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Popular Music: A Reference Guide

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New York, NY, U.S.A. 1986 Cloth Good in None jacket Ex-library w/library stamp on top.

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Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase ... benefits world literacy! Read more Show Less

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NY 1986 Hardcover Good with no dust jacket 0824086805. Usual library stamps and markings, boards very lightly rubbed, top corner torn from rear free endpaper, else a clean, ... tight copy of this valuable musicology reference. Green cloth binding with gold lettering stamped on front boards and spine.; Ex-Library; 8vo-over 7?"-9?" tall; 658 pages. Read more Show Less

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1986 Hardcover Good Green hardcover, no DJ, gilt lettering on the cover and the spine. Ex-Library with minimal library markings on the inside. Tracking available on most ... domestic orders. Read more Show Less

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New York 1986 Hard Cover BC6-An ex-library hardcover book in very good condition that has library markings (labels, stamping, cardholder, etc. ), some marked out info and light ... stains, light discoloration and shelf wear with no dust jacket. Garland Reference Library of the Humanities, Vol. 642. 8.75"x5.75", 658 pages. Satisfaction Guaranteed. Read more Show Less

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Possible retired library copy, some have markings or writing. May or may not include accessories such as CD or access codes.

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Editorial Reviews

Library Journal
What distinguishes this hefty new bibliography is its scope. Attempt is made to include every English-language book and periodical on Anglo-American popular music published through 1984. The 5276 selectively annotated entries are arranged into seven broad categories: music, biography, technical, the music business, product, literary works, and periodicals. Where appropriate within categories arrangement is topical; e.g., under ``music'' there are 20 separate sections by genre. Since the index is to authors, anyone looking to confirm a title must knowledgeably search through the table of contents to find the right section. As with any work this ambitious there are bound to be omissions, but overall Iwaschkin is to be commended for gathering together so many titles on such a huge subject in one volume. A valuable beginning reference source for pop music researchers; for most large public and academic collections. Thomas Jewell, Waltham P.L., Mass.
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