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Overview

The rise and fall of a true American icon: A rock star, inspired by genre-busting musicians of the sixties like Sly Stone, Curtis Mayfield, and Marvin Gaye.

A swirling sixties saga of the rise and fall of a true American icon: A rock star. But not just any rock star: Rock Foxx is an outrageous showman whose unprecedented mixed-race, mixed-gender band made a new kind of socially conscious music that was infectious and tribal and scaled the heights of sixties rock stardom, all the way to Woodstock and beyond. But Foxx seemed to disappear at the height of his fame, his contagious, upbeat music darkening, then ending ubruptly amidst rumors of drugs and ...

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Overview

The rise and fall of a true American icon: A rock star, inspired by genre-busting musicians of the sixties like Sly Stone, Curtis Mayfield, and Marvin Gaye.

A swirling sixties saga of the rise and fall of a true American icon: A rock star. But not just any rock star: Rock Foxx is an outrageous showman whose unprecedented mixed-race, mixed-gender band made a new kind of socially conscious music that was infectious and tribal and scaled the heights of sixties rock stardom, all the way to Woodstock and beyond. But Foxx seemed to disappear at the height of his fame, his contagious, upbeat music darkening, then ending ubruptly amidst rumors of drugs and violence, as the culture itself exploded into massive riots and assassinations.

In the hands of New Yorker editor Ben Greenman, it's a story that is both highly literary and simply entertaining, a tale about rock and roll and about a complicated but key moment in our history. Exciting, funny, disturbing and uplifting, with some of the most deft and absorbing writing about music ever to appear in American fiction, this pseudo-bio of a fascinating character is an amazing creation in itself, and sure to be one of the most talked-about books of the year.

Editorial Reviews

Publishers Weekly

New Yorker editor, music critic and novelist Greenman spins a fresh and explosive new novel about a fictionalized rock 'n' soul star who embraced and revolutionized American counterculture. Robert Franklin, aka "Rock Foxx," quickly climbs the ladder from first single to first Billboard hit to the rhinestone stardom of a Rolling Stone cover. In the time of the Beatles, the Stones and Bob Dylan, Foxx injects his unique sound with hints of Otis Redding, Ray Charles and Curtis Mayfield. He sings to make an impression, singing about freedom that was constricting and how, even if you had everything, the mind (and the critics) were never satisfied. His fall from grace-and the spotlight-is as much about character as it is about the unrealized hopes and dreams of the turbulent '60s. McSweeney's regular Greenman (A Circle Is a Balloon and Compass Both) takes readers behind the rhythm and into the soul of a musician and the culture that made and destroyed him. It's a haunting vision of a man, the music and a culture, driven by the author's undeniable passion for his subject. (May)

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The Barnes & Noble Review
Robert Franklin, the fictional character in New Yorker editor Ben Greenman's fourth novel -- about a young man who christens himself Rock Foxx and goes on to lead a mixed-race-and-gender funk-rock band in the '60s and '70s -- was born when Greenman tried his hand at writing a biography of the leader of the race-and-gender-mixing funk-rock band Sly and the Family Stone. But fiction proved more illuminating than fact, and Greenman's treatment of a band that produces music "sweeter than the Beatles and more filling than Dylan" becomes all the more filling when he makes it his own. The young Robert leaves his chilly Boston home, with only a note for his mama, to test his moves in California. He puts a Nordic girl on bass, a black girl on vocals, and Italian guy on guitar in an era when one can still make the argument on national television that allowing members of the Negro Leagues into the baseball Hall of Fame is like putting "animals next to people." They listen to the Velvet Underground, open for the Stones and decline to play Woodstock, due to Robert's fear of flying. The verses follow a well-worn groove: His first hit comes before he's even figured out how to be a proper rock star. He achieves, then squanders fame, fortune, and the love of a good woman. But the brilliance of this novel is in its riffs: This is a writer who sees rain "coming down like there was a jailbreak in the clouds" and can write: "He had the whole world in his hands. If he dropped it, would it bounce?" One is amply rewarded for listening all the way through to the end. --Amy Benfer

Product Details

  • ISBN-13: 9781933633701
  • Publisher: Melville House Publishing
  • Publication date: 4/21/2009
  • Pages: 254
  • Sales rank: 843,708
  • Product dimensions: 6.40 (w) x 8.40 (h) x 0.80 (d)

Meet the Author

Ben Greenman
Ben Greenman

Ben Greenman is an editor at The New Yorker and the author of several books of fiction, including Superbad and A Circle is a Balloon and Compass Both. His fiction, criticism, and essays have appeared in The New Yorker, the New York Times, the Washington Post, McSweeneys, the Paris Review, Opium, and elsewhere. He lives in Brooklyn.

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