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Baltimore, 1849. The body of Edgar Allan Poe has been buried in an unmarked grave. The public, the press, and even Poe’s own family and friends accept the conclusion that Poe was a second-rate writer who met a disgraceful end as a drunkard. Everyone, in fact, seems to believe this except a young Baltimore lawyer named Quentin Clark, an ardent admirer who puts his own career and reputation at risk in a passionate crusade to salvage Poe’s.
As Quentin explores the puzzling circumstances of Poe’s demise, he discovers that the writer’s last days are riddled with unanswered questions the police are possibly willfully ignoring. Just when Poe’s death seems destined to remain a mystery, and forever sealing his ignominy, inspiration strikes Quentin–in the form of Poe’s own stories. The young attorney realizes that he must find the one person who can solve the strange case of Poe’s death: the real-life model for Poe’s brilliant fictional detective character, C. Auguste Dupin, the hero of ingenious tales of crime and detection.
In short order, Quentin finds himself enmeshed in sinister machinations involving political agents, a female assassin, the corrupt Baltimore slave trade, and the lost secrets of Poe’s final hours. With his own future hanging in the balance, Quentin Clark must turn master investigator himself to unchain his now imperiled fate from that of Poe’s.
Following his phenomenal debut novel, The Dante Club, Matthew Pearl has once again crossed pitch-perfect literary history with innovative mystery to create a beautifully detailed, ingeniously plotted tale of suspense. Pearl’s groundbreaking research–featuring documented material never published before–opens a new window on the truth behind Poe’s demise, literary history’s most persistent enigma. The resulting novel is a publishing event that, through sublime craftsmanship, subtle wit, and devious twists, does honor to Poe himself
From the Hardcover edition.
I remember the day it began because I was impatient for an important letter to arrive. Also, because it was meant to be the day of my engagement to Hattie Blum. And, of course, it was the day I saw him dead.
The Blums were near neighbors of my family. Hattie was the youngest and most affable of four sisters who were considered nearly the prettiest four sisters in Baltimore. Hattie and I had been acquainted from our very infancies, as we were told often enough through the years. And each time we were told how long we'd known each other, I think the words were meant also to say, "and you shall know each other evermore, depend upon it."
And in spite of such pressure as might easily have pushed us apart, even at eleven years old I became like a little husband toward my playfellow. I never made outward professions of love to Hattie, but I devoted myself to her happiness in small ways while she entertained me with her talk. There was something hushed about her voice, which often sounded to me like a lullaby.
My own nature while in society as it developed was markedly quiet and tranquil, to the degree that I was often asked at any given moment if I had only just then been stirred awake. In quieter company, though, I had the habit of turning unaccountably loquacious and even ramblingin my speech. Therefore, I savored the stretches of Hattie's animated conversation. I believe I depended upon them. I felt no need to call attention to myself when I was with her; I felt happy and modest and, above all, easy.
Now, I should note that I did not know that I was expected to propose marriage on the afternoon with which we begin this narration. I was on my way to the post office from the nearby chambers of our law practice when I crossed paths with a woman of good Baltimore society, Mrs. Blum-Hattie's aunt. She pointed out immediately that the errands of retrieving waiting mail should be assigned to one of my lesser and less occupied legal clerks.
"You are a specimen, aren't you, Quentin Clark!" Mrs. Blum said. "You wander the streets when you are working, and when you're not working, you have a look upon your face as though you were!"
She was your genuine Baltimorean; she suffered no man without proper commercial interests any more than she would tolerate a girl who was not beautiful.
This was Baltimore, and whether in fine weather or in this day's fog it was a very red-brick type of place, where the movements of the people on well-paved streets and marble steps were quick and boisterous but without gaiety. There was not much of that last quality in supply in our go-ahead city, where large houses stood elevated over a crowded trading bay. Coffee and sugar came in from South America and the West India Islands on great clipper ships, and the barrels of oysters and family flour moved out on the multiplying railway tracks toward Philadelphia and Washington. Nobody looked poor then in Baltimore, even those who were, and every other awning seemed to be a daguerreotype establishment ready to record that fact for posterity.
