Pleased to Meet Me

Pleased to Meet Me

4.2 4
by The Replacements
     
 

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All things considered, Tim was an easy transition to the majors for the Replacements, at least as far as the making of the album goes: things went wrong after the release, as the band botched big showcases like its Saturday Night Live spot, leading up to the dismissal of Bob Stinson at the conclusion of the Tim

Overview

All things considered, Tim was an easy transition to the majors for the Replacements, at least as far as the making of the album goes: things went wrong after the release, as the band botched big showcases like its Saturday Night Live spot, leading up to the dismissal of Bob Stinson at the conclusion of the Tim tour. The dust hadn't settled when the 'Mats headed down to Memphis to record Pleased to Meet Me with producer Jim Dickinson at Ardent Studios -- or to phrase it in Alex Chilton-speak, to record with Big Star's 3rd producer at the studio where all three Big Star albums were made. All this fanboy worship perhaps naturally led to a full-blown mash note to Paul Westerberg's idol, who also turned up to play a couple of licks on a finally finished "Can't Hardly Wait," which initially was attempted with Chilton as a producer before Tim, but Pleased to Meet Me didn't resemble either the crystalline pop of #1 Record or the narcissistic black hole of 3rd. Dickinson gave the Replacements a full-blooded, muscular production, cranking up guitars, hauling out an upright bass for Tommy Stinson, and bringing in horns -- even strings -- to flesh out Westerberg's songs. This was the Replacements as professionals and, ever the contrarians, they strained against it -- albeit only sporadically and underneath the surface -- with Westerberg's outsider stance calcifying into the invigorating bitterness of "I.O.U." and "I Don't Know." These two proto-slacker anti-anthems -- quite the inverse of the call to arms of "Bastards of Young" and "Left of the Dial" -- are the only times the group's self-sabotage surfaces here, as the bandmembers pretty much give themselves over to Dickinson's studio savvy, leading to the ominous pulse of "The Ledge" and the brilliant, shining power pop of "Never Mind," "Alex Chilton," and "Valentine," along with such left-field twists as the mock jazz of "Nightclub Jitters." This kind of colorful, almost cinematic production -- even the greasy rocker "Shooting Dirty Pool" is enhanced by the sound of breaking glass -- was unheard of on a Replacements record and it all came to a head on "Can't Hardly Wait," which was glossed over with swelling strings and the Memphis Horns. All these fancy accoutrements would seem like the antithesis of the Replacements' spirit, but Dickinson's grand production merely blows the 'Mats up to epic scale, leaving their essence intact: Westerberg even gets a lovely fragile acoustic moment in "Skyway" and there are down-and-dirty rockers like "Shooting Dirty Pool" and "Red Red Wine" that feel like throwaways, but are necessary to the spirit of the record. The Replacements never sounded better with a bigger production than they did on Pleased to Meet Me, so it's hard not to see it as the one that got away, the record that should have been the breakthrough, especially in the year when fellow American underground rockers R.E.M. leaped into the Top Ten (but, it's also true that "The Ledge" may not have been the best single choice, as songs about suicides don't often provide entry into the Top 40). Then again, the Replacements don't make sense as a success story, so the failure of the gleaming, glistening Pleased to Meet Me winds up making its polish kind of heart-rending. As it turns out, this was the last time they could still shoot for the stars and seem like their scrappy selves and, in many ways, it was the last true Replacements album.

Product Details

Release Date:
11/25/2008
Label:
Rhino / Rykodisc
UPC:
0081227989965
catalogNumber:
25557

Tracks

Album Credits

Performance Credits

Replacements   Primary Artist
Alex Chilton   Guitar,Vocals
Chris Mars   Drums,Background Vocals
Memphis Horns   Horn
Paul Westerberg   Bass,Guitar,Harmonica,Piano,Electric Guitar,Vocals
Max Huls   Strings
Andrew Love   Tenor Saxophone
Bob Stinson   Guitar
Tommy Stinson   Bass,Bass Guitar
East Memphis Slim   Organ,Keyboards,Background Vocals
Jorge Ben   Trumpet
Teenage Steve Douglas   Bass Flute,Baritone Saxophone
Prince Gabe   Saxophone
Luther Dickinson   Guitar
Steve Douglas   Bass Flute,Baritone Saxophone

Technical Credits

Chris Mars   Artwork
James Luther Dickinson   Producer
Thomas Erdelyi   Producer
Steven Fjelstad   Engineer
John Hampton   Engineer
Joe Hardy   Engineer
Jeri McManus-Heiden   Art Direction

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Pleased to Meet Me 4.3 out of 5 based on 0 ratings. 4 reviews.
Guest More than 1 year ago
Well, though I am in agreement with some of the comments from the All Music Guide, I think this album is much better than the review indicates. In fact, it is a near masterpiece for the simple fact that the songs are so strong. It is somewhat over-produced in some instances, but the strength of the song-writing makes up for it. ''Alex Chilton'' is an all-out rocker that is one of the best songs Westerberg ever wrote; ''Can't Hardly Wait'' is an intriguing song when you actually take time to listen to the lyrics, mixing adrenalin with despair; ''Never Mind'' and ''Valentine'' are great, as is the garage-rock of ''IOU''. ''Skyway'' is a touching ballad that gets repeated over and over in my player. This is The Replacements last great release before they imploded, and a testament that there were great albums by bands other than U2 and REM in the '80s that have withstood the test of time.
Guest More than 1 year ago
I read the reviews appearing here and I gotta say - WHAT DO YOU MORONS WANT? "Duh, overproduced... duh, reveals too much... glurp, doesn't rock hard enough... murp..." Compared to most of its contemporary releases and, like, 99.9% of anything released today this album is a bonerfide Klassic, flaws and all (yes, Virginia, EVERYTHING is flawed, so you point out what's good). So, go download it for free and listen to it already.
Anonymous More than 1 year ago
Anonymous More than 1 year ago