Planet of the Blind

Planet of the Blind

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by Stephen Kuusisto

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Stephen Kuusisto has been legally blind since birth, and in this stunning memoir he has succeeded in translating his opaque, kaleidoscopic world of shape and color into poetic and luminous prose. Brought up to disavow his blindness, Kuusisto spent much of his life trying to pass as a sighted man. Fueled by his passion for the written word, Kuusisto successfully…  See more details below


Stephen Kuusisto has been legally blind since birth, and in this stunning memoir he has succeeded in translating his opaque, kaleidoscopic world of shape and color into poetic and luminous prose. Brought up to disavow his blindness, Kuusisto spent much of his life trying to pass as a sighted man. Fueled by his passion for the written word, Kuusisto successfully conquered academia - until a devastating accident forced him to acquire the white cane at last. Almost immediately the cane became his "divining rod," but it was only a matter of time before he felt the need for a more powerful ally. Enter Corky, a two-year-old yellow Labrador retriever who became his guiding eyes and changed his life forever.

Editorial Reviews

New York Times Book Review
Luminous...Kuusisto is a pwerful writer...He has written a book that makes the reader understand the terrifying experience of blindness that stands on its own as the lyrical memoir of a poet.
USA Today
A talented writer judged against any standard, Kuusisto opens the world of the disabled....He does it without self-pity.
Boston Globe
A remarkable journey....a radiant memoir infused with the poetic force of an Oliver Sacks essay.
San Francisco Chronicle Book Review
In this breathtaking memoir...a near-blind poet teaches vision to the fully sighted....He creates a world of brilliance, color, and fertile imaginings.
School Library Journal
"I stare at the world through smeared and broken windowpanes," poet and educator Kuusisto writes in the opening pages of this powerful, literary memoir. Weighing less than five pounds at birth, he was incubated with oxygen, as many preemies were in the 1950s. His life was saved, but his retinas were severely scarred, leaving him legally blind. With his parents in denial, Kuusisto stumbled through his childhood in regular classrooms, derided by classmates for telescopic glasses and a right eye that continually hopped in its socket. He grew into an angry teen who struggled first with obesity and then with anorexia. Even into adulthood, he was unable to trust or reach out for help until an accident destroyed his residual vision and he finally admitted his need for assistance. In his late 30s he is able to accept his disability and trust a guide dog. Kuusisto's story is about the regeneration of the spirit. "I've taken the slow road to blindness," he writes toward the end of the book, "resisting it like a suspicious skater who fears the river." -- Pat Bangs, Fairfax County Public Library, Virginia
NY Times Book Review
A gripping and literary narrative of unusual metaphorical extension and authority, in which the author is able to include the reader in his coming to terms with blindness.
SF Chron. Book Review
In this breathtaking memoir...a near-blind poet teaches vision to the fully sighted....He creates a world of brilliance, color, and fertile imaginings.
From the Publisher
"[Kuusisto] is a powerful writer with a musical ear for language and a gift for emotional candor. He has written a book that makes the reader understand the terrifying experience of blindness and that stands on its own as the lyrical memoir of a poet."
—Michiko Kakutani, The New York Times

"The sheer beauty of Kuusisto's writing creates a miraculous planet; a swirl of sensation and nuanced perception, ecstasy, terror and love.  Here a soul on a bicycle is propelled by pure desire.  And here we, in turn, are propelled toward a new vision."
—Andrea Barrett, author of Ship Fever

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Product Details

Dell Publishing
Publication date:
Product dimensions:
5.78(w) x 8.55(h) x 0.86(d)

Read an Excerpt

20/200 is the definition of legal blindness. What a normal person sees from a distance of two hundred feet, the blind person will see from twenty. In childhood my best visual correction was 20/200 in my left eye. With that eye I had enough muscle control to place my nose on a piece of paper and perhaps make out something if the print was dark and large. Up until the age of forty I could do this for a half hour at a time. Later, inoperable cataracts made this impossible. From the beginning my right eye couldn't read and would hop like a starling in a hedge, recording glimpses of color at the tip of my nose.

The sensorium of the blind who possess some marginal vision is by turns magical and disturbing. There is nothing in front of you, nothing behind. Now there is a shadow in the shape of a man who has appeared from the mist. How lovely and terrible this is! It's a mad, holy vision, the repeated appearance and disappearance of the physical world.