Mrs. Blum on this occasion smiled and took my arm as we walked through the thoroughfare. "Well, everything is quite perfectly arranged for this evening."
"This evening," I replied, trying to guess what she could be referring to. Peter Stuart, my law partner, had mentioned a supper party at the home of a mutual acquaintance. I had been thinking so much of the letter I anticipated retrieving, I had until then forgotten completely. "This evening, of course, Mrs. Blum! How I've looked forward to it."
"Do you know," she continued, "do you know, Mr. Clark, that only yesterday I heard dear Miss Hattie spoken of on Market Street"-this generation of Baltimoreans still called Baltimore Street by its former name-"yes, talked about as the loveliest unmarried beauty in all Baltimore!"
"One could argue the loveliest above all, married or not," I said.
"Well, isn't that clever!" she replied. "Oh, it won't do at all, twenty-seven and still living bachelor and-now don't interrupt, dear Quentin! A proper young man doesn't . . ."
I had trouble hearing what she said next because a loud rumble of two carriages grew behind us. "If it is a hackney approaching," I thought to myself, "I shall put her into it, and offer double the fare." But as they passed I could see both were private carriages, and the one in front was a sleek, shiny hearse. Its horses kept their heads low, as if in deference to the honorable cargo.
No one else turned to look.
Leaving behind my walking companion with a parting promise of seeing her at the evening's gathering, I found myself crossing the next avenue. A herd of swine swarmed past with belligerent shrieks, and my detour ran along Greene Street and across to Fayette, where hearse and mourning-carriage were parked together.
In a quiet burial ground there, a ceremony began and ended abruptly. I strained through the fog at the figures in attendance. It was like standing in a dream-everything blurred into silhouettes, and I swallowed down the vague feeling that I should not be there. The minister's oration sounded muffled from where I stood at the gates. The small gathering, I suppose, did not demand much effort from his voice.
It was the saddest funeral ever seen.
It was the weather. No: the mere four or five men in attendance-the minimum needed to lift an adult coffin. Or perhaps the melancholy quality came chiefly from that brisk, callous completion of the ceremony. Not even the most impoverished pauper's funeral that I had observed before this day, nor the funerals of the poor Jewish cemetery nearby, not even those exhibited such unchristian indifference. There wasn't one flower, wasn't one tear.
Afterward, I retraced my steps only to find the post office had bolted its doors. I could not know whether there was a letter waiting for me inside or not-but I returned to our office chambers and reassured myself. Soon, I'd hear more from him soon.
That evening at the social gathering, I found myself on a private stroll with Hattie Blum along a field of berries, dormant for the season but shadowed with summer remembrances of Champagne and Strawberry Parties. As ever, I could speak comfortably to Hattie.
"Our practice is awfully interesting at times," I said. "Yet I think I should like to choose the cases with more discrimination. A lawyer in ancient Rome, you know, swore never to defend a cause unless he thought it was just. We take cases if their pay is just."
"You can change your office, Quentin. It is your name and your character hanging on the shingle too, after all. Make it more like yourself, rather than make yourself more suited to it."
"Do you believe so, Miss Hattie?"
Twilight was settling and Hattie became uncharacteristically quiet, which I fear meant that I became insufferably talkative. I examined her expression but found no clues to the source of her distant bearing.
"You laughed for me," Hattie said absently, almost as though I would not hear her.
"Miss Hattie?"
She looked up at me. "I was only thinking of when we were children. Do you know at first I thought you were a fool?"
"Appreciated," I chuckled.
"My father would take my mother away during her different sicknesses, and you would come to play when my aunt was minding me. You were the only one to know just how to make me smile until my parents returned, because you were always laughing at the strangest things!" She said this wistfully, while lifting the bottom of her long skirts to avoid the muddy ground.
Later, when we were inside warming ourselves, Hattie talked quietly with her aunt, whose entire countenance had stiffened from earlier in the day. Auntie Blum asked what should be arranged for Hattie's birthday.
