Portraiture and Social Identity in Eighteenth-Century Rome
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Portraiture and Social Identity in Eighteenth-Century Rome

by Sabrina Norlander Eliasson
     
 

Portraiture and Social Identity in Eighteenth-Century Rome' sheds new light on the relationship between portraiture, social affirmation and the myth of Antiquity as it was experienced and elaborated in eighteenth-century Rome. Drawing upon a wealth of unpublished documents and previously unexamined literary texts, it offers new insights and readings into how the

Overview

Portraiture and Social Identity in Eighteenth-Century Rome' sheds new light on the relationship between portraiture, social affirmation and the myth of Antiquity as it was experienced and elaborated in eighteenth-century Rome. Drawing upon a wealth of unpublished documents and previously unexamined literary texts, it offers new insights and readings into how the experience of the City in terms of abstract or concrete appropriation affected the ways of portraying native or visiting elite sitters. The Grand Tour portrait, usually discussed as a purely British phenomenon, is here put in its original context of production and compared to the portraits of the Romans themselves.

'Portraiture and social identity in eighteenth-century Rome' will become essential reading for anyone with a particular interest in eighteenth-century art and its social use.

Product Details

ISBN-13:
9780719075964
Publisher:
Manchester University Press
Publication date:
12/22/2009
Pages:
174
Product dimensions:
6.30(w) x 9.20(h) x 0.90(d)

Meet the Author

Sabrina Norlander Eliasson is Assistant Director at the Swedish School for Classical Studies in Rome and is affiliated with the Research Department at the National Museum of Fine Arts in Stockholm

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