Play With Your Head

Editorial Reviews

All Music Guide - William Ruhlmann
On their/his full-length debut album, Falling Into Place, Candy Butchers' Mike Viola (the group name is really a polite fiction) came off as a successor to Graham Parker and early Elvis Costello in the romantically angered post-punk new wave vein, a worthy enough position that tends to delight critics without engaging the critical mass of fans it takes to maintain a major-label record contract. On his/their second album (this time the billing is Candy Butchers instead of Mike Viola & Candy Butchers), Viola often comes off as a Marshall Crenshaw-style power popper, steeped in the sound of mid-'60s pop
ock and its fascination with ...
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Editorial Reviews

All Music Guide - William Ruhlmann
On their/his full-length debut album, Falling Into Place, Candy Butchers' Mike Viola (the group name is really a polite fiction) came off as a successor to Graham Parker and early Elvis Costello in the romantically angered post-punk new wave vein, a worthy enough position that tends to delight critics without engaging the critical mass of fans it takes to maintain a major-label record contract. On his/their second album (this time the billing is Candy Butchers instead of Mike Viola & Candy Butchers), Viola often comes off as a Marshall Crenshaw-style power popper, steeped in the sound of mid-'60s pop
ock and its fascination with unusual sounds audible on the margins of tracks dominated by electric guitar riffs and hooky choruses. "Baby, It's a Long Way Down," for example, is distinctly Beatlesque, while "My Monkey Made a Man Out of Me," apparently a celebration of addiction, boasts an intro and outro that recall George Harrison's flirtation with Indian music. On Falling Into Place, Viola seemed to be writing the same song of romantic disappointment over and over; here he is still disappointed, but his frustration is more global. "The older I get the more it seems/I watch my dreams get smaller," he begins on "It's a Line," and this sense of diminished expectations pervades the songs. The romantic element is not absent, but things are more specific and more desperate, notably on "I Let Her Get Away," in which a pregnancy is compared to mold. By album's end, Viola has practically abandoned the studio trickery to return to a Parker/Costello-like stance on "Make No Mistake," singing over acoustic guitar accompaniment with bitter wordplay that continues into the elegiac closer, "Call Off the Dogs." The album makes another impressive, if severe, statement likely to play well to the brainy and miss the masses.
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Product Details

  • Release Date: 3/12/2002
  • Label: Sony Mod - Afw Line
  • UPC: 696998634725
  • Catalog Number: 86347
  • Sales rank: 336,406

Album Credits

Performance Credits
Candy Butchers Primary Artist, Track Performer
Mike Viola Indexed Contributor, Guitar, Vocals
Melora Creager Vocals
Mike Levesque Drums, Background Vocals, Yells
Pete Donnelly Bass, Background Vocals, Yells
Technical Credits
Dae Bennett Engineer
Danny Bennett Management
Bob Ludwig Mastering
Mike Viola Arranger, Producer
Frank Longo Art Direction
Jason Fine Liner Notes
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