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Poet of Tolstoy Park

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"The Poet of Tolstoy Park is the novel based on the true story of Henry Stuart's life, which was reclaimed from his doctor's announcement that he would not live another year." "Henry responds to the news by slogging home barefoot in the rain. It's 1925. The place: Canyon County, Idaho. Henry is sixty-seven, a retired professor and a widower who has been told that a warmer climate will make the end more tolerable. San Diego would be a good choice." "Instead, Henry chooses Fairhope, Alabama, a town with utopian ideals, a haven for strong-minded
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Overview

"The Poet of Tolstoy Park is the novel based on the true story of Henry Stuart's life, which was reclaimed from his doctor's announcement that he would not live another year." "Henry responds to the news by slogging home barefoot in the rain. It's 1925. The place: Canyon County, Idaho. Henry is sixty-seven, a retired professor and a widower who has been told that a warmer climate will make the end more tolerable. San Diego would be a good choice." "Instead, Henry chooses Fairhope, Alabama, a town with utopian ideals, a haven for strong-minded individualists. Upton Sinclair, Sherwood Anderson, and Clarence Darrow were among its inhabitants. Henry buys ten acres of piney woods outside Fairhope. Before dying, inspired by the writings of his beloved Tolstoy, Henry can begin to "perfect the soul awarded him" and rest in the faith that he, and all people, will succeed, "even if it takes eons." Human existence, Henry believes, continues in a perfect circle unmarred by flaws of personality, irrespective of blood and possessions and rank, and separate from organized religion. In Alabama, until his final breath, he will chase these high ideas." But first, Henry has to answer up for leaving Idaho. Henry's dearest friend and intellectual sparring partner, Pastor Will Webb, and Henry's two adult sons, Thomas and Harvey, were baffled and angry that he would abandon them and move to the Deep South, living in a barn while he built a round house of handmade concrete blocks. His new neighbors are perplexed by his eccentric behavior as well. On the coldest day of winter he is barefoot, a philosopher and poet with ideas and words to share with anyone who will listen. And, mysteriously, his "last few months" become years. He had gone looking for a place to learn lessons in dying and, studiously, advanced to claim a vigorous new life.
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Editorial Reviews

