Police Photography / Edition 5

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Overview

This text teaches the fundamentals of photography and their application to police work. It offers clear explanations of the basic elements of photography that are used in investigative police work. Special situations involving homicide, traffic accidents, arson and questioned documents are also covered.

  • Text complemented by dozens of photographs, charts and diagrams.
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Editorial Reviews

Booknews
Teaches fundamentals of photography and their application to police work. Early chapters cover the photographic process, explaining aspects such as cameras, film, exposure, b&w and color processing, and video photography. Later chapters cover areas including accidents, crime scenes, evidence, and documents. Two final chapters explain uses of ultraviolet, fluorescence, and infrared photography. This fourth edition contains new material on equipment and processing techniques, and information on digital photography. Annotation c. by Book News, Inc., Portland, Or.
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Product Details

  • ISBN-13: 9781593452919
  • Publisher: Elsevier Science
  • Publication date: 5/15/2006
  • Edition description: REV
  • Edition number: 5
  • Pages: 270
  • Product dimensions: 8.50 (w) x 11.10 (h) x 0.60 (d)

Meet the Author

Larry S. Miller is Distinguished Professor and Chair of Criminal Justice and Criminology at East Tennessee State University (ETSU). He received his Bachelor of Science from ETSU, a Master of Science from Eastern Kentucky University, and his Ph.D. in Health & Safety with collaterals in Forensic Anthropology and Criminology from The University of Tennessee. Miller, who has worked as a police officer, criminal investigator, and crime laboratory director, teaches in the area of law enforcement and is the author of several books on topics including criminal investigation, criminal justice report writing, police photography, and more.

Norman Marin worked for the NYC Office of the Chief Medical Examiner from 2001-2012, where he began with DNA extraction and quantification before transferring to the Special Investigation Unit, where he worked on crime reconstruction issues involving bloodstain pattern analysis, bullet trajectory, evidence examinations, forensic photography, and the identification of latent blood through chemical enhancements. A graduate of the John Jay College, Marin now teaches at Pace University at the Dyson College of Arts and Sciences, Forensic Science program, where he teaches digital photography, among other forensic disciplines.

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Table of Contents

1. The Police Photographer

2. Light and the Simple Camera

3. Cameras

4. Film

5. Equipment

6. Exposure

7. The Darkroom

8. Black-and-White Processing: Negatives

9. Black-and-White Processing: Printing and Enlargement

10. Color Processing

11. Digital Photography

12. Accident Photography

13. Crime Photography

14. Evidence Photography

15. Identification Photography

16. Questioned Documents

17. Ultraviolet and Fluorescence Photography

18. Infrared Photography

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