Post-War Italian Cinema

Post-War Italian Cinema

by Daniela Treveri Gennari
     
 

ISBN-10: 0415962870

ISBN-13: 9780415962872

Pub. Date: 12/03/2008

Publisher: Taylor & Francis

Through a comparative approach of current theories developed on ideology and an analysis of official documents from the Vatican and the United States Department of State, the book investigates the decisive role that American production companies played in the development of the Italian film industry and their links to the Vatican. This analysis evaluates how the

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Overview

Through a comparative approach of current theories developed on ideology and an analysis of official documents from the Vatican and the United States Department of State, the book investigates the decisive role that American production companies played in the development of the Italian film industry and their links to the Vatican. This analysis evaluates how the Italian production and distribution industries satisfied the
American political and economic interests. American political and cultural ideology of the post-1945 era, is compared with the Roman Catholic ideology in order to assess their cultural propaganda. This is followed by studies of the roles played by key individuals, such as Giulio Andreotti, and institutions such as ANICA and A.G.I.S. involved in formulating the policies and regulations that affected the production and distribution of American and
Italian films in the post-1945 era, as well as the involvement of the Roman Catholic Church in this process.

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Product Details

ISBN-13:
9780415962872
Publisher:
Taylor & Francis
Publication date:
12/03/2008
Series:
Routledge Advances in Film Studies Series
Pages:
218
Product dimensions:
0.60(w) x 0.90(h) x 0.70(d)

Table of Contents

Chapter 1: You Can Be Like Us: American Intervention in Italian Reconstruction Chapter 2: Roman Catholicism, Americanism and Americanisation: Ideology, Politics and Cultural Propaganda Chapter 3: The State, Cinema Legislation and American Interests Chapter 4: Endemic Propaganda: Catholic Production, Exhibition and Criticism Chapter 5: Dispelling the Myth: The Popularity of American and Italian Cinema in Post-War Italy and the Response of the Catholic Church Chapter 6: Gender Roles, the Church and the Allure of Modernity in American and Italian Films Conclusions

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