Policing Pop

Policing Pop

by Martin Cloonan, Reebee Garofalo
     
 

Fans and detractors of popular music tend to agree on one thing: popular music is a bellwether of an individual's political and cultural values. In the United States, for example, one cannot think of the counterculture apart from its music. For that reason, in virtually every country in the world, some group identifies popular music as a source of potential danger… See more details below

Overview

Fans and detractors of popular music tend to agree on one thing: popular music is a bellwether of an individual's political and cultural values. In the United States, for example, one cannot think of the counterculture apart from its music. For that reason, in virtually every country in the world, some group identifies popular music as a source of potential danger and wants to regulate it. Policing Pop looks into the many ways in which popular music and artists around the world are subjected to censorship, ranging from state control and repression to the efforts of special interest or religious groups to limit expression.

The essays collected here focus on the forms of censorship as well as specific instances of how the state and other agencies have attempted to restrict the types of music produced, recorded and performed within a culture. Several show how even unsuccessful attempts to exert the power of the state can cause artists to self-censor. Others point to material that taxes even the most liberal defenders of free speech. Taken together, these essays demonstrate that censoring agents target popular music all over the world, and they raise questions about how artists and the public can resist the narrowing of cultural expression.

Author Biography: Martin Cloonan teaches Popular Music Culture at the University of Glasgow and is the author of Banned! Censorship of Popular Music in Britain, 1967-1992.

Reebee Garofalo is Professor at the College of Public and Community Service and is affiliated with the American Studies Program at the University of Massachusetts, Boston; his most recent book is Rockin' Out: Popular Music in theUSA.

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Product Details

ISBN-13:
9781566399890
Publisher:
Temple University Press
Publication date:
01/28/2003
Series:
Sound Matters Ser.
Pages:
256
Product dimensions:
7.10(w) x 10.00(h) x 0.90(d)

Table of Contents

Acknowledgments
Introduction1
Pt. IDefining Issues and Themes
1Call That Censorship? Problems of Definition13
2I Want My MP3: Who Owns Internet Music?30
3Twenty Years of Music Censorship Around the World46
4Remote Control: Legal Censorship of the Creative Process65
Pt. IIControlling the Artistic Process
5Death Metal and the Limits of Musical Expression81
6Marxists in the Marketplace100
7Argh Fuck Kill - Canadian Hardcore Goes on Trial: The Case of the Dayglo Abortions113
8Strelnikoff; Censorship in Contemporary Slovenia140
Pt. IIIUp Against the State
9Music in the Struggle to End Apartheid: South Africa153
10Confusing Confucius: Rock in Contemporary China166
11German Nazi Bands: Between Provocation and Repression186
12Popular Music and Policing in Brazil205
13Challenging Music as Expression in the United States221
About the Contributors239

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