Any pairing of two masterminds can elicit murmurs of approval-or of apprehension. But all readers can rest assured that in this case, the pairing of seinen manga suspense master Urasawa and legendary cartoonist Tezuka is a very, very good thing. In Pluto, Urasawa takes Tezuka's Pinocchio-inspired Astroboy and reimagines it as a futuristic thriller. Touching on many of the themes in Tezuka's story of a robot boy-the overlap of man and machine, the capacity for artificial intelligence to feel emotion, the true meaning of humanity-Pluto offers adult graphic novel readers (and fans of Urasawa's Monster) classic, all-ages Tezuka themes in a mature package. Volume one opens with the death (or murder) of the beloved robot hero, Mont Blanc. Merging current-day life with futuristic projections, Urasawa and longtime editor/producer Nagasaki develop a world where robots live among humans, sometimes living as humans-marrying, having children, taking jobs. Hardworking Detective Gesicht is one of those robots. As he slowly unravels the mystery of the death of Mont Blanc-and subsequent, related murders-he uncovers the disturbing news that he will be next. The creators subtly and seamlessly set up Gesicht's world, while digging deep to reveal the strange dichotomy of life and living among artificial beings. For anyone who doesn't believe that there's any good mature manga in the U.S., Pluto is required reading. (Feb.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Pluto: Urasawa x Tezuka, Volume 6by Naoki Urasawa
A new vision based on Astro Boy - "The Greatest Robot On Earth" R to L (Japanese Style). Pluto... Sahad... Goji... Abullah... Mysterious figures somehow involved with the serial murders of the great robots of the world. Europol's top robot detective Gesicht has been put on the case, and he's mere steps away from discovering the horrifying truth behind the killer
A new vision based on Astro Boy - "The Greatest Robot On Earth" R to L (Japanese Style). Pluto... Sahad... Goji... Abullah... Mysterious figures somehow involved with the serial murders of the great robots of the world. Europol's top robot detective Gesicht has been put on the case, and he's mere steps away from discovering the horrifying truth behind the killer and his motives... Little does he realize that he's also steps away from discovering a horrifying truth of his own... Masterfully crafted science fiction and suspense at its best! In an ideal world where man and robots coexist, someone or something has destroyed the powerful Swiss robot Mont Blanc. Elsewhere a key figure in a robot rights group is murdered. The two incidents appear to be unrelated...except for one very conspicuous clue - the bodies of both victims have been fashioned into some sort of bizarre collage complete with makeshift horns placed by the victims' heads. Interpol assigns robot detective Gesicht to this most strange and complex case - and he eventually discovers that he too, as one of the seven great robots of the world, is one of the targets.
Meet the Author
Born in Tokyo in 1960, Naoki Urasawa's career as a manga artist spans three decades and has firmly established him as one of the true manga masters of his generation. A graduate of Meisei University, Urasawa debuted with Return! in 1981 and hasn't stopped his impressive output since. Well-versed in a variety of genres, Urasawa's oeuvre encompasses a multitude of different subjects, such as romantic comedies (Yawara! A Fashionable Judo Girl), gritty urban dramas (Pineapple ARMY), swashbuckling detective stories (Master Keaton), captivating psychological thrillers (Monster and 20th Century Boys) and modern reinterpretations of the work of the God of Manga, Osamu Tezuka (Pluto: Urasawa × Tezuka). Many of his books have spawned equally popular animated series, and 2008 saw the theatrical release of the first of three live-action Japanese films based on 20th Century Boys.No stranger to accolades and awards, Urasawa has received the Kodansha Manga Award, and is a three-time recipient of the prestigious Shogakukan Manga Award and a two-time recipient of the Osamu Tezuka Cultural Prize.Similarly, Monster has been nominated twice for the Eisner Award in America. Urasawa has also become involved in the world of academia, and in 2008 accepted a guest teaching post at Nagoya Zokei University, where he teaches courses in, of course, manga. Combining a breathtaking cinematic visual style with stories known for their penetrating psychological depth and maturity, Naoki Urasawa remains one of the most exciting creators working in the medium of comics today.
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