My sister once spent some time in meditation at a Hindu ashram in the south of Germany and came home having seen the very air atomize into a dazzling whirlwind of living particles. Hearing her story, I thought of walking alone at dawn, the morning light like stained glass. I can see these things as I walk to the corner store for milk. It's like living inside an immense abstract painting. Jackson Pollock's drip canvas Blue Poles comes to mind, a tidal wash, an enormous, animate cloud filled with light. This is glacial seeing, like lying on your back in an ice cave and staring up at the cobalt sun.

The beauty is of course conditional. Many who have minimal sight are photophobic, like myself, anddaylight is painful. I can't go outdoors without wearing the darkest possible glasses. When I enter a shop or restaurant, I am totally blind. When my eyes have adjusted, I still cannot read a menu or catch the eye of a waiter. My eyes dance in a private, rising field of silver threads, teeming greens, roses, and smoke.

Such waltzing is not easy. Raised to know I was blind but taught to disavow it, I grew bent over like the dry tinder grass. I couldn't stand up proudly, nor could I retreat. I reflected my mother's complex bravery and denial and marched everywhere at dizzying speeds without a cane. Still, I remained ashamed of my blind self, that blackened dolmen. The very words blind and blindness were scarcely to be spoken around me. I would see to this by my exemplary performance. My mother would avoid the word, relegating it to the province of cancer.

Given my first pair of glasses at the age of three, I carried them in secret to the garden and buried them under the wide leaves of a rhubarb plant. A year later the glasses were discovered by the family that was subletting our house while my parents and I traveled to Scandinavia. They couldn't imagine how these tiny gold-framed spectacles had been interred in the earth.

Once when I was nine or ten, my sister Carol, who is four years younger than I am, came home from school in a state of inspiration. She had read a book in class about a young woman who went blind and then found her life renewed with the help of a guide dog. Carol recalls how I threw snow at her as she pretended to be blind with the help of our family's golden retriever. I ran behind her, stinging her with ice.

Who would choose to be blind?

I would conquer space by hurtling through it. I wore telescopic glasses, suffered from crushing headaches, but still chose to ride a bicycle--with nothing more than adrenaline for assurance.

How do you ride a bicycle when you can't see? You hold your head like a stiff flower and tilt toward the light. You think not at all about your chances--the sheer physicality of gutters and pavements. One submits to Holy Rule and spins ahead.

Picture this: A darkness rises. Is it a tree or a shadow? A shadow or a truck? The thrill of the high wire is the greatest wonder of the brain. There is, at the center of our skulls, a terrible glittering, a requiem light. I lower my face to the cold handlebars and decide it's a shadow, a hole in sunlight, and pedal straight through.

Here's another shadow, and another. I turn sharply but this time plunge into tall weeds. Insects rise into my hair, cling to my sweaty face. From the road comes the hiss of angered gravel, a car roars past. Thanks be to God! I'm alive in the wild carrot leaf!

I let a bee walk along my wrist, feel it browse on my perspiration. The bicycle coasts, and I squint in the glare, and then I hit a root. As I fall, I take the sting of bee, then the sting of cement. My glasses fly off. The only thing I wonder is whether I've been seen. Nothing with this boy must be amiss! He belongs on the street!

Now I'm on my knees groping for the glasses. My wrist has swollen. One wheel is still spinning. I've barely struck the ground, and my fingers are everywhere. I must find the glasses before anyone sees me. No one must know how evanescent is my seeing. No one must know how dangerous my cycling really is.

And then there are shadows surrounding me. Please let these blurs not be children!

Yes! The shadows are trees.

Now I touch the glasses, heft them back to my face. They are heavy as padlocks.

Quickly I raise the bicycle and straighten it.

I ride.

In a mathematical world there are so many factors: Were my years of cycling an actuarial gift? Who else was on the road as I was cycling in the opposite direction? Did I stop on the true day of terminus, the day when my numbers were up?

I cycled from the age of ten until I was thirty. During my last decade it was occasional, more furtive, a headless activity like taking drugs. By my twenties, I knew it was injurious. As a child, I had only that graven need to resemble.