"It is coming, I suppose," Hattie said. "I should hardly think of it, typically, Auntie. But this year . . ." She trailed off into a cheerless hum. At supper, she hardly touched the food.
I did not like this at all. I felt myself turn into an eleven-year-old boy again, an anxious protector of the girl across the way. Hattie had been such a reliable presence in my life that any discomfort on her part upset me. Thus it was perhaps from a selfish motivation I tried to cure her mood, but at all events I did wish her to be genuinely happy.
Others of the party, like my law partner, Peter, joined in attempting to raise her spirits, and I studied each of them vigilantly in the event that one of them had been responsible for bringing Hattie Blum into a fit of blues.
Something was hindering my own role in cheering her on this day: that funeral I had seen. I cannot properly explain why, but it had thoroughly exploded my peace. I tried to call to mind a picture of it again. There had been only the four men in attendance to listen to the minister. One, taller than the others, stood toward the rear, his gaze floating off, as though the most anxious of all to be somewhere else. Then, as they came toward the road, there were their grim mouths. The faces were not known to me but also not forgotten. Only one member delayed, staying his steps regretfully, as though overhearing my private thoughts. The event seemed to speak of a terrible loss and yet to do it no honor. It was, in a word, Wrong.
Under this vague cloud of distraction, my efforts exhausted themselves without rescuing Hattie's spirits. I could only bow and express my helpless regrets in unison with the other guests when Hattie and her Auntie Blum were among the first to depart from the supper party. I was pleased when Peter suggested we bring an end to the evening, too.
"Well, Quentin? What has come over you?" Peter asked in an eruption. We were sharing a hired carriage back to our houses.
I thought to tell him of the sad funeral, but Peter would not understand why that had been occupying my mind. Then I realized by the gravity of his posture that he referred to something altogether different. "Peter," I asked, "what do you mean?"
"Did you decide not to propose to Hattie Blum this evening, after all?" he demanded with a loud exhalation.
"Propose! I?"
"She'll be twenty-three in a few weeks. For a Baltimore girl today, that is practically an old maid! Do you not love the dear girl even a little?"
"Who could not love Hattie Blum? But stay, Peter! How is it you came to assume we were to be engaged on this night? Had I ever suggested this was my design?"
"How is it I-? Do you not know as well as I do that the date today is the very same date your own parents were engaged? Had this failed to occur to you even once this evening?"
It had indeed failed to occur to me, as a matter of fact, and even being reminded of this coincidence provided little comprehension of Peter's queer assumption. He explained further that Auntie Blum had been sagely certain I would take the opportunity of this party to propose, and had thought I had even hinted such earlier in the day, and had so informed Peter and Hattie of this likelihood so they would not be surprised. I had been the unwitting, principal cause of Hattie's mysterious distress. I had been the wretch!
"When would have been a more reasonable time than tonight?" Peter continued. "An anniversary so important to you! When? It was as plain as the sun at noon-day."
"I hadn't realized . . ." I stammered.
"How couldn't you see she was waiting for you, that it is time for your future to begin? Well, here, you're home. I wish you a restful sleep. Poor Hattie is probably weeping into her pillow even now!"
"I should never wish to make her sad," I said. "I wish only that I knew what seemed to be expected from me by everyone else." Peter gruffly muttered agreement, as though I had finally struck upon my general failing.
Of course I would propose, and of course we would marry! Hattie's presence in my life had been my good fortune. I brightened whenever I saw her and, even more, whenever we were apart and I thought about her. There had been so little change all this time knowing her, I suppose it had just seemed odd to call for it now with a proposal.
"What do you think about?" Peter seemed to say with his brow as I closed the carriage door to bid him good night. I pulled the door back open.
"There was a funeral earlier," I said, deciding to try to redeem myself with some explanation. "You see, I watched it pass, and I suppose it troubled me for a reason I had not . . ." But no, I still could not find the words to justify its effects on me.
"A funeral! A stranger's funeral!" Peter cried. "Now, what in heaven does that have to do with you?"