Kristine Huntley
First-novelist Brewer chronicles the real-life journey of Henry Stuart, who, in 1925 at the age of 67, is diagnosed with consumption and told he only has a year to live. Henry decides to leave his home in Idaho and bid his two grown sons and best friend good-bye before his decline begins. Henry chooses a small plot of land in Fairhope, Alabama, as his final residence, and he corresponds with a man named Peter Stedman in order to get the supplies to build a house. ... Fans of quiet, philosophical novels will find much to enjoy in Henry's musings and revelations.
Publishers Weekly
A dying man's decision to move from Idaho to Alabama becomes a quixotic spiritual journey in Brewer's ruminative, idiosyncratic first novel, based on a true story. In 1925, widowed Henry Stuart learns that he has tuberculosis and will probably be dead within a year. Stuart's initial reaction is optimistic resignation, as he regards his illness as a final philosophical journey of reconciliation, one that sends him back through the writings of his beloved Tolstoy and other literary and spiritual figures to find solace and comfort. Despite the protests of his two sons and his best friend, he decides to move to the progressive town of Fairhope, Ala. There, he begins to build a round, domed cottage where he seeks to "learn in solitude how to save myself" and earns himself the sobriquet "the poet of Tolstoy Park." The plot, such as it is, runs out of steam when Brewer makes an ill-advised decision to jump forward in time in the last chapters, but the heady blend of literary and philosophical references and some fine character writing make this a noteworthy debut. Agent, Amy Rennert. (Mar.) Forecast: Book world support for Brewer-who owns Over the Transom Bookshop in Fairhope, Ala., and is the editor of the annual anthology of Southern writing, Stories from the Blue Moon Caf -will be strong, as evidenced by blurbs from Pat Conroy, Robert Morgan, Rick Bragg and Winston Groom. Six-city author tour. Copyright 2005 Reed Business Information.
Library Journal
In 1925, when 67-year-old Henry Stuart is given a year to live, the path he must follow is immediately clear. Stuart leaves his Idaho home and moves to a ten-acre patch of isolated paradise in Fairhope, AL, which was founded by freethinker Henry George-who shared Stuart's love of Tolstoy. Stuart's decision shocks his sons and his lifelong friend, Preacher Will Webb, but his drive to live out the remainder of his life in simplicity and solitude is irresistible. Once he lands in Fairhope, Stuart's all-consuming project is to build a round shelter of cement and eat only food that he grows himself. First novelist Brewer brings honor to this real-life, little-known eccentric, from whom we could learn a great deal. Balancing the friendly curiosity of Stuart's neighbors against Stuart's desperate need for privacy and self-reliance, Brewer offers a gloriously imagined vision of one resourceful life. It will not escape those who fall in love with this beautiful novel that Stuart's cement beehive stands today in its original location, which is now a parking lot. A powerful prayer to a less complicated way of being in the world, this book is highly recommended. [See Prepub Alert, LJ 11/1/04.]-Beth E. Andersen, Ann Arbor District Lib., MI Copyright 2004 Reed Business Information.
Kirkus Reviews
How do you prepare for death? With bare feet and a head full of precepts, if you're the protagonist of Brewer's didactic first outing. After learning he's terminally ill with tuberculosis, the first thing Henry Stuart does is discard his boots. His sudden contact with the earth is restorative. And the 67-year-old retired professor will make many more changes to his life in Nampa, Idaho (the year is 1925). Strongly influenced by Tolstoy, he'll give up his house and land to his two sons. He'll move to Fairhope, Alabama, a "reform community" opposed to rampant capitalism. There, on cliffs above Mobile Bay, he will build a round hut out of concrete (Stuart did exist, and the hut still does; Fairhope is Brewer's hometown), following a vision that comes to him in a dream about a bird's nest and Black Elk. Henry's ideas are a synthesis of Tolstoy, Thoreau, and the Oglala Sioux medicine man. He's convinced he can overcome fear of death by moving from a material to a spiritual plane, while the challenge of manual work, done by himself alone, will be "soul-perfecting." In fact, he's a set of quirks and ideals who stops just short of being a fully realized fictional character. His moral evolution is the thing, and so his family relationships go unexplored. Does he even like the sons he left behind? To his kindly Alabama neighbors, he sometimes seems just crabby. Brewer's account of the hut construction is plodding (Masonry 101), but he does enliven his austere tale with two hurricanes and a near-fatal moccasin attack. Then, in the midst of the second hurricane, Henry has a road-to-Damascus epiphany: He will not die anytime soon, but must reach out to others. More pleasures here from the novel'smoral clarity than from those traditional sources, plot and character. Author tour. Agent: Amy Rennert/Amy Rennert Agency
From the Publisher
Advance praise for The Poet of Tolstoy Park

"...the heady blend of literary and philosophical references and some fine character writing make this a noteworthy debut."
-Publishers Weekly

“The Poet of Tolstoy Park is one of those unique and wonderful books that sings a hymn of praise to the philosophical and spiritual part of daily life.”
–Pat Conroy, author of My Losing Season

“Sonny Brewer writes the way people think and talk, if, of course, those people are poets. The language in this novel is lovely where it needs to be and gristle-tough where it is called for. . . . I loved this book because I love to read, and because I love to write, and I envy the skill in this as much as I loved the story that the writer’s skill embraces.”
–RICK BRAGG, Pulitzer Prize-winning author of All Over but the Shoutin’

“Without literary pretense and in good back porch storytelling fashion, Sonny Brewer stands his characters up and turns them around so you know them front and back.”
–WINSTON GROOM, author of Forrest Gump

“An intoxicating and loving tribute to an extraordinary man, Henry James Stuart, whose life story is one of the most fascinating adventures I have ever read. . . . Written in language both lush and luminous, Sonny Brewer’s debut novel is sustenance for both the mind and the soul. I believe that this novel is destined to become a literary treasure, and Brewer is destined to become a major voice in American literature.”
–BEV MARSHALL, author of Walking Through Shadows and Right as Rain

“A celebration of essential simplicity and the dignity of work. Sonny Brewer has given us a story of exploration and discovery, of the wisdom of plainness, of living in touch with each approaching and passing moment. You will not want to put it down.”
–ROBERT MORGAN, author of Gap Creek and This Rock

“With prose that mirrors the grace of his protagonist, Brewer seamlessly merges time and place with the interior landscape of the heart.”
–WILLIAM GAY, author of Provinces of Night


From the Hardcover edition.

