- Shopping Bag ( 0 items )
The Research of Alan Furst’s Novels
Alan Furst describes the area of his interest as “near history.” His novels are set between 1933-the date of Adolf Hitler’s ascent, with the first Stalinist purges in Moscow coming a year later-to 1945, which saw the end of the war in Europe. The history of this period is well documented. Furst uses books by journalists of the time, personal memoirs-some privately published-autobiographies (many of the prominent individuals of the period wrote them), war and political histories, and characteristic novels written during those years.
“But,” he says, “there is a lot more”-for example, period newsreels, magazines, and newspapers, as well as films and music, especially swing and jazz. “I buy old books,” Furst says, “and old maps, and I once bought, while living in Paris, the photo archive of a French stock house that served the newspapers of Paris during the Occupation, all the prints marked as cleared by the German censorship.” In addition, Furst uses intelligence histories of the time, many of them by British writers.
Alan Furst has lived for long periods in Paris and in the south of France. “In Europe,” he says, “the past is still available. I remember a blue neon sign, in the eleventh arrondissement in Paris, that had possibly been there since the 1930s.” He recalls that on the French holiday le jour des morts (All Saints’ Day, November 1) it is customary for Parisians to go to the Père Lachaise Cemetery. “Before the collapse of Polish communism, the Polish émigrés used to gather at the tomb of MariaWalewska. They would burn rows of votive candles and play Chopin on a portable stereo. It was always raining on that day, and a dozen or so Poles would stand there, under black umbrellas, with the music playing, as a kind of silent protest against the communist regime. The spirit of this action was history alive-as though the entire past of that country, conquered again and again, was being brought back to life.”
The heroes of Alan Furst’s novels include a Bulgarian defector from the Soviet intelligence service, a foreign correspondent for Pravda, a Polish cartographer who works for the army general staff, a French producer of gangster films, and a Hungarian émigré who works with a diplomat at the Hungarian legation in Paris. “These are characters in novels,” Furst says, “but people like them existed; people like them were courageous people with ordinary lives and, when the moment came, they acted with bravery and determination. I simply make it possible for them to tell their stories.”
1. 1. It has been said that many of the heroes of World War II were ordinary men and women who responded to extraordinary times. Is this true of Captain de Milja? Do you think he would still be a remarkable person in peacetime? What about the young boy on the train to Pilava?
2. 2. At the beginning of The Polish Officer, Captain de Milja is described as “a soldier” who “knew he didn’t have long to live.” At the very end of the book, he says he “might live through [the war], you never know.” Discuss this change in his outlook. Does his opinion of his chances of survival affect his actions?
3. 3. From the outbreak of fighting until Germany’s surrender, Poland fought an all-out war against the German invasion. Warsaw and many other Polish cities were destroyed, and Poland lost eighteen percent of its population between 1939 and 1945-more than any other country in World War II. By contrast, France lost a much smaller percentage of its population and Paris was left nearly intact after the German occupation. What does this say about collaboration and sacrifice?
4. 4. Critics praise Furst’s ability to re-create the atmosphere of World War II-era Europe with great accuracy. What elements of description make the setting come alive? How can you account for the fact that the settings seem authentic even though you probably have no firsthand knowledge of the times and places he writes about?
5. 5. Furst’s novels have been described as “historical novels,” and as “spy novels.” He calls them “historical spy novels.” Some critics have insisted that they are, simply,novels. How does his work compare with other spy novels you’ve read? What does he do that is the same? Different? If you owned a bookstore, in what section would you display his books?
6. 6. Furst is often praised for his minor characters, which have been described as “sketched out in a few strokes.” Do you have a favorite in this book? Characters in Furst’s books often take part in the action for a few pages and then disappear. What do you think becomes of them? And, if you know, how do you know? What in the book is guiding you toward that opinion?
7. 7. At the end of an Alan Furst novel, the hero is always still alive. What becomes of Furst’s heroes? Will they survive the war? Does Furst know what becomes of them? Would it be better if they were somewhere safe and sound, to live out the end of the war in comfort? If not, why not?
8. 8. Love affairs are always prominent in Furst’s novels, and “love in a time of war” is a recurring theme. Do you think these affairs might last, and lead to marriage and domesticity?
9. 9. How do the notions of good and evil work in The Polish Officer? Would you prefer a confrontation between villain and hero at the end of the book? Do you like Furst’s use of realism in the novel?
1. 1. It has been said that many of the heroes of World War II were ordinary men and women who responded to extraordinary times. Is this true of Captain de Milja? Do you think he would still be a remarkable person in peacetime? What about the young boy on the train to Pilava?
2. 2. At the beginning of The Polish Officer, Captain de Milja is described as “a soldier” who “knew he didn’t have long to live.” At the very end of the book, he says he “might live through [the war], you never know.” Discuss this change in his outlook. Does his opinion of his chances of survival affect his actions?
3. 3. From the outbreak of fighting until Germany’s surrender, Poland fought an all-out war against the German invasion. Warsaw and many other Polish cities were destroyed, and Poland lost eighteen percent of its population between 1939 and 1945-more than any other country in World War II. By contrast, France lost a much smaller percentage of its population and Paris was left nearly intact after the German occupation. What does this say about collaboration and sacrifice?
4. 4. Critics praise Furst’s ability to re-create the atmosphere of World War II-era Europe with great accuracy. What elements of description make the setting come alive? How can you account for the fact that the settings seem authentic even though you probably have no firsthand knowledge of the times and places he writes about?
