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Please Don't Come Back from the Moon [NOOK Book]

Overview

"The summer Michael Smolij turns seventeen, his father disappears. One by one other men vanish from the blue-collar neighborhood outside Detroit where their fathers before them had lived, raised families, and, in a more promising era, worked. One man props open the door to his shoe store and leaves a note. "I'm going to the moon," it reads. "I took the cash."" The wives drink, brawl, and sleep around, gradually settling down to make new lives and shaking off the belief in an American dream that, like their husbands, has proven to be a thing of ...
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Please Don't Come Back from the Moon

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Overview

"The summer Michael Smolij turns seventeen, his father disappears. One by one other men vanish from the blue-collar neighborhood outside Detroit where their fathers before them had lived, raised families, and, in a more promising era, worked. One man props open the door to his shoe store and leaves a note. "I'm going to the moon," it reads. "I took the cash."" The wives drink, brawl, and sleep around, gradually settling down to make new lives and shaking off the belief in an American dream that, like their husbands, has proven to be a thing of the past. Unable to leave the neighborhood their fathers abandoned, Michael and his friends stumble through their twenties and into marriages and families of their own until the restlessness of the fathers blooms in them, threatening to carry them away.
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Editorial Reviews

Elissa Schappell
By deftly welding magic realism with social satire, Bakopoulos captures the dark side of the working-class dream. Maple Rock is stuck in a nightmare, and the lure of walking away still draws its young men. Mikey, like his father and like his friends, must decide to resist or to heed the call of ''No more, I'm heading for the moon.''— The New York Times
Publishers Weekly
"When I was sixteen, my father went to the moon." Thus begins this debut novel about the mysterious disappearance of the men from a working-class suburb of Detroit. They go gradually, one by one, leaving for parts unknown-though more than one mentions the rocky orb up above. Michael Smolij's father is one of the last to vanish; once he's gone, Michael's musician mother plays "Norwegian Wood" on her violin, then takes two jobs to make ends meet. Michael, like all the boys in the neighborhood, has to grow up fast, working at the mall while taking community college courses. When Michael's mother remarries and moves away, leaving him the family house, Michael lands a job as a writer at a local radio station and starts dating a single mother with a five-year-old son, as if in an attempt to singlehandedly forge a new family for himself. The process of settling down, however, awakens a strange restlessness in him. Magic serves more as an emotional undercurrent than a mystery in this odd novel, part fable and part gritty realist chronicle. As Bakopoulos writes in an author's note, the book is a kind of elegy for his father's generation of downtrodden working-class men, but their disappointments are tempered by the modest hopes and ambitions of their sons in this gentle and moving tale. Agent, Amy Williams. (Feb.) Copyright 2004 Reed Business Information.
Library Journal
In this coming-of-age story, set in the 1990s in an ethnic suburb of Detroit, the fathers have all gone away. Some were running from criminal acts, others despaired after losing a job, still others vanished mysteriously for no apparent reason, but all left wives and families behind. One man also left a note saying "I'm going to the moon"-hence the book's title. Teenaged narrator Michael Smolij and his friends all seem to be spiraling downward, following in their fathers' footsteps as they hang out, drinking, fighting, and going nowhere. But gradually those good or smart or lucky enough begin to turn themselves around. In particular, Michael's ex-girlfriend goes to school in Ann Arbor, and this tenuous connection to another world exerts a positive force on many back home. The novel follows Michael and his friends over the course of a decade, as they face young adulthood, start families, and are forced to move beyond the minimum-wage world of local mall jobs. Both realistic and fantastic, heartfelt and objective, this first novel is recommended for all libraries.-Jim Coan, SUNY at Oneonta Copyright 2004 Reed Business Information.
Kirkus Reviews
Where have all the fathers gone? That's the question in this marvelous first novel. It's 1991 in Maple Rock, a white ethnic Catholic suburb of Detroit. Narrator Michael Smolij is 16 when his uncle disappears, and then his father, an unemployed draftsman. A shoe-store owner leaves a note: "I'm going to the moon." A few dozen more family men leave, never to return. Michael's cousin Nick thinks they may be hiding out in an old hunting cabin, but the cabin's empty, and it becomes an article of faith among the no-nonsense teenagers that their fathers have gone to the moon, a change of address as real as beer or pizza. Overnight, the boys become men, taking after-school jobs, throwing back vodka shots, having sex like there's no tomorrow. In actuality, they are consumed by grief and rage. Michael's kid brother, Kolya, acts up in school and is put on Ritalin; "Miserable Mikey" struggles with depression. The story sees these ultimate deadbeat dads through a scrim of magic and superstition, their disappearance signaling that life is a series of trapdoors, that there's no permanence, neither in jobs nor in dads. Michael slowly makes a life for himself, getting a job at the new mall along with his buddies and falling in love with a sexy coworker who's a single parent, victim of another deadbeat dad. Yet for every gain, there's a loss: his mother remarries, happily, but leaves their decaying neighborhood; Nick starts his own family but loses his daredevil fire; Kolya develops into a promising athlete but enlists after 9/11. In an eerie reprise of the moon exodus 12 years before, the sons, now fathers themselves, gather spontaneously at their old rendezvous, unsure of their own loyalties. Bakopoulosdoesn't make a single wrong move, seamlessly integrating the magic-realism elements into the rest. A dazzling debut that's both earthy and anguished as hope battles despair, with heartbreak always just below the surface. Agent: Amy Williams/Collins McCormick Literary Agency
From the Publisher
PRAISE FOR PLEASE DON'T COME BACK FROM THE MOON

