Playing for the Ashes (Inspector Lynley Series #7)

Playing for the Ashes (Inspector Lynley Series #7)

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by Elizabeth George

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"The story begins with my father, actually, and the fact that I'm the one who's answerable for his death.  It was not my first crime, as you will see, but it is the one my mother couldn't forgive."

In her astonishing New York Times bestseller, acclaimed author Elizabeth George reveals the even darker truth behind this startling confession.…  See more details below


"The story begins with my father, actually, and the fact that I'm the one who's answerable for his death.  It was not my first crime, as you will see, but it is the one my mother couldn't forgive."

In her astonishing New York Times bestseller, acclaimed author Elizabeth George reveals the even darker truth behind this startling confession. Playing for the Ashes is a rich tale of passion, murder and love in which Inspector Thomas Lynley and Detective Sergeant Barbara Havers once again
find themselves embroiled in a case where nothing--and no one--is really what it seems.  Intense, suspenseful and brilliantly written, Playing for the
will make readers "search out the sleuthing pair's first six adventures...a treasure," as Cosmopolitan predicted in their review.

From the Paperback edition.

Editorial Reviews

Emily Melton
George is a gifted writer who spins rich, colorful, mesmerizing, multifaceted stories that combine an absorbing mystery with provocative insights into her characters' innermost thoughts and emotions. Her latest story once again features Detective Inspector Thomas Lynley and his sidekick, Detective Sergeant Barbara Havers. Chalk and cheese when it comes to background, philosophy, style, and personality, Lynley and Havers easily forget their differences when a tough homicide needs solving--take, for example, the asphyxiation death of renowned, all-England cricket player Kenneth Fleming. The duo's inquiries turn up some disturbing facts about the cricket star. Not only was his personal life a shambles, but he had a very odd relationship with a former teacher. The case is more byzantine than any Lynley and Havers have encountered in their years as a crack homicide team, and even when they've identified Fleming's killer, the file isn't really closed. As usual, there's more to think about in George's story than simply whodunit. Readers will be astounded by the ease with which she weaves complex relationships and provocative moral, emotional, and ethical questions into the compelling plot. Another tour de force from one of today's best storytellers.
From the Publisher
"A perfect choice for anyone in the market for first-rate summer fiction."—The Sun, Baltimore

"Those who haven't discovered Elizabeth George ... should rush to read Playing for the Ashes."—US Magazine

"A master of the modern English mystery."—Entertainment Weekly

"Gritty and satisfying."—New Yorker

Product Details

Random House Publishing Group
Publication date:
Inspector Lynley Series , #7
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Random House
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893 KB

Read an Excerpt

It was shortly after noon when Detective Inspector Isabelle Ardery first saw Celandine Cottage. The sun was high in the sky, casting small pools of shadow at the base of the fir trees that lined the drive. This had been sealed off with yellow police tape. One panda car, a red Sierra, and a blue and white milk-float were lined up on the lane.

She parked behind the milk-float and surveyed the area, feeling grim despite her initial pleasure at being called out on another case so soon. For information gathering,the location didn't look promising. There were several houses farther along the lane, timber-framed with peg-tiled roofs like the cottage in which the fire had occurred, but they were each surrounded with enough land to give them quiet and privacy. So if the fire in question turned out to be arson--as was suggested by the words questionable ignition scrawled at the bottom of the note Ardery had received from her chief constable not an hour ago--it might prove unlikely that any of the neighbours had heard or seen someone or something suspicious.

With her collection kit in hand, she ducked under the tape and swung open the gate at the end of the drive. Across a paddock to the east where a bay mare was grazing, half a dozen onlookers leaned against a split chestnut fence. She could hear their murmured speculation as she walked up the drive. Yes, indeed, she told them mentally as she passed through a smaller gate into the garden, a woman investigator, even for a fire. Welcome to the waning years of our century.

"Inspector Ardery?" It was a female voice. Isabelle turned to see another woman waiting on the brick path that led in two directions: to the front door and round towards the back of the house. She'd apparently come from this latter direction. "DS Coffman," she said cheerfully. "Greater Springburn CID."

Isabelle joined her. She offered her hand.

Coffman said, "The guv's not here at the moment. He rode with the body to Pembury Hospital."

Isabelle frowned at this oddity. Greater Springburn's chief superintendent had been the one to request her presence in the first place. It was a breach of police etiquette for him to leave the site before her arrival. "The hospital?" she asked. "Have you no medical examiner to accompany the body?"

Coffman gave her eyes a quick rise heavenward. "Oh, he was here as well, graciously assuring us that the corpse was dead. But there's to be a news conference when they i.d. the victim, and the guv loves that stuff. Give him a microphone, five minutes of your time, and he does a fairly decent John Thaw."

"Who's still here, then?"

"Couple of probationary DCs getting their first chance to suss things out. And the bloke who discovered the mess. Snell, he's called."

"What about the fire brigade?"

"They've been and gone. Snell phoned emergency from next door, house across from the spring. Emergency sent the fire team."


Coffman smiled. "Luck for your side. Once they got in, they could see the fire'd been out for hours. They didn't touch a thing. They just phoned CID and waited till we got here."

That fact, at least, was a blessing. One of the biggest difficulties in arson investigation was the necessary existence of the fire brigade. They were trained to two tasks: saving lives and extinguishing fires. Intent upon that, more often than not they axed down doors, flooded rooms, collapsed ceilings, and in the process obliterated evidence.

Isabelle ran her gaze over the building. She said, "All right. I'll take a moment out here, first."

"Shall I --"

"Alone, please."

