Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut

Poetry and Music in Medieval France: From Jean Renart to Guillaume de Machaut

by Ardis Butterfield
     
 

This book, first published in 2003, examines the relationship between poetry and music in medieval France.See more details below

Overview

This book, first published in 2003, examines the relationship between poetry and music in medieval France.

Product Details

ISBN-13:
9780521622196
Publisher:
Cambridge University Press
Publication date:
03/01/2003
Series:
Cambridge Studies in Medieval Literature Series, #49
Pages:
398
Product dimensions:
5.98(w) x 8.98(h) x 0.98(d)

Table of Contents

List of illustrations; List of tables; List of music examples; Acknowledgments; Bibliographical note; List of abbreviations; Prologue; Part I. Text and Performance: 1. Song and written record in the early thirteenth century; 2. The sources of song: chansonniers, narratives, dance-song; 3. The performance of song in Jean Renart's Rose; Part II. The Boundaries of Genre: 4. The refrain; 5. Refrains in context: a case study; 6. Contrafacta: from secular to sacred in Gautier de Coinci and later thirteenth-century writing; Part III. The Location of Culture: 7. 'Courtly' and 'popular' in the thirteenth century; 8. Urban culture: Arras and the puys; 9. The cultural contexts of Adam de la Halle; Part IV. Modes of Inscription: 10. Songs in writing: the evidence of the manuscripts; 11. Chante/fable: Aucassin et Nicolette; 12. Writing music, writing poetry: Le Roman de Fauvel in Paris BN fr. 146; Part V: Lyric and Narrative: 13. The two Roses: Machaut and the thirteenth century; 14. Rewriting song: chanson, motet, salut, and dit; 15. Citation and authorship from the thirteenth to the fourteenth century; Part VI. Envoy: The New Art: 16. The Formes fixes: from Adam de la Halle to Guillaume de Machaut; Epilogue; Glossary; Appendix; Bibliography.

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