Popular Culture and Performance in the Victorian City

Popular Culture and Performance in the Victorian City

by Peter Bailey
ISBN-10:
052157417X
ISBN-13:
9780521574174
Pub. Date:
10/08/1998
Publisher:
Cambridge University Press
ISBN-10:
052157417X
ISBN-13:
9780521574174
Pub. Date:
10/08/1998
Publisher:
Cambridge University Press
Popular Culture and Performance in the Victorian City

Popular Culture and Performance in the Victorian City

by Peter Bailey

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Overview

Lively and innovative, these well-illustrated essays on the making of the Victorian entertainment industry get inside the popular experience of the pub, music-hall, theater and comic press. In this new leisure world, audiences learned how to be performers themselves, adopting roles and styles appropriate to the unsettling dynamics of the modern city. A major advance in understanding how popular culture actually works, this is a model of the successful integration of the theory and practice of social history and cultural studies.

Product Details

ISBN-13: 9780521574174
Publisher: Cambridge University Press
Publication date: 10/08/1998
Pages: 272
Product dimensions: 6.18(w) x 9.29(h) x 0.83(d)

About the Author

Michael Morpurgo, the Children’s Laureate of Britain from 2003 to 2005, has written more than one hundred books and received numerous prestigious awards. He and his wife, Clare, founded the organization Farms for City Children. They live in Devon, England.

Peter Bailey has been illustrating books for more than thirty-five years and has worked with such authors as Philip Pullman, Dick King-Smith, and Allan Ahlberg. He lives in Liverpool, England.

Table of Contents

Introduction: social history, cultural studies and the cad; 1. The Victorian middle class and the problem of leisure; 2. A role analysis of working-class respectability; 3. Ally Soper's half-holiday: comic art in the 1880s; 4. Business and good fellowship in the London music hall; 5. Champagne Charlie and the music hall swell song: 6. Music-hall and the knowingness of popular culture; 7. The Victorian barmaid as cultural prototype; 8. Musical comedy and the rhetoric of the girl, 1892–1914; 9. Breaking the sound barrier; Notes; Index.
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