Everything, but I did not know that then. The next morning I came down in my dressing gown and opened the newspaper to distract myself. Had I been warned, I still could not have predicted my own alarm at what I saw that made me forget my other concerns. It was a small heading on one of the inside pages that caught me. Death of Edgar A. Poe.
I would toss the newspaper aside, then would pick it up again, turning pages to read something else; then I'd read again and again that heading: Death of Edgar A. Poe. . . . the distinguished American poet, scholar, and critic in the thirty-eighth year of his age.
No! Thirty-nine, I believed, but possessed of a wisdom worth a hundred times that . . . Born in this city. No again! (How questionable it all was, even before I knew more.)
Then I noticed . . . those four words.
Died in this city.
This city? This was not telegraphed news. This had occurred here in Baltimore. The death in our own city, the burial, maybe, too. Could it be that the very funeral on Greene and Fayette . . . No! That little funeral, that unceremonious ceremony, that entombment in the narrow burial yard?
At the office that day, Peter sermonized about Hattie, but I could hardly discuss it, intrigued instead by these tidings. I sent for confirmation from the sexton, the caretaker of the burial yard. Poor Poe, he replied. Yes, Poe was gone.
Continues...
Excerpted from The Poe Shadow by Matthew Pearl Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
1. Aside from Quentin, most of the novel’s characters in this 1849 setting do not appreciate or read Edgar Allan Poe's works, and this fact in part provokes Quentin to try and rescue Poe's name. Why do you think Poe means so much to Quentin?
2. If you have read Poe, what are your thoughts about his work? Is there any author, from past or present, whom you would "fight" for as much as Quentin does for Poe?
3. In addition to serving as physical locales, Baltimore and Paris may be said to serve as "characters" in the book. What do the cities add to the novel, and what kinds of details bring alive their histories?
4. As the historical note at the back of the novel explains, the book uses authentic details about Poe's strange death. Had you heard anything about Poe's death before reading The Poe Shadow? After reading the evidence and theories throughout the novel, do you agree with all of the conclusions presented by the characters in the final chapters, or do you have any of your own theories?
5. Auguste Duponte and Baron Claude Dupin can be seen as doubles or doppelgangers, and the book discusses Poe's use of doubles in works such as "William Wilson," a tale that features two identical characters with the same names. Discuss the use of doubles and doubling in The Poe Shadow. Are there any other doubles besides Duponte and Dupin? Does Quentin have any doubles? Does Edgar Allan Poe?
6. The word "shadow" is used in many different ways in the novel. Quentin tells us, "Poe once wrote in a tale about the conflict between the substance and the shadow inside of us. The substance, what we know weshould do, and the shadow, the dangerous and giggling Imp of the Perverse, the dark knowledge of what we must or will do or secretly want. The shadow always prevails." What are possible meanings of the title The Poe Shadow?
7. If you had been in Quentin's position at the end of the novel, would you have made the information on Poe's death public, or kept it private?
8. What do you think would have happened if Quentin had met Poe before Poe died? Do you think this would have made his personal quest more or less important to him?
1. Aside from Quentin, most of the novel’s characters in this 1849 setting do not appreciate or read Edgar Allan Poe's works, and this fact in part provokes Quentin to try and rescue Poe's name. Why do you think Poe means so much to Quentin?
2. If you have read Poe, what are your thoughts about his work? Is there any author, from past or present, whom you would "fight" for as much as Quentin does for Poe?
3. In addition to serving as physical locales, Baltimore and Paris may be said to serve as "characters" in the book. What do the cities add to the novel, and what kinds of details bring alive their histories?
4. As the historical note at the back of the novel explains, the book uses authentic details about Poe's strange death. Had you heard anything about Poe's death before reading The Poe Shadow? After reading the evidence and theories throughout the novel, do you agree with all of the conclusions presented by the characters in the final chapters, or do you have any of your own theories?
5. Auguste Duponte and Baron Claude Dupin can be seen as doubles or doppelgangers, and the book discusses Poe's use of doubles in works such as "William Wilson," a tale that features two identical characters with the same names. Discuss the use of doubles and doubling in The Poe Shadow. Are there any other doubles besides Duponte and Dupin? Does Quentin have any doubles? Does Edgar Allan Poe?