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Product Details

  • ISBN-13: 9781587249679
  • Publisher: Cengage Gale
  • Publication date: 5/28/2005
  • Edition description: Large Print
  • Pages: 467
  • Product dimensions: 5.70 (w) x 8.50 (h) x 1.00 (d)

Meet the Author

SONNY BREWER owns Over the Transom Bookshop in Fairhope and is board chairman of the nonprofit Fairhope Center for the Writing Arts. He is the former editor in chief of Mobile Bay Monthly; he also published and edited Eastern Shore Quarterly magazine, edited Red Bluff Review, and was founding associate editor of the weekly West Alabama Gazette. Brewer is the editor of the acclaimed annual three-volume anthology of Southern writing, Stories from the Blue Moon Cafe.

From the Hardcover edition.

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Read an Excerpt

The Poet of Tolstoy Park


By Sonny Brewer

Random House

Sonny Brewer
All right reserved.

ISBN: 034547631X


Chapter One

• ONE •

Henry walked out of the doctor's office and the drumming rain that had begun to fall went straight through his thin white hair, wetting his head and sending a chill down his back. Instead of putting on his hat, he placed the flat of his palm on his forehead and stroked the dampness accruing there. He sat down on the edge of the porch, quickly soaking the seat of his pants.

He rubbed his hands together and massaged the pain in his knuckles, then lifted his left foot and took hold of the heel of his boot and tugged it off. He straightened his back, took a breath, and in a moment crossed his right leg over stiffly and removed the other boot. Henry decided, because it was his option to do so, that he would abandon his boots. He paired them up evenly there on the boards.

Henry could not remember when last he had walked barefoot in the rain, mud squishing up between his toes. He believed it was Black Elk, or maybe Chief Seattle, who had said that the man who always wears his moccasins thinks the earth is covered with leather. Henry looked at his boots and wondered how long they would sit before someone took them. They were good Wellingtons and not badly worn, and he thought someone would be surprised to find a pair of boots on the porch at Dr. Belton's place.

Henry planted his palms on his knees,caressed the wet brown twill trousers, and from those points levered himself to standing. He would let his feet know that this piece of earth was covered with mud, and thought perhaps they'd enjoy knowing that.

He tilted his face downward and was lifting his rumpled and sweat-stained felt hat when he heard his name called and, looking up, saw a horse and wagon drawing near the plank sidewalk in front of which he stood. Twenty years earlier in Nampa, Idaho, the first automobile had been delivered on a flat train car. Now in 1925 the tables were turned and only a few stubborn sorts still went about in horse-drawn carriages or wagons. This driver was among them. He sat alone on the buckboard seat, the long leather reins drawn tight in his gloved hand, making to stop his dappled gray Appaloosa. With his left hand the driver pulled back hard on the brake shaft.

"Whoa! Whoa back there, Bo," the driver said.

The horse slowed his walk, its hooves sucking at the muddy street, but did not come to a stop until the wagon was dead even with Henry. This side street was one of four remaining unoiled or unpaved streets in Nampa, and some of Dr. Belton's patients said perhaps the dust and mud was unsanitary, but the doctor disagreed. He did not like automobiles himself, and he owned the entire block, so the town council took their pavement and their oiling elsewhere for the time being. That kept at least some of the cars away, and the smell of oil out of the air.

"How do, Brother Webb?" Henry nodded to the man in the wagon, then raised his arm, hat in hand, and slowly wiped the top of his head with his shirtsleeve, depositing his hat there before dropping his hand to his side. His arms hung straight, his fingers loose.

"Did you pray up this rain, Will?" Henry was making small talk, postponing for a moment at least what was coming. But the Reverend William Webb had been dealing with people of all stripes for forty years, and Henry knew this preacher's practiced eye would discern that the news from the doctor was bad. Like as not, Henry's two boys had made such a prediction to the preacher man. Both his sons went to this preacher's church, Harvey, the oldest, a regular. We might as well go ahead and get on down to the quick on this one, Henry thought.

"Henry," the preacher said, rain dripping from the brim of his hat, "Thomas and Harvey have been telling me something's bad wrong with you. Said you've been coughing and spitting up blood and you were coming in to see the doctor this morning. I watched you go in there, and I've been lying in wait like a highwayman for you to come out. Now, I--"

"Dr. Belton said it's consumption, Will," Henry said evenly. "Tuberculosis. He's given me a year to live. Maybe not that long. Maybe a little more." Henry stood, like a patient man in line at a bank, his arms at his side. He was a tall man, just at six feet, and medium-built, his shoulders still square and his spine still straight. Nothing about him projected grave illness, and he could have passed for a man of fifty, though he was sixty-seven. His clear blue eyes locked on the dark eyes of the preacher, darker still under the soaked brim of his hat.