"Gorgeous, painful, and exquisitely written, Please Don't Come Back From the Moon is about the impossible things we believe because the truth may simply be too hard."—The Boston Globe

"By deftly welding magic realism with social satire, Bakopoulos captures the dark side of the working-class dream."—The New York Times Book Review

"Bakapoulos' endearing first novel . . . is a tale that, despite the boys' empty longing, is full of hope."- People

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Product Details

  • ISBN-13: 9780547543581
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 1/2/2006
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 288
  • Sales rank: 647,873
  • File size: 213 KB

Meet the Author

Dean Bakopoulos

Dean Bakopoulos is the author of the novel Please Don’t Come Back from the Moon , a New York Times Notable Book, and the recipient of fellowships from the National Endowment for the Arts and the Guggenheim Foundation. He is on the faculty at Iowa State University and the Warren Wilson MFA Program for Writers.

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Read an Excerpt

When I was sixteen, my father went to the moon. He was not the first man from
Maple Rock to go there; he only followed the others on what seemed to be an inevitable trail. My uncle John was the first to leave.

The last time we saw John, we were in the parking lot of the Black Lantern, the bar on Warren Avenue where my father and his friends did their drinking. I was there with John's wife, my aunt Maria, and their son, Nick. It was the first day of June, just before midnight. I suppose I should remember if the moon was in the sky that night, but I honestly can't recall. The moon was not yet important.

The bar owner, a big Greek named Spiros, had simply called my aunt and said she should come and take John home. Nick and I had been hanging around watching a movie, and she made us come with her.

When we got there, a half circle of men stood in the parking lot, all of them wearing grease-stained work shirts or rumpled dress shirts and loose ties. In the middle of the circle was John, standing with his shirt off in a weary boxer's stance. He was soaked in sweat and his face seemed to be darkened with bruises or dirt. He had not been home for a few nights.

My father, too, was there. Across the crowded lot, I saw him under a streetlamp, still wearing his tie, two or three pens in his pocket. He looked green in the weak and forced light, as if he might be sick.

Across from John was an enormous man, red-haired and fat-faced. He was wearing coveralls and his skin was dark with grime. He had a crescent wrench in his hand.

My uncle reached into his pocket, and then I must have turned to look at my father again, because the next thing I knew the crowd was screaming and laughing and John had on a pair of brass knuckles. The red-haired guy was on the pavement. He had wet himself. People started to scatter.

My uncle, in the chaos, disappeared. By the time the police came, he and his truck were gone.