6. The word "shadow" is used in many different ways in the novel. Quentin tells us, "Poe once wrote in a tale about the conflict between the substance and the shadow inside of us. The substance, what we know we should do, and the shadow, the dangerous and giggling Imp of the Perverse, the dark knowledge of what we must or will do or secretly want. The shadow always prevails." What are possible meanings of the title The Poe Shadow?
7. If you had been in Quentin's position at the end of the novel, would you have made the information on Poe's death public, or kept it private?
8. What do you think would have happened if Quentin had met Poe before Poe died? Do you think this would have made his personal quest more or less important to him?
I generally agree with the other reviewers here -- Matthew Pearl seems to be far more of a self-congratulatory academic than a good fiction writer, and you can tell that he has had only Ivy League law school training, for a good (i.e., practical) practicing attorney would not use such byzantine and overwrought language and plot construction to get his point across. (I guess this is what happens when academics accept you into their circle; you are in a no-lose situation, as I can't for the life of me understand how this man can teach a class in copyright law at Harvard Law School without even passing the bar.) Nevertheless, there was much fascinating information presented in this novel even for more-than-casual students of Edgar Allan Poe and the circumstances surrounding his death, which in the end made the whole reading experience ultimately fruitful. This is by far not a novel I would recommend for everyone, for many different reasons, but for those looking for a precis of the evidence to date surrounding the death of Edgar Allan Poe, you could read much worse.
3 out of 3 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted March 17, 2012
EXCELLENT! historical fiction written in style of the time period-love those Victorians!
very interesting explanations using known details.
1 out of 1 people found this review helpful.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.PoeFanatic
Posted May 2, 2011
Matthew Pearl gives us a plausible explanation for Poe's missing five days. Though he spends a bit too much time in France, ultimately this became one of my favorite books on the gothic master
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The plot moved like molasses in January in Alaska. The characters are unbelievable, unlikable, and pretentious. The narrator had lost all credibility about half way through. Half of my book club didn't finish the book. Only one of us liked it. The ending is trite and unbelievable.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The year is 1849 and Edgar Allen Poe is dead. Quentin Clark considered himself Mr. Poe's lawyer and is very upset at the manner of death and the persecution he perceived laid on Mr. Poe. Why wasn't Poe able to start the magazine he wanted? Why were so few people at his funeral and his grave left unmarked? Quentin sets off to find the "real" cause and manner of death, leaving everything important behind. His engagement and his law practice are in jeopardy. But he doesn't see it. Quentin sees nothing but his desire to clear Poe's name and reputation. He does need help however, and enlists the aid of the man he believes is a man Poe used in his stories. But, who is the real Dupin? Who wanted Poe dead? Who wants Quentin to stop looking?
The premise of this fictional work is a good one, but I found myself bogged down with mundane things too many times. I love to read mysteries and wanted to love this one. It is good for those who love extraneous details and "stop and go" storytelling. I will look for more work by Matthew Pearl.
My favorite quote is: '"I see," he replied knowingly and with a tone of some satisfaction. "Mr. Clark, the most dangerous temptation in life is to forget to tend to your own business -- you must learn to respect yourself enough to preserve your own interests. If pursuing the causes of others -- even in charity -- prevents your own happiness, you will be left with nothing.' pg. 220
Anonymous
Posted November 15, 2009
After being mesmerized by The Dante Club, I was eager to read another literary novel by Matthew Pearl. The Poe Shadow is such a disappointment. I had to force myself to finish it. I t seems to go over and over the basic facts of Poe's death with little illumination in each retelling.
I found the basic premise and motivation of the main character to be totally unbelievable. Quentin Clark's throwing away of his career and love life in a bizarre obsession with Poe's death is unfathomable. His travels to Paris on the most flimsy of motivations and his allegiance to one Dupin inspiration over another is incomprehensible. All adding up to a main character I could not force myself to care about.
I haven't given up on Matthew Pearl yet, though, and will buy The Last Dickens when it comes out in paperback-only because The Dante Club was such a great read.