William Webb shook his head, then bent his face downward. When Will looked up, he said, "I am sorry, Henry. This is a hard one, my friend." The preacher wrapped the reins around the brake, slid across the wet seat, taking hold of the seat back to help steady his rise. "If you'll let me, I'll pray with you, Henry. Just a brief word with the Lord." A big redbone hound bellied out from underneath the porch, startling the horse into a quick forward step, snatching the wagon. The preacher lurched and fell back, sitting down hard on the wagon seat. "Aw, Bo, damn your hide!"

Henry smiled. "Keep your seat, Reverend." He watched the old hound trot across the street, going diagonally toward the alley that would take him behind the Melton Hotel, and perhaps a scrap of bread raked off a breakfast plate. The morning fell darker, and there was a low roll of thunder toward the hills east of town, and the rain fell harder. Henry turned his collar up. "I'll let you know when I need a prayer lifted on my behalf, though I do appreciate your intent, Brother Webb."

"Can I at least give you a ride back out to your place? This muck'll ruin your boots." The preacher let his eyes travel slowly down to Henry's long bare feet. "Well, that is, when you put your boots back on. I've got to go in that direction, Henry, and I'd not think a thing of carting you to your front gate."

"But it's to the Pearly Gates you truly want to cart me. I have known you for too long, Will. You'll never give up. You would talk all the way and make half a dozen altar calls."

"I expect there'd not be time for half a dozen entreaties mean- ingful enough to rescue that starving soul of yours." Preacher Webb propped a booted foot on the buckboard's dash, caught the wet and wilted brim of his hat and tilted it back a bit for a better look at Henry James Stuart. "I worry about you, Henry, staying away from the church like we've got out a quarantine sign. Both your sons come as often as we open the doors. Don't you think Molly would want you in the church with her boys?"

Henry braced his shoulders and closed his hands, though not tight into fists. "Molly did want me to go to church. With her. And I went, glad to go for the pleasure it seemed to give to her. But, Will, Molly is dead three years now, and--"

"And you have not darkened the door of my church one time since she passed, Henry."

"Nor shall I, Will. We don't really have to talk about this again, do we?"

"But do you not fear for your soul now that you'll soon face the Almighty?" The preacher sat straighter, still holding up the brim of his hat.

"My face has never turned away from God, nor my ear ever inclined away from his counsel. You do not stand between me and my creator, Will Webb. It seems a prideful thing to suggest, and a touch arrogant."

Preacher Webb took his foot from the dash and banged it down on the puddled floorboard, leaning forward to unwrap the reins. "And you are the stubbornest man in all of Idaho, Henry. My prayer is that you get a chance to argue your name onto Heaven's roll, for you could argue the horns off a goat." The rain quickly eased and almost stopped, and both men looked briefly toward the sky, as if to find the cause of the lull.

"Since you have got it going this morning, Will, let me argue with you for half a minute," Henry said, drawing his bushy white eyebrows together in a frown. "Let me tell you how I believe that all the names of all the people in all the ages are written forever on that roll you speak of. How I believe that when our Maker claims what is his at the birth of a child and duly records it in his Book of Life, that little one becomes a divine property that neither foe nor force nor deed can steal."

Henry lifted his hands, a questioning gesture. "Can't you get your preacher's heart to believe that what was ever once God's is always God's? It's simple to me. There is nothing that can oppose the creative force of the universe. There is nowhere to get to, Will, if you never truly left. It's because you and others of your ilk cannot even approach such an idea that I have no need of what you're selling at the churchhouse, Will."

"This is your 'Everybody Gets Back to Heaven' sermon. I've heard it before, Henry." The reverend held the reins one in each hand, and was bent forward slightly with his forearms resting on his heavy thighs. "Come on, Henry. What a load of bull. I don't know how they graduated you from Mount Union. Must've been an off year for them in their divinity department to turn you loose among good Baptists."

Henry shook his head, but smiled. He had first laid out his theology to Will Webb on one of their fishing afternoons down at a favorite spot on Lake Lowell. It was after Aldus Sansing, a man well known to Henry, had been cut down with a double-barreled shotgun during a robbery and had died without officially "coming to the Lord" on a Sunday morning. Aldus never went there. Not for weddings and not for funerals.

His murderer was soon caught, and while he waited in jail to be hanged, he found his salvation, presided over and attested to by Reverend Orlen Estes. A grammar-schooler, thought Henry, could see something wrong with the killer getting his writ to enter Heaven while a good man had been murdered and tossed to Hell.

