×

Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

Poinciana [Portrait/Columbia]
     

Poinciana [Portrait/Columbia]

4.0 1
by Ahmad Jamal
 

See All Formats & Editions

This fascinating date features pianist Ahmad Jamal at the beginning of his recording career. With guitarist Ray Crawford and either Eddie Calhoun or Israel Crosby on bass, Jamal showcases a style that would be a major influence on Miles Davis' music. Jamal's use of space and

Overview

This fascinating date features pianist Ahmad Jamal at the beginning of his recording career. With guitarist Ray Crawford and either Eddie Calhoun or Israel Crosby on bass, Jamal showcases a style that would be a major influence on Miles Davis' music. Jamal's use of space and dynamics was very different than the style of any other jazz pianist of the era. His versions of "Old Devil Moon," "Will You Still Be Mine?," "The Surrey with the Fringe on Top," and "A Gal in Calico" inspired Miles to record the songs in a similar fashion, and his "Billy Boy" became the basis of a performance by the Red Garland Trio. Most fascinating is Jamal's inventive interpretation of "Pavanne," for it has a section very reminiscent of "So What" (which was not "composed" by Davis until over two years later) and a melody statement that is exactly the same as John Coltrane's "Impressions."

Product Details

Release Date:
02/01/2008
Label:
Sbme Special Mkts.
UPC:
0886972403625
catalogNumber:
724036
Rank:
58198

Related Subjects

Tracks

Album Credits

Customer Reviews

Average Review:

Post to your social network

     

Most Helpful Customer Reviews

See all customer reviews

Poinciana [Portrait/Columbia] 4 out of 5 based on 0 ratings. 1 reviews.
peterh More than 1 year ago
I had an Ahmad Jamal record as a kid - Live at the Blackhawk.I bought it because Nat Hentoff rated it a 'recording of special merit' in Stereo Review. It came to be one of my favorite records. I only wish I had bought additional Jamal records from the same period! But that gives me the opportunity to discover them today. The late 50s was a wonderful period for jazz, and Jamal's live recordings are among its highpoints. If you're too young to have experienced 50s jazz in a nightclub (I was alive but too young to get in!), these old recordings will put you in the scene. Jamal's sound was somewhat like a breezy cocktail pianist, only more dynamic and inventive -- he was a great improviser and could really swing. And there was an overall impression of substance no matter how light his touch. His groups had a nice interplay rather like Bill Evans's groups of the same period, if not as pronounced. It's almost a cliche now that Jamal's rhythm section gave him incredible support. I especially like the trio with Israel Crosby and Vernell Fournier. But all the performances on this disc are great and there are obvious lines of connection to early Miles Davis, such as Billy Boy and Surrey with the Fringe On Top (which, btw, I suspect inspired Laura Nyro's line "Can you surrey, can you picnic?" She was really into Miles.) I really like the guitarist too. One thing to watch out for with early Jamal is that some of the tapes have degraded (audible wow) and the engineers haven't cleaned it up well. I am not referring to this disc since I haven't listened to all the tracks yet and I haven't heard any problems, but I think you have to monitor this on a disc by disc, track by track basis. I am not singling out any particular disc -- I think it's a problem for this period and this artist, though it may correlate with the label that did the remastering. Maybe it's an artifact of the live recording, not having the resources of a studio. Anyway, you can always sample all the tunes before buying. If you've never followed Jamal, give him a try. He really is very engaging and fun to listen to. You'll even hear some nice drum breaks from Vernell Fournier.