5. 5. Furst’s novels have been described as “historical novels,” and as “spy novels.” He calls them “historical spy novels.” Some critics have insisted that they are, simply, novels. How does his work compare with other spy novels you’ve read? What does he do that is the same? Different? If you owned a bookstore, in what section would you display his books?
6. 6. Furst is often praised for his minor characters, which have been described as “sketched out in a few strokes.” Do you have a favorite in this book? Characters in Furst’s books often take part in the action for a few pages and then disappear. What do you think becomes of them? And, if you know, how do you know? What in the book is guiding you toward that opinion?
7. 7. At the end of an Alan Furst novel, the hero is always still alive. What becomes of Furst’s heroes? Will they survive the war? Does Furst know what becomes of them? Would it be better if they were somewhere safe and sound, to live out the end of the war in comfort? If not, why not?
8. 8. Love affairs are always prominent in Furst’s novels, and “love in a time of war” is a recurring theme. Do you think these affairs might last, and lead to marriage and domesticity?
9. 9. How do the notions of good and evil work in The Polish Officer? Would you prefer a confrontation between villain and hero at the end of the book? Do you like Furst’s use of realism in the novel?
From the Trade Paperback edition.
gregrosine
Posted October 27, 2010
I love the way Alan Furst can allow you to feel the day to day life of living in occupied Europe during WWII as well as the extraordinary and heroic events. I didn't want this novel to end when it did. I will certainly look for another of his works.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Absolutely one of his best in my opinion and I've read all but three. Although perhaps not as likeable as Cason in The World at Night and Red Gold, Capt. de Milja, our hero, may be Furst's most noble character from his historical fiction books. de Milja is a map maker in the Polish army; a "regular" guy, who, when war is thrust upon his world, does what he must, which turns out to be more than he could have imagined he was capable of (standard theme here for Furst). He is in love with his wife who is in a Polish mental hosptial, but he knows he can't really save her. Thier last scene together is very touching and heartbreaking. He has nothing left but to fight for Poland, which he does as a spy. At first not a great spy, but he works his way to that status throughout. the book.
I love the way Furst weaves in a character or two from his other books. He also mentions the shooting at the Brasserie Heiniger from "The Night Soldiers" in all his books from this period, which somehow ties them all together, though you don't need to read them in order except for the two I mentioned with Cason.
As usual Furst's supporting characters add so much to this book. I always feel like I learn so much from these folks who come and go, live and die and fight the "good" fight.
These are all such great books, but I would imagine those that aren't familiar with the genre, or are not WW 2 "savy" may find them a bit hard to read. But for those of you who are, you MUST read these books, especially this one.
Anonymous
Posted May 19, 2004
¿The Polish Officer¿ is a spy novel set in the early years of World War II in an occupied Europe fending for itself without the help of the Americans. The book is peopled by displaced persons, former military officers, and bandits, all drawn into a seemingly hopeless resistance to the occupying Nazi and Soviet forces in Poland, Russia, and France. That Furst is able to create a story from this world that is appealing to American readers speaks to his prowess as a writer. Although a bit weak on plot, this is a beautifully-written book.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted August 18, 2003
I particularly enjoyed this Furst novel for the immediate intensity, and urgency that the characters involved display, from the very beginning of the plot to the end. de Milja and others must make quick decisions, forge alliances, and simply discard ideas, and people, just to survive. Furst's research and fully absorbing writing style should be applauded. Readers with allegences to classic writers of this genre should give Furst an unbaised read. He's one of the best of the contemperaries.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted April 5, 2001
it's better than any airport/wallgreen's 'spy novel'...very close to lecarre...BUT unlike sir john, there is no real character here...in 'the honorable schoolboy', you actually cry for the hero spy who lives undercover...in this book, i had no idea why he put himself at such risk for so many different factions...no depth...but that said, a totally relaitsic (from what i understand) portrait of occupied poland and paris.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted January 23, 2010
No text was provided for this review.
Anonymous
Posted February 18, 2011
No text was provided for this review.
Anonymous
Posted April 2, 2011
No text was provided for this review.
Anonymous
Posted December 8, 2010
No text was provided for this review.
Anonymous
Posted January 17, 2010
No text was provided for this review.
Anonymous
Posted December 10, 2010
No text was provided for this review.
Anonymous
Posted September 3, 2010
No text was provided for this review.
Anonymous
Posted August 4, 2011
No text was provided for this review.
Anonymous
Posted August 29, 2010
No text was provided for this review.
Anonymous
Posted December 31, 2011
No text was provided for this review.
Anonymous
Posted December 16, 2010
No text was provided for this review.
Anonymous
Posted November 17, 2010
No text was provided for this review.
Anonymous
Posted November 29, 2010
No text was provided for this review.
Anonymous
Posted May 23, 2010
No text was provided for this review.
Anonymous
Posted March 30, 2010
No text was provided for this review.
Overview
September 1939. As Warsaw falls to Hitler’s Wehrmacht, Captain Alexander de Milja is recruited by the intelligence service of the Polish underground. His mission: to transport the national gold reserve to safety, hidden on a refugee train to Bucharest. Then, in the back alleys and black-market bistros of Paris, in the tenements of Warsaw, with partizan guerrillas in the frozen forests of the Ukraine, and at Calais Harbor during an attack by British bombers, de Milja fights in the war of the shadows in a world without rules, a world of danger, treachery, and betrayal.From the Trade Paperback edition.