"Does anybody know who the assailant was?" an officer veiled at the crowd, which was jeering at him.

Just as my aunt was reaching out to the officer, about to wave her hand and say something-I don't know what-a woman wearing a red halter top and black cutoffs came forward. She was barefoot, and some men whistled at her as she walked in front of the mob. She turned to the crowd and flipped them off, then turned back to the officer and said, "I know him. He's my boyfriend."

My aunt Maria walked away. We followed, because we had been waiting for a way to retreat without cowardice. We were too young to join in the fight but too old to flee from it.

FOR A FEW WEEKS that summer, Nick and I positioned ourselves around the city and waited to run into my uncle. We went to the Black Lantern for lunch and sat for three hours, picking at a plate of nachos, looking at the face of every man who came into the bar. We sat outside the mall and drank frozen orange drinks most of the evening, watching girls and waiting for John to walk by eating an ice-cream cone, a shiner darkening each eve. We rode our bikes around the parking lots of motels, strip bars, and movie theaters, looking for his rusted

Ford truck, the one with "Kozak's Sun & Snow: Quality Pool Maintenance, Lawn Care, and Snow Removal" hand lettered on each door.

Uncle John didn't come home. The speculation was that he'd gone off to hide somewhere, maybe Canada, perhaps because he thought be had killed the fat red-haired man in the parking lot. But he hadn't. That man simply got a row of stitches and went on his way.
It was a few weeks later that Walker Van Dyke's father left for a fishing trip, muttering something about killing the President, and didn't come back. J.J.
Dempsey's dad, who had worked at the night-light factory, tried to rob the Ukrainian Credit Union the week after the factory went down. He left town directly afterward. Michael Pappas' father, Gus, owner of the recently bankrupted Gus's Coney Island Restaurant, left too.

Our neighbor and my father's best friend, a pipe fitter named Norm Nelson, whose son Jimmy was about my age, also vanished. His Corvette, which his wife had been trying to get him to sell since he'd been laid off, was found wrapped around a tree in Hines Park. Norm was nowhere to be found. There was no blood in the car-it was as if he'd vaporized out of the driver's seat and floated away just as the car wrecked. My father went over and showed Mrs. Nelson how to start the lawn mower, change a fuse, set the thermostat. I went with him, and Mrs. Nelson kept looking at me and laughing, saying, "Isn't it silly, Michael, that a grown woman like me doesn't know how to do a goddamn thing?"

By August, as Detroit stewed in a steamy laver of ash and grit so toxic that breathing made you feel stoned or delirious, many of my friends' fathers had disappeared, and as we played baseball or hung out at the bike racks near Wonderland Mall, all of a sudden, some kid would blurt out, "My dad's gone." Some men left in the traditional fashion, slipping out at night, a note left behind. Sonya Stecko, my sometime girlfriend, said her father wrote a rambling sixteen-page letter before he left, in which he affirmed that he loved her, her mother, and her siblings, and in which he offered advice about marriage, money, and other subjects. It was as if he planned to miss the next thirty years of her life.

Some men left in broad daylight, giving goodbye kisses to their children in the driveway as their wives watched from behind the curtains, furious and brokenhearted. We watched Sharon Mills give her father a kiss goodbye as her mother threw pots and pans at his truck.

Peter Stolowitz's father owned Sol's Shoes on Six Mile Road. One day he left the store unattended, the front door propped wide open with a rock. Across the front windows he had lettered FREE SHOES in huge strokes of brown latex paint. He'd taken all the cash from the register and the safe and left a note: "I'm going to the moon," it said. "I took the cash."

Everyone in town went and helped themselves to a new pair of sneakers. We opened the boxes in the stockroom like it was Christmas, tossing lids aside, tearing out white tissue paper. Some people left their old shoes behind: a formidable pile of castaway footwear grew by the fire exit. Old men took home shiny wingtips, young women took high-heeled sandals. Nick and I helped ourselves to some Converse high-tops.