Ruminating upon that, in a moment's insight, Henry had come to believe that if indeed there was a "next step" after this trail is quit, then all and everyone is privileged to walk that walk. Henry believed he saw clearly the advance of all things. He knew that a boy who takes early to drinking and carousing is not left in some box marked 1907, but gets himself along to 1915 and a box labeled "Loving Husband/Good Father." But then he might run off with the neighbor's wife the next year. And that was that. And it did not matter a whit, for all manner of things would in time be set right.

And Henry was at ease with his belief, but Henry's first son Harvey had told him to his face that he was hell-bound. Neither he nor his friend Will Webb could cotton to a simple line that all persons would perfect the soul awarded them, even if it takes eons. Neither could seem to comprehend the absence of a devil that could actually oppose and defeat the maker of the universe. For Henry, the debate was ended. And now, it seemed, he'd be the first of the three to discover the truth of his religion. And that was well enough for Henry, who in apprehending the mix of sadness and exasperation on Will's face found his thoughts turning to Tolstoy. Henry had been reading and rereading the novels of Tolstoy since he was in his twenties, and had long studied his nonfiction. Henry knew that Tolstoy was a deeply spiritual man, and yet was excommunicated and therefore buried without the help of the Russian Orthodox Church. Some in Tolstoy's church, certainly his family and friends, must have been nonplussed by his disdain for organized religion.

The Reverend William Webb slid back across the wagon's board seat, making a swipe at the spot he'd just vacated. "Here, then. Put your boots back on, Henry, and hop up here and let me give you a ride home. Come on now, before this rain takes up again. I'll not preach a word in the direction of your black heart." The preacher gave an exaggerated wink. "While we're riding you can tell me about this consumption, or what have you, that's fool enough to think it can kill you." Will paused, removed his wet right glove to accept the hand of his friend and help him onto the wagon seat, then said, "It's not catching, I guess. Consumption, I mean."

That got another smile out of Henry. He shook his head. "It's not the contagious strain of the illness." Henry motioned with his hand to the preacher. "I'll walk, Will. And without my fine boots. It will be excellent practice for those long barefoot walks up in the clouds. But I do thank you for the kindness of your offer."

"Now who is the arrogant one? Where do you come by the certainty that it'll not be red-hot coals you'll be treading upon, Henry? Down there!" And Will Webb gave a thumbs-down toward the ground. Both men fell into laughter for a brief moment until Henry gave a deep raspy cough and turned to take from his unbuttoned shirt pocket a clean fold of handkerchief and coughed into that, putting it into his trousers back pocket when normal breathing had come again to him. Unguarded, muscles in the preacher's face now sagged downward around his eyes and mouth and the sadness was plain to see. "I am mighty sorry, Henry. Mighty sorry." Will shifted both reins to his left hand and held his open right palm out toward his friend. "May the peace of the Lord be with you, Henry."

Henry drew a finger to his hat. Will gestured a final time to the seat beside him. Henry shook his head no. Will nodded and slapped the reins. Bo pulled the wagon into the sloppy, gray-mudded street, and Henry saw Will draw himself down against the cold rain.

Henry spoke into the soft sigh of the morning. "And also with you, Brother Webb."


Excerpted from The Poet of Tolstoy Park by Sonny Brewer Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Reading Group Guide

1. This is a fictionalized account of a true story. How accurate do you think Brewer’s portrayal of Henry Stuart might be, and does this affect your enjoyment of the book?

2. What qualities do you most admire in Henry, and what do you think we can learn from his story?

3. What do you think cured Henry?

4. After outliving his diagnosis, why do you think Henry chose not to return to his sons in Idaho?

5. Does Henry Stuart remind you of anyone you know? Do you think a story like his could take place today?

6. Brother O’Neil says: “Books and writing are agents for the accumulation of ideas and your minds are overfull.” What do you think of this statement, and what do you think of Henry’s strategy to quiet his “overfull” mind?

7. Author Sonny Brewer is the editor of Stories from the Blue Moon Café, an anthology of Southern writing. What do you think makes a novel “Southern,” and do you consider The Poet of Tol­stoy Park a Southern novel?

8. How would you characterize the female characters in this novel?

9. Henry believed that “no work is wasted,” that work, philosophi­cally, is a means without regard to its end. What could be the value to a man of constructing a house of concrete if he might die before he finishes it?

10. What do you think motivates Henry to go barefoot? What do you think of the statement, “If all the hobnail boots were put away, wars would end”?