Coffman said, "Quite. I'll leave you to it," and strode off towards the back of the house. She paused at the northeast corner of the building, turning back and pushing a curl of oak-coloured hair from her face. ""The hot spot's this way when you're ready," she said. She began to raise an index finger in comradely salute, apparently thought better of it, and disappeared round the side of the house.

Isabelle stepped off the brick path and crossed the lawn, walking to the far corner of the property. There she turned back and gazed first at the cottage and then at the grounds that surrounded it.

If arson had been committed here, finding evidence outside the building wasn't going to be easy. It would take hours to conduct a search on the grounds because Celandine Cottage was an amateur gardener's dream: hung on the south end by wisteria just coming into bloom, surrounded by flower beds from which grew everything from forget-me-nots to heather, from white violets to lavender, from pansies to tulips. Where there weren't flower-beds, there was lawn, thick and lush. Where there wasn't lawn, there were shrubs in bloom. Where there weren't shrubs, there were trees. These lastprovided a partial screen from the lane and another from the nearest neighbour. If there were footprints, tyre prints, discarded tools, fuel containers, or matchbooks, it was going to take some effort to find them.

Isabelle circled the house carefully, moving east to northwest. She examined windows. She scanned the ground. She gave her attention to roof and to doors. In the end, she made her way to the back where the kitchen door stood open and where, under an arbour across which a grapevine was beginning to unfurl its leaves, a middle-aged man sat at a wicker table, with his head sunk into his chest and his hands pressed together between his knees. A glass of water stood, untouched, before him.

"Mr. Snell?"

The man lifted his head. "Took the body, they did," he said. "She was covered up all from head to toe. She was wrapped up and tied down. It looked like they'd put her in some sort of bag. It's not proper, that, is it? It's not quite decent. It's not even respectful."

Isabelle joined him, pulling out a chair and setting her collection kit on the concrete. She felt an instant's duty to comfort him, but making an effort at compassion seemed pointless. Dead was dead no matter what anyone said or did. Nothing changed that fact for the living. "Mr. Snell, were the doors locked or unlocked when you arrived?"

"I tried to get in when she didn't answer. But I couldn't. So I looked in the window." He squeezed his hands together and took a tremulous breath. "She wouldn't have suffered, would she? I heard one of them say the body wasn't even burnt and that's why they could tell who it was straightaway. Did she die from the smoke, then?"

"We won't know anything for certain until a postmortem is done," DS Coffman said. She'd come to the doorway. Her answer sounded professionally cautious.

The man seemed to accept it. He said, "What about them kittens?"

"Kittens?" Isabelle asked.

"Miss Gabriella's kittens. Where're they? No one's brought them out."

Coffman said, "They must be outside somewhere. We've not run across them in the house."

"But she got herself two little 'uns last week. Two kittens. From over by the spring. Someone'd dumped them in a cardboard box next to the footpath. She brought them home. She was caring for them. They slept in the kitchen in their own little basket and--" Snell wiped the back of his wrist against his eyes. "I got to see to the milk delivery. Before it goes bad."

"Have you got his statement?" Isabelle asked Coffman as she ducked beneath  the low lintel of the doorway to join the DS in the kitchen.

"For what it's worth. Thought you might want to have a chat with him yourself. Shall I send him off?"

"If we've got his address."

"Right. I'll see to it. We're in through there." Coffman gestured towards an inner door. Beyond it, Isabelle could see the curve of a dining table and the end of a wall-sized fireplace.

"Who's been inside?"

"Three blokes from the fire brigade. The CID lot."

"Crime team?"

"Just the photographer and the pathologist. I thought it best to keep the rest out till you had a look.

From the Paperback edition.

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Playing for the Ashes (Inspector Lynley Series #7) 4.3 out of 5 based on 0 ratings. 28 reviews.
Anonymous More than 1 year ago
George shows her versatility and her mastery of technique here. Her use of both first and third person adds much to the suspense and keeps the reader interested as the story unfolds. Complex characters reveal their secrets as their lives converge in an exciting conclusion. Compelling, sad, ironic, and well-written.
Guest More than 1 year ago
I had to write this although I read this book a few years ago. I disagree with the other review in that the diary format was very readable and many scenes I still remember vividly
Guest More than 1 year ago
The seemingly perfect life of a sensational cricket player has been cut short. But was it REALLY perfect? Sophisticated Inspector Lynley and his rough-edged sidekick Havers discover all the hows and whys in Elizabeth George's PLAYING FOR THE ASHES. Should the athlete have left his wife? Could his teenaged son be involved? Did his mistress cause his death or was it her husband? And what part did his former teacher play, a woman who had been championing him since he was a young man? George keeps us guessing with style, presenting suspect after suspect and discarding them. Played out against the usual backdrop of Great Britain's social contrasts, PLAYING FOR ASHES offers an entertaining, if somewhat lengthy, read. The returning characters of the butler Denton, Lady Helen, and the entire crew at New Scotland Yard are touched upon less frequently than usual. Denton, in particular, seems to be included more for comic effect this time around. George's technique of interspersing first person 'journal' entries from the character Olivia, a sad and depressing former prostitute, really did not add to the book. Inspite of this, I recommend PLAYING FOR ASHES as an interesting portrait of love and failure.
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HonoluLou More than 1 year ago
An intricate, tangle of peoples lives; lifelike and easy to read. What a great mystery this was. I was apprehensive because of some of the reviews I read. However, Ms. George makes it sooooo interesting I couldn't put it down!
Anonymous More than 1 year ago
George goes beyond her usual excellence in this one. Parallel stories are handled with dexterity and aplomb. Yet she never losses or dilutes the theme.
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