Excerpted from please don't come back from the moon by DEAN BAKOPOULOS
Copyright © 2005 by Dean Bakopoulos.
Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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Table of Contents

1 please don't come back from the moon................................1
2 some memories of my father..........................................27
3 summer, 1992........................................................33
4 the calming effect of jelly doughnuts...............................51
5 a newcomer's guide to ann arbor.....................................75
6 the boy with the backward chakra....................................79
7 capable of love.....................................................141
8 knights of labor....................................................145
9 the warning signs and symptoms of depression........................199
10 please don't come back from the moon (reprise).....................231
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First Chapter

When I was sixteen, my father went to the moon. He was not the first man from
Maple Rock to go there; he only followed the others on what seemed to be an
inevitable trail. My uncle John was the first to leave.

The last time we saw John, we were in the parking lot of the Black Lantern, the bar on Warren Avenue where my father and his friends did their drinking. I was there with John's wife, my aunt Maria, and their son, Nick. It was the first day of June, just before midnight. I suppose I should remember if the moon was in the sky that night, but I honestly can't recall. The moon was not yet important.

The bar owner, a big Greek named Spiros, had simply called my aunt and said she should come and take John home. Nick and I had been hanging around watching a movie, and she made us come with her.

When we got there, a half circle of men stood in the parking lot, all of them wearing grease-stained work shirts or rumpled dress shirts and loose ties. In the middle of the circle was John, standing with his shirt off in a weary boxer's stance. He was soaked in sweat and his face seemed to be darkened with bruises or dirt. He had not been home for a few nights.

My father, too, was there. Across the crowded lot, I saw him under a streetlamp, still wearing his tie, two or three pens in his pocket. He looked green in the weak and forced light, as if he might be sick.

Across from John was an enormous man, red-haired and fat-faced. He was wearing coveralls and his skin was dark with grime. He had a crescent wrench in his hand.

My uncle reached into his pocket, and then I must have turned to look at my father again, because the next thing I knewthe crowd was screaming and laughing and John had on a pair of brass knuckles. The red-haired guy was on the pavement. He had wet himself. People started to scatter.

My uncle, in the chaos, disappeared. By the time the police came, he and his truck were gone.

"Does anybody know who the assailant was?" an officer veiled at the crowd, which was jeering at him.

Just as my aunt was reaching out to the officer, about to wave her hand and say something-I don't know what-a woman wearing a red halter top and black cutoffs came forward. She was barefoot, and some men whistled at her as she walked in front of the mob. She turned to the crowd and flipped them off, then turned back to the officer and said, "I know him. He's my boyfriend."

My aunt Maria walked away. We followed, because we had been waiting for a way to retreat without cowardice. We were too young to join in the fight but too old to flee from it.

FOR A FEW WEEKS that summer, Nick and I positioned ourselves around the city and waited to run into my uncle. We went to the Black Lantern for lunch and sat for three hours, picking at a plate of nachos, looking at the face of every man who came into the bar. We sat outside the mall and drank frozen orange drinks most of the evening, watching girls and waiting for John to walk by eating an ice-cream cone, a shiner darkening each eve. We rode our bikes around the parking lots of motels, strip bars, and movie theaters, looking for his rusted

Ford truck, the one with "Kozak's Sun & Snow: Quality Pool Maintenance, Lawn Care, and Snow Removal" hand lettered on each door.

Uncle John didn't come home. The speculation was that he'd gone off to hide somewhere, maybe Canada, perhaps because he thought be had killed the fat red-haired man in the parking lot. But he hadn't. That man simply got a row of stitches and went on his way.
It was a few weeks later that Walker Van Dyke's father left for a fishing trip, muttering something about killing the President, and didn't come back. J.J.
Dempsey's dad, who had worked at the night-light factory, tried to rob the Ukrainian Credit Union the week after the factory went down. He left town directly afterward. Michael Pappas' father, Gus, owner of the recently bankrupted Gus's Coney Island Restaurant, left too.