I fully enjoyed the book. I believe a the fact that I was already Edgae Allen Poe fan, to begin with, was a big help in liking the book! If you are a Poe fan I do reccomend it. Doesn't really teach you anything new, but it is a good fictional read.
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Posted September 14, 2009
I wasn't sure what to expect from this book. But I've been interested in Poe's writing since I was very young, and thought it sounded like an interesting concept. Some parts seemed to go slowly, but the reader has a wonderful voice and was able to carry off the different characters very well.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.After forcing myself, for almost two weeks, to push through this book, I gave up. There is no plot to speak of, the main character is dull, the the writing is labored. This was a huge disappointment after The Dante Club.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.because I kept falling asleep! I love Poe and thought the idea for this book was very interesting and creative. I was so excited to read it, and ended up being so disappointed. I prefer Poe's supernatural and poetic works. If you enjoy his police mysteries, this work may be more appealing to you.
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Posted May 17, 2009
I am a HUGE fan of Edgar Allen Poe and this book was not what I thought it was but still interesting. It did keep my attention but not in the way I thought. I was happy I purchased this book and have even recommended it to a friend who is also a fan of Poe. Hope they enjoy it like I did!
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Posted May 17, 2009
that the book is good is not a question but the victorian language makes for a bit of a slow read. the characters are fairly believable but i found myself slowing down to try and keep up with parts of the story. i needed to go back and reread bits to make sense of them and found myself losing interest.
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Posted May 2, 2009
I didn't love the story, I liked it. The charaters and the plot was good. Needed more movement through the story. It seemed to drag on alittle.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.seckatary
Posted April 6, 2009
A difficult read. I quit after 50 pages.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.The Poe shadow was a wonderful novel that took you back into a great literary era. The novel was full of intrigue and drama with a rich classical foundation. I loved it.
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Posted July 8, 2008
Like other reviewers, I had enjoyed Matthew Pearl's The Dante Club. I think the big thing missing from The Poe Shadow was excitement. The book plodded along and then stretched out ad nauseam.
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Posted May 11, 2008
The title interested me 'as a Poe fan' but I couldn't bring myself to finish this book in its entirety. The overwriting and scene switching made me nauseous. It gets nowhere fast and then it just drags on and on.
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Posted September 29, 2007
Unfortunately, this book is like a band that had an amazing first record, and then followed it up with a disappointing second one. Quoting from the reviewer below, it 'is' hard to believe this is from the same author of The Dante Club. It felt rushed, in the sense that he felt he had to get another book out. He does admit to writing this on his tour of TDC. Pearl even gave away the plot and ending of 'Murders in the Rue Morgue,' which he then has an advertisement on the reverse back cover. Too bad. I though The Dante Club was an amazing historical fiction novel and this had so much potential, but it just doesn't cut it. If you want to read a great story about Poe, read Baynard's A Pale Blue Eye.
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Posted August 22, 2007
Reading this book is too much like work. I really had to force myself to continue to read it. I enjoy books about different eras, I learned next to nothing about Baltimore in 1850 from this book. The plot is virtually non-existant. I had to reread many passages to understand what the author was trying to convey. What a waste of time and money.
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Posted September 3, 2007
A meticulously researched, gripping read that carries you speedily from one twist to the next. Pearl devotes more loving attention to historical detail, including not just silly outfits but also political and social machinations as well. A sophisticated book, for a sophisticated reader. Highly recommended.
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Overview
“I present to you . . . the truth about this man’s death and my life.”Baltimore, 1849. The body of Edgar Allan Poe has been buried in an unmarked grave. The public, the press, and even Poe’s own family and friends accept the conclusion that Poe was a second-rate writer who met a disgraceful end as a drunkard. Everyone, in fact, seems to believe this except a young Baltimore lawyer named Quentin Clark, an ardent admirer who puts his own career and reputation at risk in a passionate crusade to salvage Poe’s.
As Quentin explores the puzzling circumstances of Poe’s demise, he discovers that the writer’s last days are riddled with unanswered questions the ...