Possessing Nature: Museums, Collecting, and Scientific Culture in Early Modern Italy / Edition 1

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Overview


In 1500 few Europeans regarded nature as a subject worthy of inquiry. Yet fifty years later the first museums of natural history had appeared in Italy, dedicated to the marvels of nature. Italian patricians, their curiosity fueled by new voyages of exploration and the humanist rediscovery of nature, created vast collections as a means of knowing the world and used this knowledge to their greater glory.

Drawing on extensive archives of visitors' books, letters, travel journals, memoirs, and pleas for patronage, Paula Findlen reconstructs the lost social world of Renaissance and Baroque museums. She follows the new study of natural history as it moved out of the universities and into sixteenth- and seventeenth-century scientific societies, religious orders, and princely courts. Findlen argues convincingly that natural history as a discipline blurred the border between the ancients and the moderns, between collecting in order to recover ancient wisdom and the development of new textual and experimental scholarship. Her vivid account reveals how the scientific revolution grew from the constant mediation between the old forms of knowledge and the new.

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Meet the Author


Paula Findlen is Professor of History and Director of the Science, Technology and Society Program at Stanford University
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Table of Contents

Acknowledgments
Abbreviations
Photo Credits
Introduction 1
Pt. I Locating the Museum
1 "A World of Wonders in One Closet Shut" 17
2 Searching for Paradigms 48
3 Sites of Knowledge 97
Pt. II Laboratories of Nature
4 Pilgrimages of Science 155
5 Fare Esperienza 194
6 Museums of Medicine 241
Pt. III Economies of Exchange
7 Inventing the Collector 293
8 Patrons, Brokers, and Strategies 346
Epilogue: The Old and the New 393
Bibliography 409
Index 433
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