Portable Film School: Everything You'd Learn in Film School (Without Ever Going to Class)

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Overview

The Portable Film School is a private tutorial from an instructor at one of the nation’s most prestigious film schools. D.B. Gilles explains the fundamental skills and techniques of screenwriting and making a short film arming you with the two calling cards you’ll need to break into Hollywood – without having spent the tuition or a minute in a classroom.

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Overview

The Portable Film School is a private tutorial from an instructor at one of the nation’s most prestigious film schools. D.B. Gilles explains the fundamental skills and techniques of screenwriting and making a short film arming you with the two calling cards you’ll need to break into Hollywood – without having spent the tuition or a minute in a classroom.

Editorial Reviews

Library Journal
DIY film literature grows with these two additions to the genre. Drawing on many years of experience as a screenwriting professor and story analyst, Gilles (NYU Tisch Sch. of the Arts; The Screenwriter Within) now attempts to venture into a broader topic: the experience of going through film school. Readers hoping for a comprehensive encapsulation will be disappointed. Direction is only touched on and technical aspects are barely considered in favor of a focus on writing (not a bad strategy for film beginners to adopt). Included are essays on finding script ideas, writing exercises, writing short scripts, and rewriting, as well as extensive guidance on treatment writing and outlining and advice about working with agents. Filmmakers Mark and Michael Polish employ a drastically different style and method, culling their experience writing, producing, and directing three moderately successful feature films-Norfolk, Jackpot, and Twin Falls Idaho. Chronicled here is the entire filmmaking process, from conception and fund-raising to shooting and finishing to selling and marketing one's film. Overall, the Polish brothers, joined by Jonathan Sheldon, head of their company's development, write in a way that illuminates the details more clearly than most technical scribes. While this approach doesn't raise Declaration above some of the genre's standards, e.g., Lenny Lipton's Independent Filmmaking, the authors' narrative form will certainly appeal to aspiring filmmakers. Meanwhile, what Gilles really offers is explicit guidance on film writing; that isn't to say that his book doesn't have a place in the growing canon of filmmaking books for neophytes, just that the title is misleading. Both works are recommended for general collections and especially for film libraries and performing arts collections.-Michael Tierno, New York Copyright 2005 Reed Business Information.

Product Details

  • ISBN-13: 9780312347383
  • Publisher: St. Martin's Press
  • Publication date: 10/1/2005
  • Edition description: First Edition
  • Pages: 272
  • Sales rank: 615,593
  • Product dimensions: 5.48 (w) x 8.28 (h) x 0.72 (d)

Meet the Author

D.B. Gilles, author of The Screenwriter Within, has taught in the Undergraduate Film & Television Department at New York University's Tisch School of the Arts for fifteen years. He has also taught in NYU’s Department of Dramatic Writing and in the Graduate Film Department at Columbia University. Many of his former students have been finalists in screenwriting contests, gotten deals, sold scripts and directed films. He has written for the stage, screen and TV and is a member of the Writers Guild of America.

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Sort by: Showing all of 2 Customer Reviews
  • Posted March 17, 2012

    Highly Recommended

    This book is a must buy for film students or people interested in making their own films. This book takes the reader through the steps of the whole film making process. I found it very helpful for getting started on your project. A lot of people don't know where to start this book will HELP!!

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    Posted January 1, 2011

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