Port
I see you in the morning, on the first morning I stayed over at your house. Waking up. Watching you lying asleep next to me. You looked, you looked. It was like. I think about that more than you probably think I do.

Stockport 1988-2002. Racheal Keats is growing up in a town she doesn't like with a family in tatters and a future she cannot picture. As those she loves begin to let her down or leave her behind, can Rachel find the strength to make her own way in the world?

Port premiered at the Royal Exchange Theatre, Manchester, in November 2002. It was later staged in the Lyttelton at the National Theatre, opening in January 2013. Both productions were by Marianne Elliott.
1100021095
Port
I see you in the morning, on the first morning I stayed over at your house. Waking up. Watching you lying asleep next to me. You looked, you looked. It was like. I think about that more than you probably think I do.

Stockport 1988-2002. Racheal Keats is growing up in a town she doesn't like with a family in tatters and a future she cannot picture. As those she loves begin to let her down or leave her behind, can Rachel find the strength to make her own way in the world?

Port premiered at the Royal Exchange Theatre, Manchester, in November 2002. It was later staged in the Lyttelton at the National Theatre, opening in January 2013. Both productions were by Marianne Elliott.
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Port

Port

by Simon Stephens
Port

Port

by Simon Stephens

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Overview

I see you in the morning, on the first morning I stayed over at your house. Waking up. Watching you lying asleep next to me. You looked, you looked. It was like. I think about that more than you probably think I do.

Stockport 1988-2002. Racheal Keats is growing up in a town she doesn't like with a family in tatters and a future she cannot picture. As those she loves begin to let her down or leave her behind, can Rachel find the strength to make her own way in the world?

Port premiered at the Royal Exchange Theatre, Manchester, in November 2002. It was later staged in the Lyttelton at the National Theatre, opening in January 2013. Both productions were by Marianne Elliott.

Product Details

ISBN-13: 9781472515254
Publisher: Bloomsbury Publishing
Publication date: 03/14/2013
Series: Modern Plays
Sold by: Barnes & Noble
Format: eBook
Pages: 120
File size: 564 KB

About the Author

Simon Stephens began his theatrical career in the literary department of the Royal Court Theatre, where he ran its Young Writers' Programme. His plays for theatre include Bluebird (Royal Court Theatre) Herons (Royal Court Theatre, 2001); Port (Royal Exchange Theatre, Manchester, 2002); One Minute (Crucible Theatre, Sheffield, 2003 and Bush Theatre, London, 2004); Christmas (Bush Theatre, 2004); Country Music (Royal Court Theatre Upstairs, 2004); On the Shore of the Wide World (Royal Exchange Theatre and National Theatre, London, 2005); Motortown (Royal Court Theatre Downstairs, 2006); Pornography (Tricycle Theatre, London, 2009); Harper Regan (National Theatre, 2008); Sea Wall (Bush Theatre, 2009); Heaven (Traverse Theatre, 2009); Punk Rock (Lyric Hammersmith, London, 2009); The Trial of Ubu (Essen Schauspielhaus/Toneelgroep Amsterdam, 2010); A Thousand Stars Explode in the Sky (co-written with David Eldridge and Robert Holman; Lyric Hammersmith, London, 2010); Wastwater (Royal Court Theatre Downstairs, 2011); Morning (Lyric Hammersmith, 2012); an adaptation of A Doll's House (Young Vic, 2012); an adaptation of The Curious Incident of the Dog in the Night-Time (National Theatre, 2012); Blindsided (Royal Exchange, 2014); and Birdland (Royal Court, 2014). His radio plays include Five Letters Home to Elizabeth (BBC Radio 4, 2001) and Digging (BBC Radio 4, 2003). Awards include the Pearson Award for Best New Play, 2001, for Port; Olivier Award for Best New Play for On the Shore of the Wide World, 2005; and for Motortown German critics in Theater Heute's annual poll voted him Best Foreign Playwright, 2007. His adaptation of Curious Incident of the Dog in the Night-Time won the 2015 Tony Award for Best Play.
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