11. Do you think this book would make a good movie?

12. Do you wish the author had written more romance into the re­lationship between Henry and Kate? Why or why not?

13. What do you think is in the shoe box that Thomas gives Henry at the end of the book?

14. An osprey appears to Henry when he falls down in the creek. What do you think the osprey symbolizes?

15. What role did Black Elk play in Henry Stuart’s life?

16. John Lennon sang “Imagine” with lyrics that imagined people living at peace in a world with “no religion too.” Do you agree that would be a good idea? Henry did not go to church, but did he have “religion”?

17. When the German poet Rainer Maria Rilke exhorted readers to “be ahead of all parting” what did he mean, and how might this relate to The Poet of Tolstoy Park?

18. At the end of the book, the author fast-forwards the nar­rative about twenty years. If you were going to write of those “missing” years of Henry Stuart, what would your favorite scene be?

19. Robert Frost said, “Writing is as good as it is dramatic. Period.” Where’s the drama in The Poet of Tolstoy Park?

20. How would you characterize the author’s writing style?

21. If you could rename this book, what would you name it?

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Customer Reviews

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  • Anonymous

    Posted August 19, 2010

    My favorite book

    I don't even know how I obtained this book but it has become my favorite. I read it in one sitting and have recommended it to many people. a couple of book clubs have added it to their list because of my recommendation. It was a moving book for me. Entertaining and tearful. Loved it. It is the only book that I have read a second time.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted March 31, 2005

    Delectable Delightful Timely Food for the Heart and Soul

    I loved this book so much I went looking for the author's website and sent him a note. I figured doing so might serve a double purpose: 1) let the writer know his work was enjoyed, 2) cast a vote for the values that drive the story -- such as I see them. Here's what I had to say Sonny Brewer: Just wanted to say that 'The Poet of Tolstoy Park' has rendered me incapable of starting another book. I finished on Saturday and have since been unable to let myself be drawn away from Henry Stuart, Tolstoy Park, and Fairhope. 'The Confessions of Max Tivoli' sits on my bedside table, and though I'd been very eager to read it, I now find I haven't the will. I want to savor your book awhile longer. By my reckoning, such as its worth, 'The Poet of Tolstoy Park' is a thing of beauty, grace, and wisdom. And humor, too. In fact, I'm puzzled that the reviews I've read, both editorial and reader reviews, fail to mention the delightful humor. I'm even more puzzled, however, that I haven't read one review that mentions the 'community' theme. That we are all connected, and that in our acknowledgment of our connectedness, and in our service to one another, we can best live a good life and thus best die, seems to me the heart of the story. I suppose we all see in the world around us what we see in our heads, and I've just finished writing a novel in which community is a central theme, so it may be my unique perspective to see it as the heart of your book . . . But surely Henry's conviction that humankind's hope lies not in Christianity, nor any institutionalized religion or social philosophy, Tolstoy's included, but in our Christian treatment of one another, was not an insignificant bit of character detail. I digress. Thank you for the blessedly uplifting read. I've often said that reading Wendell Berry's novels and stories is like eating a bowl of the most delicious, nutrious soup ever cooked up. Early on in your book I decided that reading it was like eating a slice of fresh-and-warm-from-the-oven homemade wholegrain bread, healthy but also heavenly tasty, spread with good butter and drizzled with honey, just here and there so bites alternate between honeyed and honey-free. That notion stayed with me throughout, but it also felt a smidge short of the whole truth. Then I reached your passage about Henry's strawberry beds and I thought, 'That's it! This book is like a slice of wonderful bread (as described above) accompanied by fresh strawberries straight from the garden.' I even imagined eating these berries and bread (reading your book) while sitting on the side of one of Henry's raised beds, basking in the sun. That's what I had to say to Mr. Brewer. To readers I say, 'Buy this book and know that beauty and goodness are alive and well in this sweet old troubled world.'

    2 out of 2 people found this review helpful.

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  • Posted September 13, 2010

    great read

    I loved the main character. Sonny Brewer's writing style is excellent.

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  • Anonymous

    Posted May 28, 2005

    Poignant - Thoreau and Tolstoy would approve!

    Whether your struggle is with death and dying, family detachment, personal adventure and renewal - this book has all this and so much more. While its themes will likely resonate primarily with those of us in mid-life, there is wisdom and a wonderful reading experience here for anyone. You owe it to yourself to read this gem of a book.

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  • Anonymous

    Posted August 2, 2011

    No text was provided for this review.

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