, and my dog. I covered the waterfront and the supermarket, my synagogue, the waiting room outside the intensive care unit, and my own kitchen table.
I did this over the course of twenty years for publications that included a weekly newspaper with a mostly twenty-something readership, and later for a Sunday-magazine audience of millions. I wrote for food lovers in a New England magazine, for the parents of young children in a national publication, and for an international Jewish audience in an on-line magazine. Most of the time, my assignment was weekly; sometimes, it was monthly.
My job was to report on the events of the day and the changes under my own roof. The challenge was to pay closer-than-average attention and then shape my experiences and reactions into entertaining prose that rose above the level of my own navel. It was more than a great job - it was a meaningful job.
This collection, culled fromthose publications and years, turns out to be a sort of diary. It includes musings about the contents of my refrigerator as well as reflections about the most important decisions of my life. To divorce and marry again. To have a child. To live a Jewish life.
I suppose it's a measure of how much the world has changed that what once seemed like "edgy" choices now seem fairly mainstream. But at the time, I was thinking and doing things that were simply unimaginable for women at any other period in human history. Having been born female, white, and middle class in the United States, in the middle of the twentieth century, meant the women's movement happened to me, in me, for me. It meant that it was highly unlikely that I would die in childbirth, and it meant that I could teach my daughter to speak in her own voice. It meant I could love my work and love my family. And it meant that there was an audience for what I had to say about the trials and joys of this girl's life.
Actually, the audience was the great, unexpected gift of the assignment because they wrote back. A few said, "No way," and "How dare you?" But many more said, "Me, too," and "Thanks."
We connected - my readers and I - because we were trying something entirely new. We were not just tinkering around the edges, adjusting our "roles" as women and men. We were reinventing the female psyche and soul, which of course required a radical recasting of the male. We're still at it, too, and with more confidence, wisdom, and resources every year. That our daughters and sons are blasi about this transformation is a measure of our success.
Looking back through these essays, reflecting on the reflections, is a lot like leafing through the family photo album. I stop and exclaim over the difference between my daughter then (kindergarten) and my daughter now (college). The changes in me are not quite as photogenic, but I think I've become kinder and more patient. I sure hope so.
My tent is filled with friends and songs and books and memories. My tent - and I hope yours, too - is filled with blessings. Come see.
Excerpted from Pitching My Tent by Anita Diamant Copyright © 2004 by Anita Diamant. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
Anita Diamant is the bestselling author of the novels The Boston Girl, The Red Tent, Good Harbor, The Last Days of Dogtown, and Day After Night, and the collection of essays, Pitching My Tent. An award-winning journalist whose work appeared in The Boston Globe Magazine and Parenting, she is the author of six nonfiction guides to contemporary Jewish life. She lives in Massachusetts. Visit her website at AnitaDiamant.com.
- Boston, Massachusetts
- Date of Birth:
- June 27, 1951
- Place of Birth:
- New York, New York
- M.A. in English, SUNY, Binghamton, NY, 1975; B.A. in Comparative Literature, Washington Univ., St. Louis, MO, 1973.
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >