Political Theory, Science Fiction, and Utopian Literature: Ursula K. Le Guin and The Dispossessed
Ursula K. Le Guin's The Dispossessed is of interest to political theorists partly because of its association with anarchism and partly because it is thought to represent a turning point in the history of utopian/dystopian political thought and literature and of science fiction. Published in 1974, it marked a revival of utopianism after decades of dystopian writing. According to this widely accepted view The Dispossessed represents a new kind of literary utopia, which Tom Moylan calls a 'critical utopia.' The present work challenges this reading of The Dispossessed and its place in the histories of utopian/dystopian literature and science fiction. It explores the difference between traditional literary utopia and novels and suggests that The Dispossessed is not a literary utopia but a novel about utopianism in politics. Le Guin's concerns have more to do with those of the novelists of the 19th century writing in the tradition of European Realism than they do with the science fiction or utopian literature. It also claims that her theory of the novel has an affinity with the ancient Greek tragedy. This implies that there is a conservatism in Le Guin's work as a creative writer, or as a novelist, which fits uneasily with her personal commitment to anarchism.
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Political Theory, Science Fiction, and Utopian Literature: Ursula K. Le Guin and The Dispossessed
Ursula K. Le Guin's The Dispossessed is of interest to political theorists partly because of its association with anarchism and partly because it is thought to represent a turning point in the history of utopian/dystopian political thought and literature and of science fiction. Published in 1974, it marked a revival of utopianism after decades of dystopian writing. According to this widely accepted view The Dispossessed represents a new kind of literary utopia, which Tom Moylan calls a 'critical utopia.' The present work challenges this reading of The Dispossessed and its place in the histories of utopian/dystopian literature and science fiction. It explores the difference between traditional literary utopia and novels and suggests that The Dispossessed is not a literary utopia but a novel about utopianism in politics. Le Guin's concerns have more to do with those of the novelists of the 19th century writing in the tradition of European Realism than they do with the science fiction or utopian literature. It also claims that her theory of the novel has an affinity with the ancient Greek tragedy. This implies that there is a conservatism in Le Guin's work as a creative writer, or as a novelist, which fits uneasily with her personal commitment to anarchism.
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Political Theory, Science Fiction, and Utopian Literature: Ursula K. Le Guin and The Dispossessed

Political Theory, Science Fiction, and Utopian Literature: Ursula K. Le Guin and The Dispossessed

by Tony Burns
Political Theory, Science Fiction, and Utopian Literature: Ursula K. Le Guin and The Dispossessed

Political Theory, Science Fiction, and Utopian Literature: Ursula K. Le Guin and The Dispossessed

by Tony Burns

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$60.99 
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Overview

Ursula K. Le Guin's The Dispossessed is of interest to political theorists partly because of its association with anarchism and partly because it is thought to represent a turning point in the history of utopian/dystopian political thought and literature and of science fiction. Published in 1974, it marked a revival of utopianism after decades of dystopian writing. According to this widely accepted view The Dispossessed represents a new kind of literary utopia, which Tom Moylan calls a 'critical utopia.' The present work challenges this reading of The Dispossessed and its place in the histories of utopian/dystopian literature and science fiction. It explores the difference between traditional literary utopia and novels and suggests that The Dispossessed is not a literary utopia but a novel about utopianism in politics. Le Guin's concerns have more to do with those of the novelists of the 19th century writing in the tradition of European Realism than they do with the science fiction or utopian literature. It also claims that her theory of the novel has an affinity with the ancient Greek tragedy. This implies that there is a conservatism in Le Guin's work as a creative writer, or as a novelist, which fits uneasily with her personal commitment to anarchism.

Product Details

ISBN-13: 9780739122839
Publisher: Bloomsbury Academic
Publication date: 02/19/2010
Pages: 330
Product dimensions: 5.90(w) x 8.90(h) x 1.10(d)

About the Author

Anthony Burns is associate professor in the School of Politics and International Relations at the University of Nottingham in the United Kingdom.

Table of Contents

Acknowledgments ix

1 Introduction 1

2 Science Fiction and the History of Utopian Literature H. G. Wells Zamyatin and Le Guin 194

3 Le Guin's Dialectical Approach to Questions of Philosophy and Politics 55

4 Science and Progress in the Writings of Zamyatin and Le Guin 81

5 Le Guin's The Dispossessed and Utopian Literature 113

6 Politics and Literature in the Writings of Le Guin 153

7 Ethics in the Writings of Ursula K. Le Guin 181

8 Anarchist Politics in Zamyatin and Le Guin 217

9 Conservatism in the Writings of Le Guin 241

10 Conclusion: Le Guin's Relevance for Political Theory Today 267

Bibliography 289

Index 311

About the Author 319

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