Of course my mother gave me this bicycle in the first place, a gift made from her guilt. I love her for the gift of speed and remain angry because of it. Mine was a boyhood of thrills and nausea.

My family sets sail for Scandinavia aboard the SS Stockholm in 1958. We travel to Helsinki so my father, a professor of government at the University of New Hampshire, can study the cold war through the medium of Finnish politics. I am three years old, and I've already buried my first pair of glasses.

Aboard the Stockholm I elude my mother by running wildly. At that age I am already the dervish of labyrinths. No adult can confine me to a stateroom. On "D" deck I become the mascot of a sailors' card game. The red tiles of the lower decks and the white tunics of the sailors swirl like the walls of a funhouse. How do I avoid falling down a gangway? I recall the dazzling machinery of the engine room as a storm of color.

In Helsinki I lean close to the gray, birdlike women with ether eyes who ride the trams. Each has survived the wartime starvation, and now, in the darkest city on earth, they are riding home with their satchels, which had taken all day to fill; the stores were ill-stocked and the lines were long. I remember their almost feral attention to the trolley's windows at twilight. As a small boy, I climb ever closer to them, their strangeness imprinting on me an indelible image of hardship.

One day, climbing the stairs with my father in our apartment building, we meet a severe old woman who speaks to my father in Finland's brand of Swedish. I am acutely aware that I am the object of scrutiny. She points with a cane:

"Tsk tsk," she says, "barna-blind--blind child. "

Her voice echoes on the stairs, "barna-blind"--blind from birth. I was not quite sighted; I wished to never be blind. Didn't this old crone know that I'd buried my first pair of glasses under the rhubarb? This will be a nearly lifelong puzzle for me: Am I not a sighted boy? Am I not attempting bravely to see? What must I do?

I know that I don't belong anywhere, so I become the spindrift of ocean liners, streetcars, and stairwells. I must have driven my mother insane. That year I survived on banana ice cream cones, which I extorted my parents to buy from the streetcorner dairy stands. I could see their effulgent red and blue awnings and quickly learned to make vocal my need for ice cream in loud Finnish so as to inspire my parents with the stares of the crowds.

Delicate, skinny, inordinately active, I was sharpening a sixth sense that fostered the impression in my parents and almost everyone else that I could see far better than I really could. Such acting requires a capacious memory; in the gauzy nets of pastel colors where I lived, every inch of terrain had to be acutely remembered. In the heart of every blooming and buzzing confusion, I found a signpost, something to guide me back along my untutored path. Twenty-one years later, when I returned to Helsinki with my own Fulbright grant, I found the door of our old apartment building by following the dropped bread crumbs of the blind child's choreography.

Even today I live in the "customs house" between the land of the blind and those who possess some minor capacity to see. It's a transitory place, its foundation shifting, its promise of stasis always suspect. There are moments when I see better than others since conditions of light are peremptory and loaded with impact. The whims of architects have enormous power over my experience of vision: a postmodern shopping mall with its cantilevered floors and mirrored walls--all lit by indirect lighting and high-intensity bulbs--can reduce my momentum. The darkness of restaurants and bars tightens my chest. I edge along without poise, feeling the sudden reverberations of alarm that come with not seeing. In a room designed for urbane and sexy people, I feel the boyhood panic, imagining myself an old man holding objects close to his face. How does one become inured to unpredictable moments of helplessness? I turn a corner into directsunlight, and without warning I'm the boy grasping at tremendous air.

I remember Helsinki's open-air fish market, where I ran through the crowds of winter shoppers. The green and gold of vegetables and fruits, and the icy chill of the butchers' stalls where the walls were blooded--all of it drew me on and on. I could run in abandon bouncing off strangers, wild to elude my mother and absorb the colors. The market became my customs house between the ocean of blindness and the land of seeing.

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What People are saying about this

Andrea Barrett
The sheer beauty of Kuusisto's writing creates a miraculous planet: a swirl of sensation and nuanced perception, estacy, terror, and love. Here a soul on a bicycle is propelled by pure desire. And here we, in turn, are propelled toward a new vision.

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Planet Of The Blind 5 out of 5 based on 0 ratings. 1 reviews.
Anonymous More than 1 year ago