Our neighbor and my father's best friend, a pipe fitter named Norm Nelson, whose son Jimmy was about my age, also vanished. His Corvette, which his wife had been trying to get him to sell since he'd been laid off, was found wrapped around a tree in Hines Park. Norm was nowhere to be found. There was no blood in the car-it was as if he'd vaporized out of the driver's seat and floated away just as the car wrecked. My father went over and showed Mrs. Nelson how to start the lawn mower, change a fuse, set the thermostat. I went with him, and Mrs. Nelson kept looking at me and laughing, saying, "Isn't it silly, Michael, that a grown woman like me doesn't know how to do a goddamn thing?"

By August, as Detroit stewed in a steamy laver of ash and grit so toxic that breathing made you feel stoned or delirious, many of my friends' fathers had disappeared, and as we played baseball or hung out at the bike racks near Wonderland Mall, all of a sudden, some kid would blurt out, "My dad's gone." Some men left in the traditional fashion, slipping out at night, a note left behind. Sonya Stecko, my sometime girlfriend, said her father wrote a rambling sixteen-page letter before he left, in which he affirmed that he loved her, her mother, and her siblings, and in which he offered advice about marriage, money, and other subjects. It was as if he planned to miss the next thirty years of her life.

Some men left in broad daylight, giving goodbye kisses to their children in the driveway as their wives watched from behind the curtains, furious and brokenhearted. We watched Sharon Mills give her father a kiss goodbye as her mother threw pots and pans at his truck.

Peter Stolowitz's father owned Sol's Shoes on Six Mile Road. One day he left the store unattended, the front door propped wide open with a rock. Across the front windows he had lettered FREE SHOES in huge strokes of brown latex paint. He'd taken all the cash from the register and the safe and left a note: "I'm going to the moon," it said. "I took the cash."

Everyone in town went and helped themselves to a new pair of sneakers. We opened the boxes in the stockroom like it was Christmas, tossing lids aside, tearing out white tissue paper. Some people left their old shoes behind: a formidable pile of castaway footwear grew by the fire exit. Old men took home shiny wingtips, young women took high-heeled sandals. Nick and I helped ourselves to some Converse high-tops.


Excerpted from please don't come back from the moon by DEAN BAKOPOULOS
Copyright © 2005 by Dean Bakopoulos.
Excerpted by permission.
All rights reserved.
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Customer Reviews

Average Rating 4.5
( 13 )
Rating Distribution

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4 Star

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Sort by: Showing all of 13 Customer Reviews
  • Anonymous

    Posted January 2, 2005

    If you're looking for a bright new author to follow, look here

    The publishers' reviews discuss the plot, and they've got it dead on. What's brilliant about this book is the author's ability to interweave Michael's tale with thoughts about a post-industrial, service based economy, about the linkages between a mid-western suburb and global forces, being an outsider to the mainstream, and not by choice, and loss, with a mystical quality that makes you laugh and cry in pages of one another. Read this very thoughtful and gracefully written book, and then recommend it to others, pass it on.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted February 21, 2005

    Outstanding Read

    Excellent new book from a new author. Unusual premise, but very absorbing, and explores many issues about growing up and evolving as adults. Plenty of ups and downs --- a can't put down book!!!

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 8, 2013

    Myth

    "Are there any spaces left for campers?" She asks, stepping out of the woods

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 8, 2013

    Jess

    "Most moved on to 'Pon'."

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 5, 2013

    Josh

    I would but im really tired.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 5, 2013

    Jordan

    *Walks silently through the woods, making sure he isn't being followed every few minutes.*

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 5, 2013

    Nicko

    Walks through the forest

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 6, 2013

    Attis

    Attis stayed up high his tree, reading a book in acient latin.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 19, 2005

    'Just Okay'

    The author kept me interested but towards the end I was waiting for something 'big' to happen. It never came:(

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 22, 2005

    Best I've read this year

    I was looking for a new author and got lucky finding this great book. Dean tells a great story that keeps your interest from the first page. I read this while on vacation in Hawaii--lucky me!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted June 9, 2011

    No text was provided for this review.

  • Anonymous

    Posted March 5, 2012

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  • Anonymous

    Posted October 18, 2012

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