Polish Cinema Today: A Bold New Era in Film
A 2022 Choice Reviews Outstanding Academic Title

Structured according to key themes, Polish Cinema Today analyzes the remarkable innovations in Polish cinema emerging a decade after the 1989 dissolution of the Soviet bloc, once its film industry had evolved from a socialist state enterprise into a much more accessible system of film production, with growing expertise in distribution and marketing. By the early 2000s, an impressive, diverse cohort of filmmakers broke through the gridlock of a small set of esteemed, aging auteurs as well as the glut of imported Hollywood blockbusters, empowered by the digital revolution and domestic audience appetite for independent work. Polish directors today challenge sacrosanct bromides about national and gender identity, Poland’s historical martyrdom, the status of the influential Catholic Church, and the benevolent family, while investigating the phenomena of migration and sexuality in their full complexity. Each thematic chapter places these recent films within a historical/cultural context nationally and transnationally, and designs its analyses of specific works to engage general audiences of film scholars, students, and cinephiles.

1138988570
Polish Cinema Today: A Bold New Era in Film
A 2022 Choice Reviews Outstanding Academic Title

Structured according to key themes, Polish Cinema Today analyzes the remarkable innovations in Polish cinema emerging a decade after the 1989 dissolution of the Soviet bloc, once its film industry had evolved from a socialist state enterprise into a much more accessible system of film production, with growing expertise in distribution and marketing. By the early 2000s, an impressive, diverse cohort of filmmakers broke through the gridlock of a small set of esteemed, aging auteurs as well as the glut of imported Hollywood blockbusters, empowered by the digital revolution and domestic audience appetite for independent work. Polish directors today challenge sacrosanct bromides about national and gender identity, Poland’s historical martyrdom, the status of the influential Catholic Church, and the benevolent family, while investigating the phenomena of migration and sexuality in their full complexity. Each thematic chapter places these recent films within a historical/cultural context nationally and transnationally, and designs its analyses of specific works to engage general audiences of film scholars, students, and cinephiles.

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Polish Cinema Today: A Bold New Era in Film

Polish Cinema Today: A Bold New Era in Film

Polish Cinema Today: A Bold New Era in Film

Polish Cinema Today: A Bold New Era in Film

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Overview

A 2022 Choice Reviews Outstanding Academic Title

Structured according to key themes, Polish Cinema Today analyzes the remarkable innovations in Polish cinema emerging a decade after the 1989 dissolution of the Soviet bloc, once its film industry had evolved from a socialist state enterprise into a much more accessible system of film production, with growing expertise in distribution and marketing. By the early 2000s, an impressive, diverse cohort of filmmakers broke through the gridlock of a small set of esteemed, aging auteurs as well as the glut of imported Hollywood blockbusters, empowered by the digital revolution and domestic audience appetite for independent work. Polish directors today challenge sacrosanct bromides about national and gender identity, Poland’s historical martyrdom, the status of the influential Catholic Church, and the benevolent family, while investigating the phenomena of migration and sexuality in their full complexity. Each thematic chapter places these recent films within a historical/cultural context nationally and transnationally, and designs its analyses of specific works to engage general audiences of film scholars, students, and cinephiles.


Product Details

ISBN-13: 9781793641670
Publisher: Bloomsbury Academic
Publication date: 01/31/2023
Pages: 382
Product dimensions: 6.00(w) x 9.00(h) x 0.79(d)

About the Author

Helena Goscilo is professor in the Department of Slavic and East European Languages and Culture at Ohio State University.

Beth Holmgren is professor in the Department of Slavic and Eurasian Studies at Duke University.

Table of Contents

Introduction: Why Polish Cinema Today?

Chapter 1: Saints and Sinners: The Polish Catholic Church in Close-up

Chapter 2: Wandering Poles: Lost or Left in Migration

Chapter 3: All in the Family: The Ties that Bind and Blight

Chapter 4: Rescreening Christian-Jewish Relations in Interwar, Wartime, and Postwar Poland

Chapter 5: Crime à la Carte: Death and Double-Dealing

Chapter 6: Cold War Retakes in the 21st Century

Chapter 7: Female Sexuality with and without Apologies

Chapter 8: Male Gays under a Female Gaze

Conclusion: Polish Film Tomorrow?

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